This multiauthored volume, as well as bringing into clearer focus the notion of drama and oratory as important media of public inquiry and critique, aims to generate significant attention to the unified intentions of the dramatist and the orator to establish favourable conditions of internal stability in democratic Athens. We hope that readers both enjoy and find valuable their engagement with these ideas and beliefs regarding the indissoluble bond between oratorical expertise and dramatic artistry. This exciting collection of studies by worldwide acclaimed classicists and acute younger Hellenists is envisaged as part of the general effort, almost unanimously acknowledged as valid and productive, to explore the impact of formalized speech in particular and craftsmanship rhetoric in general upon Attic drama as a moral and educational force in the Athenian city-state. Both poet and orator seek to deepen the central tensions of their work and to enlarge the main themes of their texts to even broader terms by investing in the art of rhetoric, whilst at the same time, through a skillful handling of events, evaluating the past and establishing standards or ideology.

Offers a radical re-appraisal of rhetoric's relation to literature, with fresh insights into rhetorical sources and their reception in Roman poetry.

An ALA Notable Book A story--and history--reaching back thousands of years unfolds in this diverse and unusual collection of Native American poetry, which gathers dozens of works that have been translated from over forty languages. Representing all the best-known Indian peoples of North and South America, In the Trail of the Wind is a cross-cultural anthology--the first of its kind--that brings into focus the similarities between tribes as widely separated as the Sioux and the Aztec, the Cherokee and the ancient Maya. Here we find an array of omens, battle songs, orations, love lyrics, prayers, dreams, and mysteries incantations. Beginning with the origin of the earth and the emergence of humanity, the sequence of poems proceeds through that rituals of birth, love, war, and death to the foreshadowing of the Conquest, the days of despair, and, finally, the apocalyptic visions of a new life. Editor John Bierhorst also offers a detailed Introduction; a richly thorough Notes section on the translators, meanings, contexts, and specific references of these poems; and a complete Glossary of Tribes, Cultures, and Languages. In the Trail of the Wind concludes with a Suggestions for Further Reading page.

As if convinced that all divination of the future is somehow a re-visioning of the past, Kwame Dawes reminds us of the clairvoyance of haunting. The lyric poems in City of Bones: A Testament constitute a restless jeremiad for our times, and Dawes’s inimitable voice peoples this collection with multitudes of souls urgently and forcefully singing, shouting, groaning, and dreaming about the African diasporic present and future. As the twentieth collection in the poet’s hallmarked career, City of Bones reaches a pinnacle, adding another chapter to the grand narrative of invention and discovery cradled in the art of empathy that has defined his prodigious body of work. Dawes’s formal mastery is matched only by the precision of his insights into what is at stake in our lives today. These poems are shot through with music from the drum to reggae to the blues to jazz to gospel, proving that Dawes is the ambassador of words and worlds.

When The Orators was originally published in 1932 it was described by Poetry Review as 'something as important as the appearance of Mr Eliot's poems fifteen years ago'. A long poem written in both prose and verse, it was a powerful addition to the canon of modernist poetry.