The Chronicon of Thietmar of Merseburg has long been recognised as one of the most important sources for the history of the tenth and early eleventh centuries, especially for the history of the Ottonian Empire. Thietmar's testimony also has special value because of his geographical location, in eastern Saxony, on the boundary between German and Slavic cultures. He is arguably the single most important witness to the early history of Poland, and his detailed descriptions of Slavic folklore are the earliest on record. This is a very important source in the medieval period, translated here in its entirety for the first time. It relates to an area of medieval studies generally dominated by German scholars, in which Anglo-phone scholars are beginning to make a substantial contribution.

Laura E. Wangerin challenges traditional views of the Ottonian Empire’s rulership. Drawing from a broad array of sources including royal and imperial diplomas, manuscript illuminations, and histories, Ottonian kingship and the administration of justice are investigated using traditional historical and comparative methodologies as well as through the application of innovative approaches such as modern systems theories. This study suggests that distinctive elements of the Ottonians’ governing apparatus, such as its decentralized structure, emphasis on the royal iter, and delegation of authority, were essential features of a highly developed political system. Kingship and Justice in the Ottonian Empire provides a welcome addition to English-language scholarship on the Ottonians, as well as to scholarship dealing with rulership and medieval legal studies. Scholars have recognized the importance of ritual and symbolic behaviors in the Ottonian political sphere, while puzzling over the apparent lack of administrative organization, a contradiction between what we know about the Ottonians as successful rulers and their traditional characterization as rulers of a disorganized polity. Trying to account for the apparent disparity between their political and military achievements, cultural and artistic efflorescence, and relative dynastic stability, which seemingly accompanied a disinterest in writing law or creating a centralized hierarchical administration, is a tension that persists in the scholarship. This book argues that far from being accidental successes or employing primitive methods of governance, the Ottonians were shrewd rulers and administrators who exploited traditional methods of conflict resolution and delegated jurisdictional authority to keep control over their vast empire. Thus, one of the important things that this book aims to accomplish is to challenge our preconceived notions of what successful government looks like.

The seminal work, originally published in two seperate clothbound volumes, is now made available in a revised one-volume edition, both in hardback and in paperback. It brings to light an aesthic passage of European history which has never before received full-scale treatment in English. It explains, historically and with a rich body of illustrations, the origins and momentum of a magnificent movement of German art, and shows, through this powerful and expressive art, how religion and political ideaology were interwined in Ottonian culture from about 950 to 1050. Besides dealing with the great imperials books such as the Gospels of Otto III and the Pericopes Book of Henry II, as well as other splendid liturgical manuscripts, the author also writes with penetrating insight about the great art-loving bishops such as Egbert of Trier and Bernard of Hildesheim, whose aims ans personalitites are express in the books they commissioned. In addition, the most important art centres of the Ottonian Empire - Reichenau, Cologne, Fulda and Corvey - are discussed in detail.

When the writing in the margins is compared with the outlook of Ruotger, these margins begin to seem drawn into the centre of Cologne thinking." "Henry Mayr-Harting shows up the strand of Platonism in tenth-century intellectual history, a history still too little known. He asks how distinctive Cologne was, compared with other intellectual centres. The book also contains a critical edition of probably the earliest surviving set of glosses, hitherto unpublished, to Boethius's Arithmetic, with an extensive study of their contents."--BOOK JACKET.

"The first comprehensive history of courtliness and chivalry in their literary and cultural contexts."--Robert Grudin, University of Oregon "The first comprehensive history of courtliness and chivalry in their literary and cultural contexts."--Robert Grudin, University of Oregon

In tenth-century Europe and particularly in Germany, imperial women were able to wield power in ways that were scarcely imaginable in earlier centuries. Theophanu and Adelheid were two of the most influential figures in the Ottonian reich along with their husbands, who relied heavily on their support. Phyllis G. Jestice examines an array of factors that produced their power and prestige, including societal attitudes toward women, their wealth, their unction as queens, and their carefully constructed image of piety. Due to their influential positions, Theophanu and Adelheid reclaimed control of the young Otto III despite fierce opposition from Henry the Quarrelsome during the throne struggle of 984. In examining how they successfully secured the regency, this book confronts the outmoded notion of exceptionalism and illuminates the lives of powerful Ottonian women.

This is the first major study in English of the queens of the Ottonian dynasty (919-1024). The Ottonians were a family from Saxony who are often regarded as the founders of the medieval German kingdom. They were the most successful of all the dynasties to emerge from the wreckage of the pan-European Carolingian Empire after it disintegrated in 888, ruling as kings and emperors in Germany and Italy and exerting indirect hegemony in France and in Eastern Europe. It has long been noted by historians that Ottonian queens were peculiarly powerful - indeed, among the most powerful of the entire Middle Ages. Their reputations, particularly those of the empresses Theophanu (d.991) and Adelheid (d.999) have been commemorated for a thousand years in art, literature, and opera. But while the exceptional status of the Ottonian queens is well appreciated, it has not been fully explained. Ottonian Queenship offers an original interpretation of Ottonian queenship through a study of the sources for the dynasty's six queens, and seeks to explain it as a phenomenon with a beginning, middle, and end. The argument is that Ottonian queenship has to be understood as a feature in a broader historical landscape, and that its history is intimately connected with the unfolding story of the royal dynasty as a whole. Simon MacLean therefore interprets the spectacular status of Ottonian royal women not as a matter of extraordinary individual personalities, but as a distinctive product of the post-Carolingian era in which the certainties of the ninth century were breaking down amidst overlapping struggles for elite family power, royal legitimacy, and territory. Queenship provides a thread which takes us through the complicated story of a crucial century in Europe's creation, and helps explain how new ideas of order were constructed from the debris of the past.