This study provides the archaeological record and pictorial documentation of ornamental wall painting produced for Assyrian royal residences. It examines the changing trends in the decorative designs and selection of motifs, some with symbolic meaning. Many illustrations are from the excavation reports.

Discussions of apocalyptic thought and its sources in the ancient Near East, particularly Mesopotamia, have a long scholarly history, with a renewed interest and focus in the recent decades. Outside Assyriological scholarship as well, studies of the apocalyptic give significant credit to the ancient Near East, especially Babylonia and Iran, as potential sources for the manifestations of this phenomenon in the Hellenistic period. The emphasis on kingship and empire in apocalyptic modes of thinking warrants special attention paid to the regal art of ancient Mesopotamia and adjacent areas in its potential to express the relevant notions. In this book, Mehmet-Ali Ataç demonstrates the importance of visual evidence as a source for apocalyptic thought. Focusing on the so-called investiture painting from Mari, he relates it to parallel evidence from the visual traditions of the Assyrian Empire, ancient Egypt, and Hittite Anatolia.

In July, 2010, the International Association for Assyriology met in Barcelona, Spain, for 5 days to deliver and listen to papers on the theme “Time and History in the Ancient Near East.” This volume, the proceedings of the conference, contains 70 of the papers read at the 56th annual Rencontre, including the papers from several workshop sessions on “architecture and archaeology,” “early Akkadian and its Semitic context,” “ Hurrian language,” “law in the ancient Near East,” “Middle Assyrian texts and studies,” and a variety of additional papers not directly related to the conference theme. The photo on the back cover shows only a representative portion of the attendees, who were warmly hosted by faculty and students from the University of Barcelona.

The ancient historians considered the Assyrian empire the crucial starting point of a new political system which was adopted by later empires. In modern historical research, this problem still needs to be investigated in a global perspective that studies the development of the imperial model through ages. Abundant epigraphical and archaeological sources can be used in investigating the expansionistic tacticts, the control structures, and the administrative procedures implemented by the Assyrians through a continuous effort of adaptation to evolving situations and changing needs. The book provides an updated outline of the history of the Assyrian empire and its neighbours, a detailed analysis of the technical and ideological aspects of the construction of the Assyrian empire, and of its long-lasting legacy in the Near East and in the West. For its broad theoretical framework, which includes the reference to studies of ancient and modern empires and imperialism, the book is intended not only for the specialists of Ancient Near Eastern history, but also for a wider public of Classical and Medieval historians and of historians interested in world and global history.

A detailed exploration of Layard's famous lithograph of the interior of an Assyrian palace

The exhibition "Assyria to Iberia at the Dawn of the Classical Age" (The Metropolitan Museum of Art, New York, 2014) offered a comprehensive overview of art and cultural exchange in an era of vast imperial and mercantile expansion. The twenty-seven essays in this volume are based on the symposium and lectures that took place in conjunction with the exhibition. Written by an international group of scholars from a wide variety of disciplines, they include reports of new archaeological discoveries, illuminating interpretations of material culture, and innovative investigations of literary, historical, and political aspects of the interactions that shaped art and culture in the in the early first millennium B.C. Taken together, these essays explore the cultural encounters of diverse populations interacting through trade, travel, and migration, as well as war and displacement, in the ancient world. Assyria to Iberia: Art and Culture in the Iron Age contributes significantly to our understanding of the epoch-making exchanges that spanned the Near East and the Mediterranean and exerted immense influence in the centuries that followed.

Personal adornment, as an extension of the body, is a crucial component in social interaction. The active process of adorning the body can shape embodied identities, such as social status, ethnicity, gender, and age. As a result of its dynamic and performative nature, the body can often convey meaning more powerfully and convincingly than verbal communication. Yet adornment is not easily read and does not necessarily reflect actual lived experience. Rather, bodily adornment, and the performances that accompany it, can be manipulated to conceal or exaggerate reality, thus speaking more to identity discourse. The interpretation of such discourse must be grounded in an understanding of the context-specific and negotiable nature of adornment. The essays in this volume, which are united by their focus on material and visual evidence, cover a broad chronological and geographical span, from the ancient Near East to Roman Britain, and bring together innovative scholarly work on adornment by an international group of art historians and archaeologists. This attention to the archaeological evidence makes the volume a valuable resource, as those working with material or visual culture face unique methodological and theoretical challenges to the study of adornment.