The newest addition to Johnstone's series finds Smoke Jensen in Muddy Gap, Wyoming, taking a much-needed break from driving a herd north. But he is soon on the run again, with Jack Grubb's vicious gang of rustlers hot on his trail. Then, Chief Iron Claw's bloodthirsty Cheyenne warriors appear on the horizon and it won't be long before a war between the white man's greed and the red man's savagery turns the peaceful Bighorn Mountains into a simmering powderkeg.

The newest addition to Johnstone's series finds Smoke Jensen in Muddy Gap, Wyoming, taking a much-needed break from driving a herd north. But he is soon on the run again, with Jack Grubb's vicious gang of rustlers hot on his trail. Then, Chief Iron Claw's bloodthirsty Cheyenne warriors appear on the horizon and it won't be long before a war between the white man's greed and the red man's savagery turns the peaceful Bighorn Mountains into a simmering powderkeg.

In the Spirit of the Mountain Man a hard term in Yuma Prison gave Ralph Tinsdale and his gunhawk sidekicks time to nurse a deep hatred for Smoke Jensen - the man who put them there. In Ordeal of the Mountain Man what the vicious Utah Jack Grubbs would really kill for just rode into town Smoke Jensen.

After years of suffering abuse at the hands of her stepfather, Samantha Aikens finds herself accused of his murder by masterminding a mine cave in. Oh, Them Days on Red Hoss Mountain, depicts the life of a young woman living in an era where men ruled, and women served. A fictional history of Gold Hill is portrayed while the saga of Samantha’s hardship unfolds in a world where she has very little control. As the murder trial proceeds, Samantha’s personal life is the highlight of town gossip, and her reputation, as the only source of medical knowledge for the community, is put to the test. Oh, Them Days on Red Hoss Mountain is inspired by a tale called, “Casey’s Table D’Hote”, written by poet Eugene Field, who stayed at the hotel in Gold Hill during his days of writing for a Denver newspaper in the late 1800’s. Casey, the fictional character in the poem, is brought to life as his closest confidant, Samantha Aikens, struggles to find independence in a man’s world. This story of family, friendship, romance, and coming-of-age, captures the reader while it moves from past to present as the brave and true endure life during the Colorado gold rush.

How the United States underdeveloped Appalachia Appalachia—among the most storied and yet least understood regions in America—has long been associated with poverty and backwardness. But how did this image arise and what exactly does it mean? In Ramp Hollow, Steven Stoll launches an original investigation into the history of Appalachia and its place in U.S. history, with a special emphasis on how generations of its inhabitants lived, worked, survived, and depended on natural resources held in common. Ramp Hollow traces the rise of the Appalachian homestead and how its self-sufficiency resisted dependence on money and the industrial society arising elsewhere in the United States—until, beginning in the nineteenth century, extractive industries kicked off a “scramble for Appalachia” that left struggling homesteaders dispossessed of their land. As the men disappeared into coal mines and timber camps, and their families moved into shantytowns or deeper into the mountains, the commons of Appalachia were, in effect, enclosed, and the fate of the region was sealed. Ramp Hollow takes a provocative look at Appalachia, and the workings of dispossession around the world, by upending our notions about progress and development. Stoll ranges widely from literature to history to economics in order to expose a devastating process whose repercussions we still feel today.

Because of his fear of the sea, a young Chinese boy is sent to a distant mountain where he proves his bravery.

Engaged with the paradigms of cultural geography, local history, spatial politics, and everyday life, The Lost Geopoetic Horizon of Li Jieren unveils a Sichuan writer’s lifelong quest: an independent historical fiction writing project on Chengdu from the turn of the century through China’s 1911 Revolution. Kenny Kwok-kwan Ng's study illuminates the crisis of writing home in a globalized age by rescuing Li Jieren’s repeatedly revised but never finished river-novel series written from Republican to Communist China, struggling to liberate local memory from the national cum revolutionary currents. The book undercuts official historiography and rewrites Chinese literary history from the ground up by highlighting Li’s resilient geopoetics of writing that decenters the nation by adopting the place-based view of a distant province.