This richly illustrated volume tells the story of the home that has served as Ohio's executive residence since 1957, and of the nine governors and their families who have lived in the house. Our First Family's Home offers the first complete history of the residence and garden that represent Ohio to visiting dignitaries and the citizens of the state alike. Once in a state of decline, the house has been lovingly restored and improved by its residents. Development of the Ohio Heritage Garden has increased the educational potential of the house and has sparked an interest in the preservation of native plant species. Looking toward the future, the Residence is also taking the lead in promoting environmental issues such as solar power and green energy. Photographs by award-winning environmental photographer Ian Adams and botanical art by Dianne McElwain showcase the beauty of the home's architecture and the myriad of native plants that grace the three acres on which the Residence stands. Dianne McElwain is a member of the American Society of Botanical Artists in New York. Her botanical paintings have won numerous awards and are found in prestigious collections throughout the United States. Essays highlight the Jacobethan Revival architecture and the history of the home. The remaining pieces cover the garden and include an intimate tour of the Heritage Garden, which was inspired by Ohio's diverse landscape. Finally, Governor Ted Strickland and First Lady Frances Strick­land discuss the increasing focus on green energy at the Governor's Residence and First Lady Emerita Hope Taft explains how native plants can help sustain the environment.

Winner of the 2014 John Collier Jr. Award Winner of the Jo Anne Stolaroff Cotsen Prize Life at Home in the Twenty-First Century cross-cuts the ranks of important books on social history, consumerism, contemporary culture, the meaning of material culture, domestic architecture, and household ethnoarchaeology. It is a distant cousin of Material World and Hungry Planet in content and style, but represents a blend of rigorous science and photography that these books can claim. Using archaeological approaches to human material culture, this volume offers unprecedented access to the middle-class American home through the kaleidoscopic lens of no-limits photography and many kinds of never-before acquired data about how people actually live their lives at home. Based on a rigorous, nine-year project at UCLA, this book has appeal not only to scientists but also to all people who share intense curiosity about what goes on at home in their neighborhoods. Many who read the book will see their own lives mirrored in these pages and can reflect on how other people cope with their mountains of possessions and other daily challenges. Readers abroad will be equally fascinated by the contrasts between their own kinds of materialism and the typical American experience. The book will interest a range of designers, builders, and architects as well as scholars and students who research various facets of U.S. and global consumerism, cultural history, and economic history.

"Carl Anthony opens the door to the world's most famous residence to reveal life as it was actually lived there. He takes readers into the heart of loyalties and estrangements, and the emotional pressures politics brings to bear upon the forty White House families, from their arrivals to their "notices to vacate." Readers will enjoy an unprecedented tour of the previously unseen private rooms as used and decorated by each family. Revealed too are the personal proclivities of the presidents and how their families both sustained them through public crises and were used to political advantage. They'll get a firsthand look at the preparations for White House weddings and other occasions; meet the parents and children of the presidents - as well as an assortment of eccentric relatives - and discover the patterns of working, resting, and relaxing that shaped family life."--BOOK JACKET.

Award-winning historian Cassandra A. Good shows how the outspoken stepgrandchildren of George Washington played an overlooked but important role in the development of American society and politics from the Revolution to the Civil War. While it’s widely known in America that George and Martha Washington never had children of their own, few are aware that they raised numerous children together. In First Family, we see Washington as a father figure, as well as meet the children he helped raise and trace their complicated roles in American history. The children of Martha Washington’s son by her first marriage—Eliza, Patty, Nelly and Wash Custis—were born into life in the public eye. Raised in the country’s first “first family,” they remained well-known as Washington’s family and keepers of his legacy throughout their lives. By turns petty and powerful, glamorous and cruel, the Custises used Washington as a means to enhance their own power and status. As enslavers committed to the American empire, the Custis family embodied the failures of the American experiment that finally exploded into civil war—all the while being celebrities in a soap opera of their own making. First Family brings new focus and attention to this surprisingly neglected aspect of George Washington’s life and legacy. As the country grapples with concerns about political dynasties and the public role of presidential families, the saga of Washington’s family offers a human story of historical precedent.

Gender and the Nuclear Family in Twenty-First-Century Horror is the first book-length project to focus specifically on the ways that patriarchal decline and post-feminist ideology are portrayed in popular American horror films of the twenty-first century. Through analyses of such films as Orphan, Insidious, and Carrie, Kimberly Jackson reveals how the destruction of male figures and depictions of female monstrosity in twenty-first-century horror cinema suggest that contemporary American culture finds itself at a cultural standstill between a post-patriarchal society and post-feminist ideology.