This book presents interviews with eight gay men who are celebrated American poets and writers, discussing their early lives, friends and communities that shaped their work, histories of gay writers before them, how sex and desire connect with artistic production, and what coming out means to a writer.

Maps the intricate relationship between culture, politics, and sexuality over three centuries - now in paperback!

Written in his beloved epigrammatic and aphoristic style, Equals extends Adam Phillips's probings into the psychological and the political, bringing his trenchant wit to such subjects as the usefulness of inhibitions and the paradox of permissive authority. He explores why citizens in a democracy are so eager to establish levels of hierarchy when the system is based on the assumption that every man is created equal. And he ponders the importance of mockery in group behavior, and the psyche's struggle as a metaphor for political conflict.

Modernity is made and unmade by the anecdotal. Conceived as a literary genre, a narrative element of criticism, and, most crucially, a mode of historiography, the anecdote illuminates the convergences as well as the fault lines cutting across modern practices of knowledge production. The volume explores uses of the anecdotal in exemplary case studies from the threshold of the early modern to the present.

Poetry and Work offers a timely and much-needed re-examination of the relationship between work and poetry. The volume questions how lines are drawn between work and non-work, how social, political, and technological upheavals transform the nature of work, how work appears or hides within poetry, and asks if poetry is work, or play, or something else completely. The book interrogates whether poetry and avant-garde and experimental writing can provide models for work that is less alienated and more free. In this major new collection, sixteen scholars and poets draw on a lively array of theory and philosophy, archival research, fresh readings, and personal reflection in order to consider work and poetry: the work in poetry and the work of poetry. Individual chapters address issues such as the many professions, occupations, and tasks of poets beyond and around writing; poetry’s special relationship with ‘craft’; work's relationship with gender, class, race, disability, and sexuality; how work gets recognised or rendered invisible in aesthetic production and beyond; the work of poetry and the work of political activism and organising; and the notion of poetry itself as a space where work and play can blur, and where postwork imaginaries can be nurtured and explored.

Run Through It! is a Christian approach to life's roadblocks and obstacles using a physical analysis. We all may not be runners in the physcial realm but we all are runners in the race of life. The question is how well will we run the race of life? Run Through It! provides a Christian approach to running life's race and being victorious at the finish. "Do you know that those who run in a race all run, but one receives the prize? Run in such a way that you may obtain it"(1 Corinthians 9:24). Paul has admonished us to run the race of life well. Read Run Through It! and be encouraged to run life well and finish strong as Paul and others who have finished before us. See you at the finish line!

An acclaimed poet and our greatest champion for poetry offers an inspiring and insightful new reading of the American tradition We live in unsettled times. What is America and who are we as a people? How do we understand the dreams and betrayals that have shaped the American experience? For poet and critic Edward Hirsch, poetry opens up new ways of answering these questions, of reconnecting with one another and with what’s best in us. In this landmark new book from Library of America, Hirsch offers deeply personal readings of forty essential American poems we thought we knew—from Anne Bradstreet’s “The Author to Her Book” and Phillis Wheatley’s “To S.M. a Young African Painter, on seeing his Works” to Garrett Hongo’s “Ancestral Graves, Kahuku” and Joy Harjo’s “Rabbit Is Up to Tricks”—exploring how these poems have sustained his own life and how they might uplift our diverse but divided nation. “This is a personal book about American poetry,” writes Hirsch, “but I hope it is more than a personal selection. I have chosen forty poems from our extensive archive and songbook that have been meaningful to me, part of my affective life, my critical consideration, but I have also tried to be cognizant of the changing playbook in American poetry, which is not fixed but fluctuating, ever in flow, to pay attention to the wider consideration, the appreciable reach of our literature. This is a book of encounters and realizations.”