Our True Intent Is All For Your Delight features the vintage color photographs of the John Hinde postcard company, originally made in the 1970s for sale as postcards and published here in book form for the first time. Butlin's was a network of Holiday Camps that revolutionized the British holiday in the years following World War II and, by the 1970s, was attracting a million people each year. The John Hinde team of photographers documented Butlin's glamorous and kitsch bars and ballrooms with technical brilliance and with the participation of large casts of holidaymakers. Precursors to the art photography of Andreas Gursky and Jeff Wall, these images are simultaneously heart-warming and hilarious, with dazzling design and color. They are a unique social-historical record of Britain in the early 1970s, described by Martin Parr in his introduction as "some of the strongest images of Britain of the period." Martin Parr is a leading figure in British and European photography and a jackdaw collector of images and -postcards. Born in Epsom, Surrey, in 1952, he spent two summer breaks from college working as a "walkie" photographer at Butlin's, snapping holidaymakers for their family albums. His encounter at Butlin's with John Hinde's postcards helped determine his own style, and he came to fame in 1986 with color-saturated scenes of working-class British holidaymakers, The Last Resort. Author of over 30 photography books, his retrospective was shown at the Barbican Art Gallery, London, in 2002. He is a member of Magnum Photos, and his work has been collected by museums throughout the world, including the Getty Museum in Los Angeles, the Philadelphia Museum and the Museums of Modern Art in New York and San Francisco.

"With its gentle affirmations, inspirational quotes, fill-in-the-blank lists and tasks — write yourself a thank-you letter, describe yourself at 80, for example — The Artist’s Way proposes an egalitarian view of creativity: Everyone’s got it."—The New York Times "Morning Pages have become a household name, a shorthand for unlocking your creative potential"—Vogue Over four million copies sold! Since its first publication, The Artist's Way phenomena has inspired the genius of Elizabeth Gilbert and millions of readers to embark on a creative journey and find a deeper connection to process and purpose. Julia Cameron's novel approach guides readers in uncovering problems areas and pressure points that may be restricting their creative flow and offers techniques to free up any areas where they might be stuck, opening up opportunities for self-growth and self-discovery. The program begins with Cameron’s most vital tools for creative recovery – The Morning Pages, a daily writing ritual of three pages of stream-of-conscious, and The Artist Date, a dedicated block of time to nurture your inner artist. From there, she shares hundreds of exercises, activities, and prompts to help readers thoroughly explore each chapter. She also offers guidance on starting a “Creative Cluster” of fellow artists who will support you in your creative endeavors. A revolutionary program for personal renewal, The Artist's Way will help get you back on track, rediscover your passions, and take the steps you need to change your life.

National Sylvan Theatre, Washington Monument grounds, The Community Center and Playgrounds Department and the Office of National Capital Parks present the ninth summer festival program of the 1941 season, the Washington Players in William Shakespeare's "A Midsummer Night's Dream," produced by Bess Davis Schreiner, directed by Denis E. Connell, the music by Mendelssohn is played by the Washington Civic Orchestra conducted by Jean Manganaro, the setting and lights Harold Snyder, costumes Mary Davis.

In 1975, fresh out of art school, Martin Parr found poor footing in the London photography scene, so he moved to the picturesque Yorkshire Pennine mill town of Hebden Bridge. Over a period of five years, he documented the town in photographs, showing in particular the aspects of traditional life that were beginning to decline. Susie Parr, whom he had met in Manchester, joined him in documenting a year in the life of a small Methodist chapel, together with its farming community. Such chapels seemed to encapsulate the region's disappearing way of life. Here Martin Parr found his photographic voice, while together he and Susie assembled a remarkable and touching historic document--now published in book form for the first time. The Non-Conformists takes its title from the Methodist and Baptist chapels that then char - acterized this area of Yorkshire and defined the fiercely independent character of the town. In words and pictures, the Parrs vividly and affectionately document cobbled streets, flat-capped mill workers, hardy gamekeepers, henpecked husbands, and jovial shop owners. The best Parr photographs are interleaved with Susie Parr's detailed background descriptions of the society they observed.

In the United Kingdom, one is never more than seventy-five miles away from the coast. With this much shoreline, it's not surprising that there is a strong British tradition of photography by the seaside. American photographers may have given birth to street photography, but according to photographer Martin Parr, "in the UK, we have the beach!" Here, he asserts, people can relax, be themselves, and show off all those traces of mildly eccentric British behavior. Parr has been photographing this subject for many decades, documenting all aspects of the tradition. His international career, in fact, could well be traced to the launch of The Last Resort, a 1986 book depicting the seaside resort of New Brighton, near Liverpool. What may be less known is that this obsession has led Parr to photograph beaches across the world. This compilation, his first on the topic, presents photos of beachgoers on far-flung shores, including Argentina, Brazil, China, Spain, Italy, Latvia, Japan, the United States, Mexico, Thailand, and of course, the UK, among others. This book shows Parr at his best, startling us with the moments of captured absurdity and immersing us in the rituals and traditions associated with beach life the world over.

Voice: Onstage and Off is a comprehensive guide to the process of building, mastering, and fine-tuning the voice for performance. Every aspect of vocal work is covered, from the initial speech impulse and the creation of sound, right through to refining the final product in different types of performance. This highly adaptable course of study empowers performers of all levels to combine and evolve their onstage and offstage voices. This second edition is extensively illustrated and accompanied by an all-new website, full of audio and text resources, including: extensive teacher guides including sample syllabi, scheduling options, and ways of adapting to varying academic environments and teaching circumstances downloadable forms to help reproduce the book’s exercises in the classroom and for students to engage with their own vocal development outside of lessons audio recordings of all exercises featured in the book examples of Voiceover Demos, including both scripts and audio recordings links to useful web resources, for further study. Four mentors - the voice chef, the voice coach, the voice shrink and the voice doctor - are on hand throughout the book and the website to ensure a holistic approach to voice training. The authors also provide an authoritative survey of US and UK vocal training methods, helping readers to make informed choices about their study.