A travel guide with character, this fact-filled keepsake offers all the history, beauty, charm, and culture of our nation's capital city. In eye-catching watercolors and detailed sketches, artist Diana Gessler captures the allure that makes Washington DC one of the most visited destinations in the country. In addition to the national landmarks, stirring memorials, and vibrant neighborhoods, there's the Cherry Blossom Festival, the Twilight Tattoo (a military pageant featuring the Old Guard Fife and Drum Corps and the U.S. Army Drill Team), colorful row houses, famous hotels and restaurants, and more museums than you'll be able to visit in just one trip. Gessler covers the city's most popular attractions but also heads off the beaten path to share hidden gems, like the quirky Albert Einstein Memorial and Eastern Market, where you can dine on bluebucks and browse for flea market finds. Also included are an index of sites and a useful appendix of addresses, Web sites, Metro stops, and phone numbers. Very Washington DC is a picture-perfect guidebook—a one-of-a-kind memento for tourists and a cherished reminder of the city's riches for those who have always lived in America's hometown.

Lost Washington, D.C. looks at the cherished places in the city that time, progress and fashion have swept aside. The Lost series from Pavilion Books looks back in loving detail at many of the things that have helped create a city’s unique identity that have since disappeared; the streetcars, the shops, the parks, the churches, the amusement parks, the communities, even the annual parades. It looks at the landmark buildings that failed to be preserved, the hotels that could not be adapted and fell to the wrecking ball and the novelty buildings such as the General Noble Redwood Treehouse which stood on the Mall from 1894 to 1932. Lost buiildings include the Washington Arsenal and Washinton Penitentiary where the Lincoln conspirators were hanged. The distinctive Center Market building which was razed along with Arcade, Liberty and Dutch Markets. Many theaters have gone; Victorian (Albaugh's Opera House) and Art Deco (Translux), but the grandiose Fox entrance remains to front a modern office block. Other sites include: Hoover Aiport, the Matthew Brady and L.C. Handy studios, the Ebbit House Hotel, commerce on the Chesapeake and Ohio Cabal, Baltimore and Portomac Railroad Station, faux castles such as Henderson's and Stewart's, the Corcoran School of Art and many Victorian vistas of Washingtom from the top of the Capitol and Washington Monument.

This oral history portrays the lives of African American women who migrated from the rural South to work as domestic servants in Washington, DC in the early decades of the twentieth century. In Living In, Living Out Elizabeth Clark-Lewis narrates the personal experiences of eighty-one women who worked for wealthy white families. These women describe how they encountered—but never accepted—the master-servant relationship, and recount their struggles to change their status from “live in” servants to daily paid workers who “lived out.” With candor and passion, the women interviewed tell of leaving their families and adjusting to city life “up North,” of being placed as live-in servants, and of the frustrations and indignities they endured as domestics. By networking on the job, at churches, and at penny savers clubs, they found ways to transform their unending servitude into an employer-employee relationship—gaining a new independence that could only be experienced by living outside of their employers' homes. Clark-Lewis points out that their perseverance and courage not only improved their own lot but also transformed work life for succeeding generations of African American women. A series of in-depth vignettes about the later years of these women bears poignant witness to their efforts to carve out lives of fulfillment and dignity.

The author of the popular blog “The Streets of Washington” shares new vignettes and reader favorites exploring the colorful history of America’s capitol. In Lost Washington, D.C., John DeFerrari investigates the bygone institutions and local haunts of the nineteenth and twentieth centuries. Washington may seem eternal and unchanging with its grand avenues and stately monuments, but longtime locals and earlier generations knew a very different place. Discover the Washington of lavish window displays at Woodies, supper at the grand Raleigh Hotel and a Friday night game at Griffith Stadium. From the raucous age of burlesque at the Gayety Theater and the once bustling Center Market to the mystery of Suter's Tavern and the disappearance of the Key mansion in Georgetown, DeFerrari recalls the lost city of yesteryear.

An investigation of the practice of “commoning” in urban housing and its necessity for challenging economic injustice in our rapidly gentrifying cities Provoked by mass evictions and the onset of gentrification in the 1970s, tenants in Washington, D.C., began forming cooperative organizations to collectively purchase and manage their apartment buildings. These tenants were creating a commons, taking a resource—housing—that had been used to extract profit from them and reshaping it as a resource that was collectively owned by them. In Carving Out the Commons, Amanda Huron theorizes the practice of urban “commoning” through a close investigation of the city’s limited-equity housing cooperatives. Drawing on feminist and anticapitalist perspectives, Huron asks whether a commons can work in a city where land and other resources are scarce and how strangers who may not share a past or future come together to create and maintain commonly held spaces in the midst of capitalism. Arguing against the romanticization of the commons, she instead positions the urban commons as a pragmatic practice. Through the practice of commoning, she contends, we can learn to build communities to challenge capitalism’s totalizing claims over life.

With a new afterword covering the two decades since its first publication, two of Washington, D.C.’s most respected journalists expose one of America’s most tragic ironies: how the nation’s capital, often a gleaming symbol of peace and hope, is the setting for vicious contradictions and devastating conflicts over race, class, and power. Jaffe and Sherwood have chillingly chronicled the descent of the District of Columbia—congressional hearings, gangland murders, the establishment of home rule and the inside story of Marion Barry’s enigmatic dynasty and disgrace. Now their afterword narrates the District’s transformation in the last twenty years. New residents have helped bring developments, restaurants, and businesses to reviving neighborhoods. The authors cover the rise and fall of Mayors Adrian Fenty and Vince Gray, how new corruption charges are taking down politicians and businessmen, and how a fading Barry is still a player. The “city behind the monuments” remains flawed and polarized, but its revival is turning it into a distinct world capital—almost a dream city. Harry Jaffe has been a national editor at The Washingtonian magazine since 1990. He has received a number of awards for investigative journalism and feature writing from the Society of Professional Journalists. He has taught journalism at Georgetown University and American University. His work has appeared in Esquire, Regardie's, Outside, Philadelphia Magazine, National Geographic Traveler, The Washington Post, The Los Angeles Times, The Chicago Tribune, and other newspapers. Jaffe was born and raised in Philadelphia and began his journalism career with the Rutland (Vermont) Herald. He is the co-author of Dream City: Race, Power and the Decline of Washington, D.C. He lives in Clarke County, Virginia, and Washington, D.C., with his wife and daughters. Tom Sherwood is a reporter for NBC4 in Washington, specializing in politics and the District of Columbia government. Tom also is a commentator for WAMU 88.5 public radio and a columnist for the Current Newspapers. Tom has twice been honored as one of the Top 50 Journalists in Washington by Washingtonian magazine. He began his journalism career at The Atlanta Constitution and covered local and national politics for The Washington Post from 1979 to 1989. He is the co-author of Dream City: Race, Power and the Decline of Washington, D.C. A native of Atlanta, he currently resides in Washington, D.C. and has one son, Peyton.

This reference work chronicles and categorizes more than 23,000 Union casualties at Gettysburg by generals and staff and by state and unit. Thirteen appendices also cover information by brigade, division and corps; by engagements and skirmishes; by state; by burial at three cemeteries; and by hospitals. Casualty transports, incarceration records and civilian casualty lists are also included.