In 1844, seven widows dared to cast ballots in an election in Canada West, a display of feminist effrontery that was quickly punished: the government struck a law excluding women from the vote. It would be seven decades before women regained voting rights in Ontario. Our Voices Must Be Heard explores Ontario’s suffrage history, examining its ideals and failings, its daring supporters and thunderous enemies, and its blind spots on matters of race and class. It looks at how and why suffragists from around the province joined an international movement they called “the great cause.” This is the second volume in the seven-part Women’s Suffrage and the Struggle for Democracy series.

Ella Fitzgerald and Marilyn Monroe. On the outside, you couldn't find two girls who looked more different. But on the inside, they were alike--full of hopes and dreams and plans of what might be. Ella Fitzgerald's velvety tones and shube-doobie-doos captivated audiences. Jazz greats like Louis Armstrong and Duke Ellington couldn't wait to share the stage with her, but still, Ella could not book a performance at one of the biggest clubs in town--one she knew would give her career its biggest break yet. Marilyn Monroe dazzled on the silver screen with her baby blue eyes and breathy boo-boo-be-doos. But when she asked for better scripts, a choice in who she worked with, and a higher salary, studio bosses refused. Two women whose voices weren't being heard. Two women chasing after their dreams and each helping the other to achieve them. This is the inspiring, true story of two incredibly talented women who came together to help each other shine like the stars that they are.

A collection of feminist essays steeped in “Solnit’s unapologetically observant and truth-speaking voice on toxic, violent masculinity” (The Los Angeles Review). In a timely and incisive follow-up to her national bestseller Men Explain Things to Me, Rebecca Solnit offers sharp commentary on women who refuse to be silenced, misogynistic violence, the fragile masculinity of the literary canon, the gender binary, the recent history of rape jokes, and much more. In characteristic style, “Solnit draw[s] anecdotes of female indignity or male aggression from history, social media, literature, popular culture, and the news . . . The main essay in the book is about the various ways that women are silenced, and Solnit focuses upon the power of storytelling—the way that who gets to speak, and about what, shapes how a society understands itself and what it expects from its members. The Mother of All Questions poses the thesis that telling women’s stories to the world will change the way that the world treats women, and it sets out to tell as many of those stories as possible” (The New Yorker). “There’s a new feminist revolution—open to people of all genders—brewing right now and Rebecca Solnit is one of its most powerful, not to mention beguiling, voices.”—Barbara Ehrenreich, New York Times–bestselling author of Natural Causes “Short, incisive essays that pack a powerful punch.” —Publishers Weekly “A keen and timely commentary on gender and feminism. Solnit’s voice is calm, clear, and unapologetic; each essay balances a warm wit with confident, thoughtful analysis, resulting in a collection that is as enjoyable and accessible as it is incisive.” —Booklist

This book provides a compelling and informative look into the experiences of women of colour in academia. Using personal and scholarly narrative the women in the book convey a poignant and richly descriptive account of the challenges they faced, the strategies they employed for survival and thriving, and the contributions they made to transform their institutions. From the seasoned faculty member and academic administrator to the entering graduate student, it is a must read book for women of colour in academia. They will resonate to the voices of the women in the book, and hear their needs articulated in perceptive and practical ways. In the tradition of critical race theory, this book also fulfils the purpose of providing White professionals and students a new perspective of the personal and professional world of women of colour in academia as represented through their eyes and realities.

It can be hard to speak up when power dynamics keep us silent and marginalized, especially when race, ethnicity, and gender are factors. Activist Kathy Khang roots our voice and identity in the image of God, showing how we can raise our voices for the sake of God's justice. We are created to speak, and we can both speak up for ourselves and speak out on behalf of others.

In 1844, seven widows dared to cast ballots in an election in Canada West, a display of feminist effrontery that was quickly punished: the government struck a law excluding women from the vote. It would be seven decades before women regained voting rights in Ontario. Our Voices Must Be Heard explores Ontario’s suffrage history, examining its ideals and failings, its daring supporters and thunderous enemies, and its blind spots on matters of race and class. It looks at how and why suffragists from around the province joined an international movement they called “the great cause.” This is the second volume in the seven-part Women’s Suffrage and the Struggle for Democracy series.