In the moralistic texts of jeremiadic discourse, authors lament the condition of society, utilizing prophecy as a means of predicting its demise. This study delves beneath the socio-religious and cultural exterior of the American jeremiadic tradition to unveil the complexities of African American jeremiadic rhetoric in antebellum America. It examines the development of the tradition in response to slavery, explores its contributions to the antebellum social protest writings of African Americans, and evaluates the role of the jeremiad in the growth of an African American literary genre. Despite its situation within an unreceptive environment, the African American jeremiad maintained its power, continuing to influence contemporary African American literary and cultural traditions.

Violence has been a central feature of America’s history, culture, and place in the world. It has taken many forms: from state-sponsored uses of force such as war or law enforcement, to revolution, secession, terrorism and other actions with important political and cultural implications. Religion also holds a crucial place in the American experience of violence, particularly for those who have found order and meaning in their worlds through religious texts, symbols, rituals, and ideas. Yet too often the religious dimensions of violence, especially in the American context, are ignored or overstated—in either case, poorly understood. From Jeremiad to Jihad: Religion, Violence, and America corrects these misunderstandings. Charting and interpreting the tendrils of religion and violence, this book reveals how formative moments of their intersection in American history have influenced the ideas, institutions, and identities associated with the United States. Religion and violence provide crucial yet underutilized lenses for seeing America anew—including its outlook on, and relation to, the world.

Winner of the 2021 Book of the Year Award from the Religious Communication Association Winner of the 2021 Top Book Award from the National Communication Association's African American Communication and Culture Division & Black Caucus No Future in This Country: The Prophetic Pessimism of Bishop Henry McNeal Turner is a history of the career of Bishop Henry McNeal Turner (1834–1915), specifically focusing on his work from 1896 to 1915. Drawing on the copious amount of material from Turner’s speeches, editorial, and open and private letters, Andre E. Johnson tells a story of how Turner provided rhetorical leadership during a period in which America defaulted on many of the rights and privileges gained for African Americans during Reconstruction. Unlike many of his contemporaries during this period, Turner did not opt to proclaim an optimistic view of race relations. Instead, Johnson argues that Turner adopted a prophetic persona of a pessimistic prophet who not only spoke truth to power but, in so doing, also challenged and pushed African Americans to believe in themselves. At this time in his life, Turner had no confidence in American institutions or that the American people would live up to the promises outlined in their sacred documents. While he argued that emigration was the only way for African Americans to retain their “personhood” status, he also would come to believe that African Americans would never emigrate to Africa. He argued that many African Americans were so oppressed and so stripped of agency because they were surrounded by continued negative assessments of their personhood that belief in emigration was not possible. Turner’s position limited his rhetorical options, but by adopting a pessimistic prophetic voice that bore witness to the atrocities African Americans faced, Turner found space for his oratory, which reflected itself within the lament tradition of prophecy.

An enduring verbal tradition links African American leaders from Frederick Douglass to Malcolm X to Alan Keyes.

An interdisciplinary, code-switching, critical collection by revisionist African American scholar and activist Bernard W. Bell. Bearing Witness to African American Literature: Validating and Valorizing Its Authority, Authenticity, and Agency collects twenty-three of Bernard W. Bell’s lectures and essays that were first presented between 1968 and 2008. From his role in the culture wars as a graduate student activist in the Black Studies Movement to his work in the transcultural Globalization Movement as an international scholar and Fulbright cultural ambassador in Spain, Portugal, and China, Bell’s long and inspiring journey traces the modern institutional origins and the contemporary challengers of African American literary studies. This volume is made up of five sections, including chapters on W. E. B. DuBois’s theory and trope of double consciousness, an original theory of residually oral forms for reading the African American novel, an argument for an African Americentric vernacular and literary tradition, and a deconstruction of the myths of the American melting pot and literary mainstream. Bell considers texts by contemporary writers like Toni Morrison, Alice Walker, William Styron, James Baldwin, and Jean Toomer, as well as works by Mark Twain, Frederick Douglas, and William Faulkner. In a style that ranges from lyricism to the classic jeremiad, Bell emphasizes that his work bears the imprint of many major influences, including his mentor, poet and scholar Sterling A. Brown, and W. E. B. DuBois. Taken together, the chapters demonstrate Bell’s central place as a revisionist African American literary and cultural theorist, historian, and critic. Bearing Witness to African American Literature will be an invaluable introduction to major issues in the African American literary tradition for scholars of American, African American, and cultural studies.

Benjamin Fagan shows how the early black press helped shape the relationship between black chosenness and the struggles for black freedom and equality in America, in the process transforming the very notion of a chosen American nation.