All baby boomers are children of their time. In Our Time After a While, writer Lloyd Billingsley backpacks into that time, the tail end of the tail-fi n era, in its very birthplace. In the motor cities of Detroit and Windsor, the streets, schools and parks jostled with a vast cast of characters. The author charts their adventures, and the sound track no border could stop, and which would spread around the world. This was long ago, but like Bob Seger the author is still humming a song from 1962, and still looking back in wonder. In Our Time After a While, his fellow baby boomers and all others can join him. Memories are made of this.

From John Berger, the Booker Prize-winning author of G., A Painter of Our Time is at once a gripping intellectual and moral detective story and a book whose aesthetic insights make it a companion piece to Berger's great works of art criticism. The year is 1956. Soviet tanks are rolling into Budapest. In London, an expatriate Hungarian painter named Janos Lavin has disappeared following a triumphant one-man show at a fashionable gallery. Where has he gone? Why has he gone? The only clues may lie in the diary, written in Hungarian, that Lavin has left behind in his studio. With uncanny understanding, John Berger has written oneo f hte most convincing portraits of a painter in modern literature, a revelation of art and exile.

Now in paperback, one of the first books to help navigate the profound emotional challenges of caring for elderly parents in a strained parent-child relationship.

This compelling autobiography traces the trajectory of the groundbreaking Puerto Rican leader Antonia Pantoja, from a struggling school teacher in Puerto Rico to her work as principal engineer of the most enduring Puerto Rican organizations in New York City.

This book, the text of Martin Heidegger's lecture course of 1929/30, is crucial for an understanding of Heidegger's transition from the major work of his early years, Being and Time, to his later preoccupations with language, truth, and history. First published in German in 1983 as volume 29/30 of Heidegger's collected works, The Fundamental Concepts of Metaphysics presents an extended treatment of the history of metaphysics and an elaboration of a philosophy of life and nature. Heidegger's concepts of organism, animal behavior, and environment are uniquely developed and defined with intensity. Of major interest is Heidegger's brilliant phenomenological description of the mood of boredome, which he describes as a "fundamental attunement" of modern times.

This book provides an important study of the theology of Thomas F. Torrance, who is generally considered to have been one of the most significant theologians writing in English during the twentieth century, with a view toward showing how his theological method and all his major doctrinal views were shaped by his understanding of the doctrine of the Trinity. Torrance pursued a theology that was realist because he attempted to think in accordance with the unique nature of the object that is known. In holding to such a methodology, he drew an analogy between theology and natural science. This book demonstrates how, for Torrance, God relates with humanity within time and space so that creation finds its meaning in relation to God and not in itself; this enabled him to avoid many theological pitfalls such as agnosticism, subjectivism and dualism while explaining the positive implications of various Christian doctrines in a penetrating and compelling manner. This book offers an important resource for students of theology and for scholars who are interested in seeing how serious dogmatic theology shapes and should shape our understanding of the Christian life.

Provides a clear introduction to the key terms and frameworks in cognitive poetics and stylistics