The novel begins in the mid-1880s with the naive, blundering career of Djuro Kracha. It tracks his arrival from the old country as he walked from New York to White Haven, his later migration to the steel mills of Braddock, and his eventual downfall through foolish financial speculations and an extramarital affair.

When fourteen-year-old Alex is framed for murder, he becomes an inmate in the Furnace Penitentiary, where brutal inmates and sadistic guards reign, boys who disappear in the middle of the night sometimes return weirdly altered, and escape might just be possible.

Dead Space, 2401 AD Kyle Tanner is about to die. Alone, floating in a vacsuit only a few million kilometers from a massive, uncaring sun, he has barely enough time or juice to get out a distress signal before either his oxygen runs out or he succumbs to the radiation. When the CCF sent investigator Kyle Tanner to SOLEX One, a solar energy harvester past Mercury, he thought it would be an open-and-shut murder case. A crew member was found dead, minus his head and hands. Not the worst Tanner has ever seen, but the deeper he delves, the more nightmarish it becomes. A shadowy figure, bleeding from his hands, assaults Tanner in his quarters. Then two more turn up dead, missing their heads and hands as well. With no one to trust and everyone a suspect—even the intriguing chief engineer, Shaheen—Tanner must navigate a crew on the brink of madness to uncover a conspiracy that could threaten the whole of the human race. Even if it means making the ultimate sacrifice… 115,000 words

Timely and heartfelt, Prentis Rollins’s graphic novel debut The Furnace is a literary science fiction glimpse into our future, for fans of Black Mirror and The Twilight Zone One decision. Thousands of lives ruined. Can someone ever repent for the sins of their past? When Professor Walton Honderich was a young grad student, he participated in a government prison program and committed an act that led to the death of his friend, the brilliant physicist Marc Lepore, and resulted in unimaginable torment for an entire class of people across the United States. Twenty years later, now an insecure father slipping into alcoholism, Walton struggles against the ghosts that haunt him in a futuristic New York City. With full-color art and a cutting-edge critique of our increasingly technological world, The Furnace speaks fluently to the terrifying scope of the surveillance state, the dangerous allure of legacy, and the hope of redemption despite our flaws. “Surreal and evocative, The Furnace is a great critique of technology and the human condition.” —John Jennings, illustrator for the New York Times #1 bestseller Octavia Butler’s Kindred: A Graphic Novel Adaptation At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.

Focusing on the intersection of Christianity and politics in the American penitentiary system, Jennifer Graber explores evangelical Protestants' efforts to make religion central to emerging practices and philosophies of prison discipline from the 1790s through the 1850s. Initially, state and prison officials welcomed Protestant reformers' and ministers' recommendations, particularly their ideas about inmate suffering and redemption. Over time, however, officials proved less receptive to the reformers' activities, and inmates also opposed them. Ensuing debates between reformers, officials, and inmates revealed deep disagreements over religion's place in prisons and in the wider public sphere as the separation of church and state took hold and the nation's religious environment became more diverse and competitive. Examining the innovative New York prison system, Graber shows how Protestant reformers failed to realize their dreams of large-scale inmate conversion or of prisons that reflected their values. To keep a foothold in prisons, reformers were forced to relinquish their Protestant terminology and practices and instead to adopt secular ideas about American morals, virtues, and citizenship. Graber argues that, by revising their original understanding of prisoner suffering and redemption, reformers learned to see inmates' afflictions not as a necessary prelude to a sinner's experience of grace but as the required punishment for breaking the new nation's laws.