This collection of short, action-filled stories of the Old West's most egregiously badly behaved female outlaws is a great addition to Western author Robert Barr Smith's books on the American frontier. Pulling together stories of ladies caught in the acts of mayhem, distraction, murder, and highway robbery, it includes famous names like Belle Starr and lesser known characters as well. The book also contains archival illustrations and photographs.

In 1968, Roxanne Dunbar-Ortiz helped found the Women’s Liberation Movement, part of what has been called the second wave of feminism in the United States. Along with a small group of dedicated women in Boston, she produced the first women’s liberation journal, No More Fun and Games. Dunbar-Ortiz was also an antiwar and anti-racist activist and organizer throughout the 1960s and early 1970s and a fiery, tireless public speaker on issues of patriarchy, capitalism, imperialism, and racism. She worked in Cuba with the Venceremos Brigade and formed associations with other revolutionaries across the spectrum of radical politics, including the Civil Rights Movement, Students for a Democratic Society, the Revolutionary Union, the African National Congress, and the American Indian Movement. Unlike most of those involved in the New Left, Dunbar-Ortiz grew up poor, female, and part–Native American in rural Oklahoma, and she often found herself at odds not only with the ruling class but also with the Left and with the women’s movement. Dunbar-Ortiz’s odyssey from Oklahoma poverty to the urban New Left gives a working-class, feminist perspective on a time and a movement that forever changed American society. In a new afterword, the author reflects on her fast-paced life fifty years ago, in particular as a movement activist and in relationships with men.

A journey into the experiences of incarcerated women in rural areas, revealing how location can reinforce gendered violence Incarceration is all too often depicted as an urban problem, a male problem, a problem that disproportionately affects people of color. This book, however, takes readers to the heart of the struggles of the outlaw women of the rural West, considering how poverty and gendered violence overlap to keep women literally and figuratively imprisoned. Outlaw Women examines the forces that shape women’s experiences of incarceration and release from prison in the remote, predominantly white communities that many Americans still think of as “the Western frontier.” Drawing on dozens of interviews with women in the state of Wyoming who were incarcerated or on parole, the authors provide an in-depth examination of women’s perceptions of their lives before, during, and after imprisonment. Considering cultural mores specific to the rural West, the authors identify the forces that consistently trap women in cycles of crime and violence in these regions: felony-related discrimination, the geographic isolation that traps women in abusive relationships, and cultural stigmas surrounding addiction, poverty, and precarious interpersonal relationships. Following incarceration, women in these areas face additional, region-specific obstacles as they attempt to reintegrate into society, including limited social services, significant gender wage gaps, and even severe weather conditions that restrict travel. The book ultimately concludes with new, evidence-based recommendations for addressing the challenges these women face.

This collection of short, action-filled stories of the Old West’s most egregiously badly behaved female outlaws is a great addition to Western author Robert Barr Smith’s books on the American frontier. Pulling together stories of ladies caught in the acts of mayhem, distraction, murder, and highway robbery, it includes famous names like Belle Starr and lesser known characters, and contains archival illustrations and photographs. Some famous females earned their criminal status through less-than-ladylike pursuits, making a living by capitalizing on the other sex's weaknesses of drinking, gambling, and enjoying the company of women. More than a few, like Cecilia and Edna "The Rabbit" Murray, weren't above robbing a bank or two to stay afloat for a while. Others, however, were much more sinister in their aims, earning a living by making sure others kept dying. Visitors to the homes of Kate Bender and Belle Gunness--dozens, no less--went missing over the years, only to be dug up months or years later, when suspicions were finally aroused.

Gender Outlaw is the work of a woman who has been through some changes--a former heterosexual male, a one-time Scientologist and IBM salesperson, now a lesbian woman writer and actress who makes regular rounds on the TV (so to speak) talk shows. In her book, Bornstein covers the "mechanics" of her surgery, everything you've always wanted to know about gender (but were too confused to ask) addresses the place and politics of the transgendered and intterogates the questions of those who give the subject little thought, creating questions of her own.

Renowned songwriter, singer, and wife of Waylon Jennings writes an intimate, enormously entertaining memoir of American music, of life with Waylon and the Outlaws, and of faith lost and found. The daughter of a Pentecostal evangelist and a race-car driver, Jessi Colter played piano and sang in church before leaving Arizona to tour with rock-n-roll pioneer Duane Eddy, whom she married. Colter became a successful recording artist, appearing on American Bandstand and befriending stars such as the Everly Brothers and Chet Atkins, while her songs were recorded by Nancy Sinatra, Dottie West, and others. Her marriage to Eddy didn’t last, however, and in 1969 she married the electrifying Waylon Jennings. Together, they made their home in Nashville which, in the 1970s, was ground zero for roots music, drawing Bob Dylan, Johnny Cash, Willie Nelson, Kris Kristofferson, Shel Silverstein, and others to the Nashville Sound. And Jessi was at the center of it all, the only woman on the landmark Wanted: The Outlaws album, therecord that launched the Outlaw Country genre and was the first country album to go platinum. She also tasted personal commercial success with the #1-single “I’m Not Lisa.” But offstage, life was a challenge, as Waylon pursued his addictions and battled his demons. Having drifted from the church as a young woman, Jessi returned to her faith and found in it a source of strength in the turmoil of living with Waylon. In the 1980s, Waylon helped launch the super group The Highwaymen with Willie Nelson, Johnny Cash, and Kris Kristofferson, and the hits kept rolling, as did Waylon’s reckless living. Amid it all, Jessi faithfully prayed for her husband until finally, at Thanksgiving 2001, Waylon found Jesus, just months before he died. An Outlaw and a Lady is a powerful story of American music, of love in the midst of heartache, and of faith that sustains.

“I know I’m not a man ... and I’ve come to the conclusion that I’m probably not a woman, either.... The trouble is, we’re living in a world that insists we be one or the other.” With these words, Kate Bornstein ushers readers on a funny, fearless, and wonderfully scenic journey across the terrains of gender and identity. With a new introduction by the author On one level, Gender Outlaw details Bornstein’s transformation from heterosexual male to lesbian woman, from a one-time IBM salesperson to a playwright and performance artist. But this particular coming-of-age story is also a provocative investigation into our notions of male and female, from a self-described nonbinary transfeminine diesel femme dyke who never stops questioning our cultural assumptions. Gender Outlaw was decades ahead of its time when it was first published in 1994. Now, some twenty-odd years later, this book stands as both a classic and a still-revolutionary work—one that continues to push us gently but profoundly to the furthest borders of the gender frontier.