Joss and Phil’s already rocky marriage is fragmented when Phil is injured in a devastating fire and diagnosed with Capgras delusion—a misidentification syndrome in which a person becomes convinced that a loved one has been replaced by an identical imposter. Faced with a husband who no longer recognizes her, Joss struggles to find motivation to save their marriage, even as family secrets start to emerge that challenge everything she thought she knew. With two young daughters, a looming book deadline, and an attractive but complicated distraction named Adam complicating her situation even further, Joss has to decide what she wants for her family—and what family even means.

“One of the most adventurous and rewarding collections since the publication of Cortázar’s own Blow-up.” —Los Angeles Times A traffic jam outside Paris lasts for weeks. Che Guevara and Fidel Castro meet on a mountaintop during the Cuban Revolution. A flight attendant becomes obsessed with a small Greek island, resulting in a surreal encounter with death. In All Fires the Fire, Julio Cortázar (author of Hopscotch and the short story “Blow-Up” ) creates his own mindscapes beyond space and time, where lives intersect for brief moments and situations break and refract. All Fires the Fire contains some of Julio Cortázar’s most beloved stories. It is a classic collection by “one of the world’s great writers” (Washington Post).

"Frightening...Firestorm comes alive when Struzik discusses the work of offbeat scientists." —New York Times Book Review "Comprehensive and compelling." —Booklist "A powerful message." —Kirkus "Should be required reading." —Library Journal For two months in the spring of 2016, the world watched as wildfire ravaged the Canadian town of Fort McMurray. Firefighters named the fire “the Beast.” It acted like a mythical animal, alive with destructive energy, and they hoped never to see anything like it again. Yet it’s not a stretch to imagine we will all soon live in a world in which fires like the Beast are commonplace. A glance at international headlines shows a remarkable increase in higher temperatures, stronger winds, and drier lands– a trifecta for igniting wildfires like we’ve rarely seen before. This change is particularly noticeable in the northern forests of the United States and Canada. These forests require fire to maintain healthy ecosystems, but as the human population grows, and as changes in climate, animal and insect species, and disease cause further destabilization, wildfires have turned into a potentially uncontrollable threat to human lives and livelihoods. Our understanding of the role fire plays in healthy forests has come a long way in the past century. Despite this, we are not prepared to deal with an escalation of fire during periods of intense drought and shorter winters, earlier springs, potentially more lightning strikes and hotter summers. There is too much fuel on the ground, too many people and assets to protect, and no plan in place to deal with these challenges. In Firestorm, journalist Edward Struzik visits scorched earth from Alaska to Maine, and introduces the scientists, firefighters, and resource managers making the case for a radically different approach to managing wildfire in the 21st century. Wildfires can no longer be treated as avoidable events because the risk and dangers are becoming too great and costly. Struzik weaves a heart-pumping narrative of science, economics, politics, and human determination and points to the ways that we, and the wilder inhabitants of the forests around our cities and towns, might yet flourish in an age of growing megafires.

The New York Times bestselling author of A Work in Progress and Note to Self moves fully into adulthood with his illuminating, soulful, bleeding collection of narrative, poetry, and original film photography. Humanitarian, entrepreneur, and content creator Connor Franta first captivated readers with A Work In Progress, ruminating on his Midwestern roots to his early start as a visionary and online thought-leader. He continued his soul-searching-through-a-broken-heart with Note to Self, challenging readers—and himself—to ponder the spectrum of humanity and their place within it. Now as Franta approaches thirty, life is no less confusing, but he finds this journey endlessly fascinating. Writing about confusion and clarity, loneliness and whirlwind romances, despair and elation—and everything in between—Franta invites readers back into the intimacy of his mind. House Fires magnifies a young man’s emotional warfare with his past, the daze of wandering through modern times in search of purpose, and the electricity flying from tomorrow’s potential.

Derived from interviews with a wide range of people who experienced or observed New York's 1991 Crown Heights racial riots, Fires In The Mirror is as distinguished a work of commentary on black-white tensions as it is a work of drama. In August 1991 simmering tensions in the racially polarized Brooklyn, New York, neighborhood of Crown Heights exploded into riots after a black boy was killed by a car in a rabbi's motorcade and a Jewish student was slain by blacks in retaliation. Fires in the Mirror is dramatist Anna Deavere Smith's stunning exploration of the events and emotions leading up to and following the Crown Heights conflict. Through her portrayals of more than two dozen Crown eights adversaries, victims, and eyewitnesses, using verbatim excerpts from their observations derived from interviews she conducted, Smith provides a brilliant, Rashoman-like documentary portrait of contemporary ethnic turmoil.

“This report presents national estimates of fire losses based on 1978 data for all major aspects of the fire problem. These include breakdowns of incidents, deaths, injuries, and property damage by cause, type of equipment and type of occupancy. “