In 1897 August Strindberg, almost fifty years old, embarked on one of the great comebacks in the history of literature. For six years he had lived as an exile in Germany, Austria, and France. Though more than twenty years earlier he had earned a place in Scandinavian literature, the general view in Sweden was that he was finished, his career over. Then, with the publication of Inferno, the novel that described some of the most harrowing experiences of his exile years, he returned swiftly to the center of Swedish literary life. In Out of Inferno Harry G. Carlson analyzes the reasons for Strindberg’s collapse and subsequent reemergence as an influential modern writer. Strindberg’s early success was as a realist, or Naturalist, writer in the 1870s and 1880s. Astute and politically conscious, Strindberg emphasized social relevance in his art. At the same time, however, he instinctively trusted his highly inventive "visions." The tensions and contradictions between realist and dreamer ultimately helped precipitate the collapse of his career in the Inferno years. Carlson explores Strindberg’s struggle to redefine both his art and himself as an artist, and the influence on him of various intellectual trends in fin de siècle Berlin and Paris—occultism, alchemy, Orientalism, medievalism. After declaring himself finished with drama and fiction, Strindberg turned to an old love, painting, and sought out friends in avant-garde circles, among them Munch and Gauguin. His renewed interest in painting and in experiments in the powers of the visual imagination laid the groundwork for the radical experimentation of his later drama. In the extraordinary atmosphere of artistic ferment in Berlin and Paris, Strindberg’s always sensitive visual imagination became recharged with energy, and the writer was inspired to return to work. The results in plays like To Damascus, A Dream Play, The Dance of Death, Erik XIV, and The Ghost Sonata amounted to a vision of drama that helped change the course of the modern theatre.

Fate brought fifteen people together to witness a disaster. The novel follows the families through their everyday normal lives until they enter the hospital. We follow the events and conditions that led up to the scenes that these people were forced to witness. Some people migrated to this country for a better life. Some were born and raised in the shadow of Grissom Hospital The novel examines the workings of a major hospital, the everyday events and the facts that caused the disaster; it also takes into account the people who gave their lives trying to save others. They were people from other countries, those confined, visitors and those people who worked there. Much is learned there as a result of the fire and the novel and those that are now keeping them safe. The author hopes that he has contributed to the enlightenment of those people that enter the hospitals and those that are charged with keeping them safe. The claim man who handled this loss was driving home from work when he learned that Grissom Hospital was on fire over the radio. He knew that his company insured the hospital so he made a u turn and went there. He found that the sixth floor was in flames so he was there from the very beginning.

Allan Carpenter escaped from hell once but remained haunted by what he saw and endured. He has now returned, on a mission to liberate those souls unfairly tortured and confined. Partnering with the legendary poet and suicide, Sylvia Plath, Carpenter is a modern-day Christ who intends to harrow hell and free the damned. But now that he's returned to this Dantesque Inferno, can he ever again leave? At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.

From New York Times bestselling author Sylvain Reynard comes the first novel in the Gabriel's Inferno series, a haunting, unforgettable tale of one man’s salvation and one woman’s sensual awakening—NOW A FILM FROM PASSIONFLIX! Enigmatic and sexy, Professor Gabriel Emerson is a well-respected Dante specialist by day, but by night he devotes himself to an uninhibited life of pleasure. He uses his notorious good looks and sophisticated charm to gratify his every whim, but is secretly tortured by his dark past and consumed by the profound belief that he is beyond all hope of redemption. When the sweet and innocent Julia Mitchell enrolls as his graduate student, his attraction and mysterious connection to her not only jeopardizes his career, but sends him on a journey in which his past and his present collide. An intriguing and sinful exploration of seduction, forbidden love, and redemption, Gabriel’s Inferno is a captivating and wildly passionate tale of one man’s escape from his own personal hell as he tries to earn the impossible—forgiveness and love.

In Living with Fire historians Tom Griffiths and Christine Hansen trace both the history of fire in the region and the human history of the Steels Creek valley in a series of essays which examine the relationship between people and place. These essays are interspersed with four interludes compiled from material produced by the community.

Translated by Anthony Esolen Illustrations by Gustave Doré A groundbreaking bilingual edition of Dante’s masterpiece that includes a substantive Introduction, extensive notes, and appendixes that reproduce Dante’s key sources and influences.