Prominent American author, lecturer, and social reformer Charlotte Perkins Gilman (1860–1935) is best known for her 1898 treatise Women and Economics, which ascribed gender inequality to women’s economic dependence upon men, and for her 1892 short story “The Yellow Wall-Paper,” which depicts a woman’s descent into madness. However, she began her career as a poet. Her first authored book, a collection of verse entitled In This Our World, was issued in four different editions between 1893 and 1898. While virtually all of Gilman’s later poems appeared in her monthly magazine, The Forerunner (1909–16), or in The Later Poetry of Charlotte Perkins Gilman (1996), Gilman’s early verse has been largely inaccessible to modern readers, and dozens of her poems have never been collected. This volume, coedited by Scharnhorst and Knight, includes all 149 poems in the 1898 edition of In This Our World as well as 112 vagrant poems that appeared in a variety of newspapers and magazines. This critical volume features a comprehensive introduction and extensive notes. Gilman devotees and a new generation of readers will find this edition an indispensable resource.

A collection of eighty poems from more than fifty different countries.

Although readers of prose fiction sometimes find descriptive passages superfluous or boring, description itself is often the most important aspect of a poem. This book examines how a variety of contemporary poets use description in their work. Description has been the great burden of poetry. How do poets see the world? How do they look at it? What do they look for? Is description an end in itself, or a means of expressing desire? Ezra Pound demanded that a poem should represent the external world as objectively and directly as possible, and William Butler Yeats, in his introduction to The Oxford Book of Modern Verse (1936), said that he and his generation were rebelling against, inter alia, "irrelevant descriptions of nature" in the work of their predecessors. The poets in this book, however, who are distinct in many ways from one another, all observe the external world of nature or the reflected world of art, and make relevant poems out of their observations. This study deals with the crisp, elegant work of Charles Tomlinson, the swirling baroque poetry of Amy Clampitt, the metaphysical meditations of Charles Wright from a position in his backyard, the weather reports and landscapes of John Ashbery, and the "new way of looking" that Jorie Graham proposes to explore in her increasingly fragmented poems. All of these poets, plus others (Gary Snyder, Theodore Weiss, Irving Feldman, Richard Howard) who are dealt with more briefly, attend to what Wallace Stevens, in a memorable phrase, calls "the way things look each day." The ordinariness of daily reality is the beginning of the poets' own idiosyncratic, indeed unique, visions and styles.

A poetry collection of “playful and crooning lyricism” from the National Book Award– and Pulitzer Prize–winning author of The Color Purple (Booklist). In this dazzling new collection, Alice Walker offers over sixty new poems to incite and nurture contemporary activists. Hailed as a “lavishly gifted writer,” Walker imbues her poetry with evocative images, fresh language, anger, forgiveness, and profound wisdom (The New York Times). Casting her eye toward history, politics, and nature, as well as to world figures such as Jimmy Carter, Gloria Steinem, and the Dalai Lama, she “distills struggles, crises, and tragedies down to bright, singing lessons in living with awareness and joy” (Booklist). By attentively chronicling the conditions of human life today, Walker shows, as ever, her deep compassion, profound spirituality, and necessary political commitments. The poems in The World Will Follow Joy remind us of our human capacity to come together and take action, even in our troubled political times. “Her spirituality, concern for human rights, and almost old-fashioned, determined joyousness run deep and her devoted readers will want to follow her as she turns ‘madness into flowers’” (Library Journal).

Here is a capacious and sparkling gathering of poems, an anthology that extends its reach from the English-speaking world to Asia, Africa, Europe, and Latin America. This unique volume includes such well-known figures as Pablo Neruda, Anna Akhmatova, Paul Celan, Seamus Heaney, Wole Soyinka, and Elizabeth Bishop but also offers the less familiar but equally welcome voices of Ugandan Okot p'Bitek, Indian A.K. Ramanujan, and the Japanese poet Shuntaro Tanikawa. With insightful essays by such eminent scholars and poets as Helen Vendler, Kwame Anthony Appiah, Sven Birkerts, Carolyn ForchÉ, and Bei Dao placing the selections from each region in their cultural, political, and literary contexts, The Poetry of Our World guides readers through the richest and most eclectic selection of world poetry available today.

Presents illustrated versions of well-known poems written by one of America's most renowned poets.

We wake and sleep every day. Growing up, as we must. Debut poetry chapbook Can You Catch My Flow? captures the everyday ordinary events of the human condition in poetic snapshots. No matter the walks of life, the reader is sure to find themselves within the lines. Lidy's poetry reveals an understanding that deep meaning can be felt in the details. Her poetry portrays a range of topics from the pressures to conform to societal expectations, friendship, monarch butterflies, partying, insomnia, and the quest for peace...just to name a few. Enjoy!- Shelah L. Maul From emerging from our cocoons, everything we have become is forever ingrained upon us. And hopeful for the next destination, we flap our wings and await the storm. -excerpt, Arrival of the Monarch