Winner of the Branford Boase Award 2021, a breathtaking fantasy adventure for fans of His Dark Materials that The Times calls 'Unputdownable'. The City was built on a sharp mountain that jutted improbably from the sea, and the sea kept trying to claim it back. That grey morning, once the tide had retreated, a whale was found on a rooftop. When a mysterious boy washes in with the tide, the citizens believe he's the Enemy - the god who drowned the world - come again to cause untold chaos. Only Ellie, a fearless young inventor living in a workshop crammed with curiosities, believes he's innocent. But the Enemy can take possession of any human body and the ruthless Inquisition are determined to destroy it forever. To save the boy, Ellie must prove who he really is - even if that means revealing her own dangerous secret . . . 'Unputdownable' - The Times 'Enthralling' - The Daily Express 'Sumptuously atmospheric . . . tirelessly inventive' - The Daily Telegraph 'Gripping' - The Guardian 'Energetic and inventive' - Sunday Times 'Gripping and original' - The Observer 'Singularly brilliant' - Kiran Millwood Hargrave, author of The Girl of Ink and Stars and The Mercies 'Compellingly inventive and unpredictable' - Piers Torday, author of The Last Wild 'A terrific debut of strange myths and dark secrets' - The Bookseller (Editor's Choice)

The breathtaking adventure continues in the sequel to the much-loved Orphans of the Tide. Orphans Ellie and Seth have crossed an endless ocean in search of freedom and peace. Arriving on the shores of a colourful tropical island ruled by a mysterious queen, it seems they might just have found the perfect new home. But there is trouble brewing in paradise and soon Ellie and Seth find themselves caught up in a dangerous struggle for power - and forced to confront terrible truths from their past . . . Praise for Orphans of the Tide: 'Unputdownable' - Times 'Enthralling' - Daily Express 'Sumptuously atmospheric . . . tirelessly inventive' - Daily Telegraph

American cities are constantly being built and rebuilt, resulting in ever-changing skylines and neighborhoods. While the dynamic urban landscapes of New York, Boston, and Chicago have been widely studied, there is much to be gleaned from west coast cities, especially in California, where the migration boom at the end of the nineteenth century permanently changed the urban fabric of these newly diverse, plural metropolises. In A City for Children, Marta Gutman focuses on the use and adaptive reuse of everyday buildings in Oakland, California, to make the city a better place for children. She introduces us to the women who were determined to mitigate the burdens placed on working-class families by an indifferent industrial capitalist economy. Often without the financial means to build from scratch, women did not tend to conceive of urban land as a blank slate to be wiped clean for development. Instead, Gutman shows how, over and over, women turned private houses in Oakland into orphanages, kindergartens, settlement houses, and day care centers, and in the process built the charitable landscape—a network of places that was critical for the betterment of children, families, and public life. The industrial landscape of Oakland, riddled with the effects of social inequalities and racial prejudices, is not a neutral backdrop in Gutman’s story but an active player. Spanning one hundred years of history, A City for Children provides a compelling model for building urban institutions and demonstrates that children, women, charity, and incremental construction, renovations, alterations, additions, and repurposed structures are central to the understanding of modern cities.

Loyalties are tested in this sequel to Orphans of the Tide, a smart, unique middle grade read perfect for fans of Wildwood or The Invention of Hugo Cabret. Ellie and Seth know more than most people do about living amongst gods. Ellie, an inventor with a tragic past, was once forced to become the human Vessel for the most wicked god of all, the Enemy; Seth, a mysterious boy with no memories, has just discovered that he’s actually a god himself. So when they escape the City and all of its inhabitants who want them dead, they hope to find a new island—free of gods—to call home. Months on a homemade raft have stretched their patience with each other, but at last they spot land—and when they arrive, it seems like every bit the paradise they’d been dreaming of. But the tropical island has its secrets just as the City did, and Ellie and Seth are faced with impossible questions about who they can trust and who they can’t—including each other.

Combining biblical theology and a personal journey with the latest social research, "Orphan Justice" moves readers from talking about global orphan care to actually doing something about it.