'Orientalism' refers both to the academic study of the Orient and to Western scholarship that clings to stock images of the timeless East and oriental despotism. This landmark collection of essays, the first in its field, is written by seasoned art historians, Assyriologists and biblical specialists; it is organized under four rubrics: 1. Intellectual and Disciplinary Histories identifies waymarks in the rise of Assyriology in America, shifting images of ancient Assyria in their cultural context, Smithsonian Institution exhibits of 'biblical antiquities' at the world's fairs of 1893 and 1895, the rise of Egyptology in the nineteenth century, Mari scholarship and its impact on biblical studies, and the ancient Near Eastern text anthology as genre (Foster, Frahm, Holloway Reid, Younger). 2. Visual Perspectives suggests itself as a corrective to the academic habit of conjuring a 'texted Orient'. Here are contributions that describe Assyrianizing engravings in the famous Dalziels' Bible Gallery, the reception of ancient Assyria in nineteenth-century England versus France, and artwork for twentieth-century American histories of Israel (Bohrer, Esposito, Long). 3. Of Harems and Heroines explores gender issues in the context of the figure of Semiramis and the idea of the harem in biblical research and Assyriology (Asher-Greve, Solvang). 4. Assyriology and the Bible offers essays that focus on specific figures (Josiah), texts (Genesis 28.10-22, the Uruk Prophecy), or periods (Persian period in biblical historiography) (Grabbe, Handy, Hurowitz, Scurlock). The volume includes a Bibliography of some 1000 items, an important resource.

The title “Queen of the Arabs” is applied in Neo-Assyrian texts to five women from the Arabian Peninsula. These women led armies, offered tribute, and held religious roles in their communities from 738 to approximately 651 BCE. This book discusses what the title meant to the women who carried it and to the Assyrians who wrote about them. Whereas previous scholarship has considered the Queens of the Arabs in relation to the military and economic history of the Neo-Assyrian empire, Eleanor Bennett focuses on identity, using gender theory to locate points of the women’s alterity in Assyrian sources and to analyze how Assyrian cultural norms influenced the treatment of the “Queens of the Arabs.” This kind of analysis shows how Assyrian perceptions of the Queens of the Arabs, and of Arabian populations more generally, changed over time. As the Queens of the Arabs were located on the periphery of the Assyrian Empire, Bennett incorporates data from the Arabian Peninsula. The shift from an Assyrian lens to an Arabian one highlights inaccuracies in the Assyrian material, which brings into focus Assyrian misunderstandings of the region. The Arabian Peninsula also offers comparative models for the Queens of the Arabs based on Arabian cultures.

The French Catholic priest and biblical scholar Alfred Loisy (1857-1940) was at the heart of the Roman Catholic Modernist crisis in the early part of the twentieth century. He saw much of his work as an attempt to bring John Henry Newman’s notion of development of doctrine into the realm of Catholic biblical studies, and thereby transform Catholic theology. This volume situates Loisy’s better known works on the New Testament and theology in the context of his lesser known work in Assyriology and Old Testament studies. His early training in Assyriology taught Loisy a comparative historical approach to studying ancient texts, in addition to providing him the requisite training in ancient Near Eastern languages and literature. Loisy built upon this Assyriological foundation with his historical critical work in biblical studies, first in the Old Testament. In his biblical scholarship, Loisy combined the then current trends of historical biblical criticism with his more comparative approach. Prior to his excommunication in 1908, Loisy attempted in his more popular writings to defend the inclusion of historical biblical criticism in the repertoire of Catholic biblical interpretation. He saw this as an important step in reforming Catholic theology. The Modernist crisis set the stage for the major debates that would occur in the Catholic theological world for more than a century. The controversy over Modernism became one important conflict that helped pave the way for the Second Vatican Council. The issues raised during Loisy’s time, remain contested today. Examining how Loisy approached biblical studies helps readers better understand his overall work, and the place it played in the pivotal intellectual turmoil of his day.

Testing the Canon of Ancient Near Eastern Art and Archaeology invites readers to reconsider the contents and agendas of the art historical and world-culture canons by looking at one of their most historically enduring components: the art and archaeology of the ancient Near East. Ann Shafer, Amy Rebecca Gansell, and other top researchers in the field examine and critique the formation and historical transformation of the ancient Near Eastern canon of art, architecture, and material culture. Contributors flesh out the current boundaries of regional and typological sub-canons, analyze the technologies of canon production (such as museum practices and classroom pedagogies), and voice first-hand heritage perspectives. Each chapter, thereby, critically engages with the historiography behind our approach to the Near East and proposes alternative constructs. Collectively, the essays confront and critique the ancient Near Eastern canon's present configuration and re-imagine its future role in the canon of world art as a whole. This expansive collection of essays covers the Near East's many regions, eras, and types of visual and archaeological materials, offering specific and actionable proposals for its study. Testing the Canon of Ancient Near Eastern Art and Archaeology stands as a vital benchmark and offers a collective path forward for the study and appreciation of Near Eastern cultural heritage. This book acts as a model for similar inquiries across global art historical and archaeological fields and disciplines.

A Story of YHWH investigates the ancient Israelite expression of their deity, and tracks why variation occurred in that expression, from the early Iron Age to the Persian period. Through this text, readers will gain a better appreciation for the complexities and contexts in the development of YHWH, from its earliest origins to the Persian period. Two interpretive frameworks–cultural translation and subversive reception–are offered for filtering through the textual data and contexts. Comparative study with ancient Near Eastern deities and select biblical texts lead readers through early YHWHism, YHWH’s original outsider status, and the eventual impact of urbanization on the expression. Perceived and real pressures then challenge urbanite YHWHism and invite new directions for forming a unique expression of divinity in the ancient world. This book is intended for those interested in the study of ancient divinity broadly as well as those who study ancient Israel and the Hebrew Bible. The work provides generalists with a better appreciation for the particular challenges in working in the ancient Near East and with the bible specifically, while it provides specialists with a broad theory that can be continually tested. For both, the study provides two reading lenses to work through similar questions and an accounting of why the many contextually driven and varied constructions of YHWH may have occurred.

From its inception at the time of the Enlightenment until the mid-twentieth century, the historical-critical method constituted the dominant paradigm in Old Testament studies. In this magisterial overview, Niels Peter Lemche surveys the development of the historical-critical method and the way it changed the scholarly perception of the Old Testament. In part 1 he describes the rise and influence of historical-critical approaches, while in part 2 he traces their decline and fall. Then, in part 3, he discusses the identity of the authors of the Old Testament, based on the content of the literature they wrote, demonstrating that the collapse of history does not preclude critical study. Part 4 investigates the theological consequences of this collapse and surveys Old Testament and biblical theology in its various manifestations in the twentieth century. An appendix includes a history of Palestine from the Stone Age to modern times, constructed without recourse to the Old Testament.