Other Worlds Here: Honoring Native Women’s Writing in Contemporary Anarchist Movements examines the interaction of literature and radical social movement, exploring the limitations of contemporary anarchist politics through attentive engagement with Native women’s literatures. Tracing the rise of New Anarchism in the United States following protests against the World Trade Organization in 1999, interdisciplinary scholar Theresa Warburton argues that contemporary anarchist politics have not adequately accounted for the particularities of radical social movement in a settler colonial society. As a result, activists have replicated the structure of settlement within anarchist spaces. All is not lost, however. Rather than centering a critical indictment of contemporary anarchist politics, Other Worlds Here maintains that a defining characteristic of New Anarchism is its ability to adapt and transform. Through close readings of texts by Native women authors, Warburton argues that anarchists must shift the paradigm that another world is possible to one that recognizes other worlds already here: stories, networks, and histories that lay out methods of building reciprocal relationships with the land and its people. Analyzing memoirs, poetry, and novels by writers including Deborah Miranda, Elissa Washuta, Heid E. Erdrich, Janet Rogers, and Leslie Marmon Silko, Other Worlds Here extends the study of Native women’s literatures beyond ethnographic analysis of Native experience to advance a widely applicable, contemporary political critique.

Christopher White points to ways that both spiritual practices and scientific speculation about multiverses and invisible dimensions are efforts to peer into the hidden elements and even existential meaning of the universe. Creatively appropriated, these ideas can restore a spiritual sense that the world is greater than anything our eyes can see.

One star-chained evening in a Manhattan bathroom, Carl Schirmer spontaneously combusts! His body transforms into light, mysteriously snatched from his banal life by an alien intelligence 130 billion years in the future. There, all spacetime is collapsing into a cosmic black hole, the Big Crunch - and a bold, cosmic destiny awaits Carl. Rebuilt from the remnants of his light by extraterrestrials for a cryptic purpose, he awakens in time's last world, the strangest of all - the Werld. At the edge of infinity, Carl discovers the Foke, nomadic humans who travel among the floating islands of the Werld. The Foke teach him how to live - and love - at the end of time, and he loses his heart to his plucky guide, the beautiful Evoë. Their life together in this blissful kingdom that knows no aging or disease brings them to rapture - until Evoë falls prey to the zotl, a spidery intelligence who hunt the Foke and eat the chemical by-products of their pain. In order to save his beloved from a gruesome death, Carl must return to Earth - 130 billion years earlier - where he is shocked to discover that the Earth he's come back to is not the one he left. Can he meet the harsh demands of his task before the zotl find him and begin ravishing the Earth? Author's Note: The volumes of this series can each be read independently of the others. The feature that unifies them is their individual observations of science fiction's sub-genre: "space opera," which the editors David G. Hartwell and Kathryn Cramer define as "colorful, dramatic, large-scale science fiction adventure, competently and sometimes beautifully written, usually focused on a sympathetic, heroic central character and plot action, and usually set in the relatively distant future, and in space or on other worlds, characteristically optimistic in tone. It often deals with war, piracy, military virtues, and very large-scale action, large stakes."

A marvelous collection of wide-ranging essays from the bestselling author of The Handmaid's Tale and The Testaments, exploring her lifelong relationship to science fiction—as a reader and as a writer The ebook edition of this title contains over thirty additional, illuminating ebook-exclusive illustrations by the author At a time when the borders between genres are increasingly porous, she maps the fertile crosscurrents of speculative and science fiction, utopias, dystopias, slipstream, and fantasy, musing on the age-old human impulse to imagine new worlds. She shares the evolution of her personal fascination with SF, from her childhood invention of a race of flying superhero rabbits to her graduate study of its Victorian antecedents to the creation of her own acclaimed novels. Studded with appreciations of such influential writers as Marge Piercy, Ursula K. LeGuin, Kazuo Ishiguro, H. Rider Haggard, Aldous Huxley, H. G. Wells, and Jonathan Swift, In Other Worlds is as humorous and charming as it is insightful and provocative.

In this classic work, Gayatri Chakravorty Spivak, one of the leading and most influential cultural theorists working today, analyzes the relationship between language, women and culture in both Western and non-Western contexts. Developing an original integration of powerful contemporary methodologies – deconstruction, Marxism and feminism – Spivak turns this new model on major debates in the study of literature and culture, thus ensuring that In Other Worlds has become a valuable tool for studying our own and other worlds of culture.