A decade after his hugely successful "North Carolina Portrait," Lassiter offers his companion work on its sister state to the south. Traveling backroads and bypassed communities in each of South Carolina's 46 counties, he has captured the world of our grandparents, our parents and, for some of us, our youth. The book is divided according to the type of store or business. Each chapter contains an introduction highlighting a few of the people and places Lassiter encountered during his travels. The county by county index assists you in looking for places of interest. "The history of South Carolina comes alive in these pages in both pictures and words." -Jack Bass, chronicler of the American South and author or co-author of eight books, including The Palmetto State: The Making of South Carolina."

This book takes readers on a leisurely journey through a bygone era with fascinating accounts of canals, corduroy roads, and turnpikes, waterwheels and icehouses, colorful road signs and their painters, circus folk, and more. Brimming with anecdotes about people and the times, this delightful narrative remains a milestone of Americana. 81 black-and-white illustrations.

As suburban sprawl conquer the country, the vestiges of a lost way of life are falling under the wrecking ball. Photographer Eastman has captured these quirky buildings on film before they vanish, in this book that delights in the idiosyncrasies of America's vernacular styles.

William Temple Hornaday was the Director of the New York Zoological Society and the nation's leading advocate of wildlife conservation in this era. This unsparing manifesto was written to accompany Hornaday's launching of the Permanent Wildlife Protection Fund; it is thus (in the words of the historian Stephen Fox) both "a campaign tract" and "one of the first books wholly devoted to endangered wild animals" (John Muir and His Legacy: The American Conservation Movement [Boston: Little, Brown and Company, 1981], p. 149). It is also a landmark of conservation history which had a profound effect on the thought of Aldo Leopold, among others. The book surveys the history and causes of wildlife destruction in America and elsewhere, and sets forth a lengthy program to ensure the protection of remaining wildlife for the future, often in militant and moralistic terms. The work also throws light on some of the complexities inherent in the conservation movement at this time: for example, Hornaday accepts the classification of certain bird and mammalian predators as "noxious" or "vermin" and appropriate for destruction (pp. 77-81); there is no criticism here of the massive campaign for the extermination of wolves and coyotes being sponsored at the time by the Bureau of Biological Survey. On a more general level, Hornaday's fulminations against Italian immigrants as incorrigible bird-killers suggest a connection between nativism and conservationism, while his excoriations of market hunters set forth a deeply-rooted class bias shared by many leading conservationists.

Whether exploring the reclusive communities of the Amish and Hutterites, probing the gritty existence of the American cowboy, or revealing the quiet beauty of the Minnesota lakes, William Albert Allard has helped define America in all its diversity. From rodeos to blues singers, from William Faulkner’s Mississippi to minor league baseball, Allard has turned his camera toward parts of our heritage that are often overlooked. His other award-winning books include The Vanishing Breed and A Time We Knew. Portraits of America features 165 of Allard’s finest photographs. Presented in chronological order, with incisive introductions to each section written by Allard himself, these photographs show the creative development of a remarkably gifted artist. Pulitzer Prize­winning author Richard Ford contributes a foreword that places Allard’s photography within the context of the American experience. Art aficionados and lovers of Americana alike delight in this beautifully designed and thoughtful collection from a man who has become a legend in the world photographic community.

Explores the meaning of Jewishness in light of the increasing assimilation of America's Jews and suggests ways to preserve Jewish identity.

"Eric Sloane has here brought together engrossing facts and anecdotes and, with his observant pen, has illustrated the activities, the customs, the things that were created by the people who made their living in what some of us today are prone to call antique ways. As always in Eric Sloane's books of Americana, the reader, young and old, is delighted and charmed with America yesterday. This book is dedicated to those people who have kept the past alive, sorting out the discarded objects with fond hands, though not knowing exactly why they did so, but having the New England tradition that everything comes in handy some time if one waits long enough. Those with this feeling will welcome the 'voice of ghosts' to be found here. This book captures in its way the living heritage of America as seen in 'the things that were.'