An acclaimed medical expert and patient advocate offers an eye-opening look at many common and widely used medical interventions that have been shown to be far more harmful than helpful. Yet, surprisingly, despite clear evidence to the contrary, most doctors continue to recommend them. Modern medicine has significantly advanced in the last few decades as more informed practices, thorough research, and incredible breakthroughs have made it possible to successfully treat and even eradicate many serious ailments. Illnesses that once were a death sentence, such as HIV and certain forms of cancer, can now be managed, allowing those affected to live longer, healthier lives. Because of these advances, we now live 30 years longer than we did 100 years ago. But while we have learned much in the preceding decades that has changed our outlook and practices, we still rely on medical interventions that are vastly out of date and can adversely affect our health. We all know that finishing the course of antibiotics prevents the recurrence of illness, that sunscreens block harmful UV rays that cause skin cancer, and that all cancer-screening programs save lives. But do scientific studies really back this up? In this game-changing book, Dr. Paul A. Offit debunks fifteen common medical interventions that have long been considered gospel despite mounting evidence of their adverse effects, from vitamins, sunscreen, fever-reducing medicines, and eyedrops for pink eye to more serious procedures like heart stents and knee surgery. Analyzing how these practices came to be, the biology of what makes them so ineffective and harmful, and the medical culture that continues to promote them, Overkill informs patients to help them advocate for their health. By educating ourselves, we can ask better questions about some of the drugs and surgeries that are all too readily available—and all too heavily promoted.

"You ruined my life. You ruined my baby’s life!" Laurie Show was as compassionate as she was hard-working. The outgoing high-school junior worked part-time to pay for the home she and her divorced mother shared. Yet she always had time to tutor friends struggling in school. And she befriended a dejected classmate after his traumatic breakup with his pregnant long-time girlfriend Michelle Lambert. But soon things spiraled into jealous obsession, stalking, and a brutal attack that left Laurie murdered in her own bedroom. And once Michelle started telling one lie too many, the ensuing investigation shattered a peaceful community. Noted crime writer Lyn Riddle also brings you the latest updates on Michelle Lambert, her accomplices, and those involved in this unforgettable case. Includes 16 pages of dramatic photos.

Borenstein argues that the popular cultural products consumed in the post-perestroika era were more than just diversions; they allowed Russians to indulge their despair over economic woes and everyday threats.

In 1975 legendary bassist Lemmy decreed that Motörhead would be “the dirtiest rock’n’roll band in the world. If you moved in next door, your lawn would die.” Overkill: The Untold Story Of Motörhead tells the whole story of the ultimate rock trip. The Omnibus Enhanced edition includes a Digital Timeline spanning all four decades of Motörhead's reign, packed with audio, video and images of tour nights, memorabilia, music videos and interviews. Additionally, throughout the book are links to curated playlists allowing you to hear Motörhead's finest rock n' roll gems, their early influences and more. Overkill: The Untold Story Of Motörhead is based upon original interviews with those closest to the action and is packed with fresh insights. Joel McIver presents a more philosophical view than most of Lemmy and the band without shying away from the turbulent excesses of a life lived on the road. Updated in the wake of Lemmy's death, and with an introduction by rock legend Glenn Hughes, this is the definitive book for those wanting to sit at a bar with Lemmy, Whisky-in-hand, and listen to his odyssey.

DIVWhen the body of a young mother is found on the banks of New Zealand's Mataura River, young female police constable Sam Shephard begins an investigation, with horrifying and very personal implications. Book one in an addictive, atmospheric new series. *** SHORTLISTED for the CWA John Creasey (New Blood) Dagger 2019*** ***SHORTLISTED for the Ngaio Marsh Award*** 'The tensions within a tightknit village, along with various aspects of Kiwi society, are laid out with real authority, but it is Symon's copper Sam, self-deprecating and very human, who represents the writer's real achievement' Guardian ‘Lively evocation of small-town life, with a plot that grabs the reader's attention with a heart-stopping opening and doesn't let go' The Times ‘An achievement that blends heart-stopping thrills with deep, believable characters in a stark New Zealand setting. It will leave readers reaching for the next Sam Shephard mystery' Foreword Reviews –––––––––––––––––––––––––––––– When the body of a young mother is found washed up on the banks of the Mataura River, a small rural community is rocked by her tragic suicide. But all is not what it seems. Sam Shephard, sole-charge police constable in Mataura, soon discovers the death was no suicide and has to face the realisation that there is a killer in town. To complicate the situation, the murdered woman was the wife of her former lover. When Sam finds herself on the list of suspects and suspended from duty, she must cast aside her personal feelings and take matters into her own hands. To find the murderer … and clear her name. A taut, atmospheric and page-turning thriller, Overkill marks the start of an unputdownable and unforgettable series from one of New Zealand's finest crime writers. –––––––––––––––––––––––––––––– ‘A sassy heroine, fabulous sense of place, and rip-roaring stories with a twist' Kate Mosse ‘Symon has created a compelling series lead, and her treatment of small-town New Zealand is superbly atmospheric. This one's a cracker' Liam McIlvanney ‘Overkill certainly feels like the beginning of something great. It's a clever first novel and a dark thriller that's well-paced and well-plotted … with a satisfying and fitting ending' CultureFly ‘Symon nicely balances action, character and story in a well-drawn rural setting, and realistically speckles the book with light-hearted moments and humour throughout' Kiwi Crime ‘Powerful, coolly assured, and an absolute belter of a read' LoveReading ‘The key to the novel for me is definitely the humorous portrayal of the one-woman police band, both extremely naïve and too eager to prove herself in the eyes of her superiors and against the silent backdrop of her parents' disappointment' Crime Review ‘With a twisty plot, a protagonist who shines and beautifully written observations of the cruellest things, Overkill is crime fiction at its best and this is an outstanding book. I predict that this series is going to soar here in the UK and it deserves to' Crime

The work examines the evolution of the thriller from the heyday of the Hollywood mogul era in the 1930s when it was primarily bottom-of-the-bill fodder, through its maturity in the World War II years and noir-breeding 1950s, its commercial and critical ascendancy in the 1960s and 1970s, and finally its subsequent box office dominance in the age of the blockbuster.