It’s the summer of 1936, and the writer Stefan Zweig is in crisis. His German publisher no longer wants him, his marriage is collapsing, and his house in Austria—searched by the police two years earlier—no longer feels like home. He’s been dreaming of Ostend, the Belgian beach town that is a paradise of promenades, parasols, and old friends. So he journeys there with his lover, Lotte Altmann, and reunites with fellow writer and semi-estranged close friend Joseph Roth, who is himself about to fall in love. For a moment, they create a fragile haven. But as Europe begins to crumble around them, the writers find themselves trapped on vacation, in exile, watching the world burn. In Ostend, Volker Weidermann lyrically recounts “the summer before the dark,” when a coterie of artists, intellectuals, drunks, revolutionaries, and madmen found themselves in limbo while Europe teetered on the edge of fascism and total war. Ostend is the true story of two of the twentieth century’s great writers, written with a novelist’s eye for pacing, chronology, and language—a dazzling work of historical nonfiction. (Translated from the German by Carol Brown Janeway)

After the famous 'Battle of Nieuwpoort' in West Flanders in 1600, another feat of arms was to follow in the same area: the Siege of Ostend, which lasted from 1601 to 1604. Maurits was, yet again, to play the leading role and, despite the fact that the outcome was less of a success for the young Republic of the Seven United Netherlands than the battle of Nieuwpoort had been, the result was a Spanish conquest of a city of total devastation and, by then, wholly depopulated. Nevertheless a considerable impression had been made upon the Northern Netherlands. The most weird and wonderful machines of war had been tested, whilst a variety of new military siege techniques had been brought into play. There was even talk of 'the University of Ostend', with the implication that, from a military perspective, the siege was a very instructive experience. Many, too, were the rumours and the garbled tales that began to circulate soon after the end of the affair. One example was the legend of the soldier in the Spanish army who appeared to be a woman. In this book, Dr. Simoni provides a detailed and stimulating account of the manner of, and the form by which the tales of these shocking occurrences arose soon after the events of the siege had been set down, and immediately went into print after the details had reached the North. These reports were to leave such a lasting impression in the Republic, that 'Ostend' became one of the most well known feats of arms in the penultimate stages of the struggle for freedom from Spain. The book is, thus, a brilliant example of the received history of one of the most controversial events of the Eighty Years War. The role of the Leiden printer and publisher, Hendrick van Haestens, stands central to 'the Ostend Story'. He provides accounts of the fighting in no less than three publications. Dr. Simoni, in this study, reaches the conclusion that Haestens' reports are deserving of a more important place than they have found thus far. It is mainly to him that we owe the provision of a clear and lively picture of the famous siege.

The unrestricted U-Boat war threatened the very survival of Britain, whose reliance on imported food and war materials was her Achilles Heel. A significant element of the German submarine fleet operated from the occupied Belgian ports of Zeebrugge and Ostend. After careful planning the Royal Navy launched audacious attacks on these two ports on St Georges Day 1918. Five obsolete cruisers and two Mersey ferries supported by a flotilla of smaller vessels penetrated the near impregnable defenses, while Royal Marines and naval storming parties battle ashore in a diversionary attack. At the time of the action the concrete filled block ships were scuttled in the ports approaches.Despite being a costly and bloody affair for the participants, the survivors returned to acclaim. The raids gave a fillip to the national morale, at a time of depressing news from the Front. To underline the success of the affair no less than 11 Victoria Crosses were awarded.

Drama. Translated from the French by David Willinger. Michel de Ghelderode (1898-1962) was a Belgian playwright who is ranked by many as a key member of the international avant-garde, on par with Beckett, Brecht, Ionesco, Genet and Pinter. Writing most of his plays between 1918 and 1937, he wasn't discovered in Europe until after World War II, where he was hailed as the "Belgian Shakespeare," and in America until the 1960's. Both discoveries led to great, though still cult level, popularity. In the early 60's not a week went by without a production of one of Ghelderode's plays happening somewhere in the United States. This unique volume includes three plays--The Siege of Ostend, The Actor Makes His Exit and Transfiguration in the Circus--in their first-ever English translation.

The Ostend Company's commercial aspirations are shown to be in direct competition with Dutch and English overseas trade, and means are suggested for stifling the growth of commerce in the Austrian Netherlands.

The third short story in the Clockwork Imperium series. The mysterious and alluring Myra Abernathy has disappeared without a trace, and Henry Emerson is left wondering just who she really was, and who she really worked for. But dark events in Europe soon overtake him, cutting short his search for the American woman. A Flemish rebellion in Belgium threatens King Leopold II, and Henry's airship, the Bellerophon, with the rest of the British Air Navy's Second Squadron, is sent to help. With his friends James and Raheem aboard, Henry and the squadron are tasked with retaking the Belgian aerodrome by the coastal town of Ostend. But as Henry steers the Bellerophon into position, he can't help but wonder at the letter Myra left for him. A letter that warns things are not as they seem on the European continent and that someone behind the scenes is secretly maneuvering the great powers like pieces on a chessboard, for reasons unknown and sinister. Airfleets Over Ostend is a 13,000 word (50 pages) steampunk novella.