Ruth Finnegan's Oral Literature in Africa was first published in 1970, and since then has been widely praised as one of the most important books in its field. Based on years of fieldwork, the study traces the history of storytelling across the continent of Africa. This revised edition makes Finnegan's ground-breaking research available to the next generation of scholars. It includes a new introduction, additional images and an updated bibliography, as well as its original chapters on poetry, prose, "drum language" and drama, and an overview of the social, linguistic and historical background of oral literature in Africa. This book is the first volume in the World Oral Literature Series, an ongoing collaboration between OBP and World Oral Literature Project. A free online archive of recordings and photographs that Finnegan made during her fieldwork in the late 1960s is hosted by the World Oral Literature Project (http: //www.oralliterature.org/collections/rfinnegan001.html) and can also be accessed from publisher's website.

This book, first published in 1983, was the first detailed study of the Xhosa oral poetry tradition.

This handbook offers the most comprehensive, analytic, and multidisciplinary study of oral traditions and folklore in Africa and the African Diaspora to date. Preeminent scholars Akintunde Akinyemi and Toyin Falola assemble a team of leading and rising stars across African Studies research to retrieve and renew the scholarship of oral traditions and folklore in Africa and the Diaspora just as critical concerns about their survival are pushed to the forefront of the field. With five sections on the central themes within orality and folklore – including engagement ranging from popular culture to technology, methods to pedagogy – this handbook is an indispensable resource to scholars, students, and practitioners of oral traditions and folklore preservation alike. This definitive reference is the first to provide detailed, systematic discussion, and up-to-date analysis of African oral traditions and folklore.

A collection of papers, reprinted from Bantu Studies and African Studies, offers textual material and analyses of oral literature from southern Africa. The three issues of text, genre and interpretation receive equal attention within the volume. The editor's intention is to provide readers with an opportunity to explore various literary genres produced in southern African communities - through texts and through scholarly analysis. The transformation of literary genres is also addressed, emphasizing the ways in which oral performance is shaped by social forces. The manipulation of language and oral art forms for political gain is not new. society; praise poetry; songs; folktales and wisdom lore; and riddles. In each case, articles have been selected to reveal the historical and comparative bases of oral literary studies. points to new directions in the analysis of oral literature and the need for a broader contextualization of southern African studies. The collection of essays provides the groundwork for further exploratory studies across cultures and genres, not only in Africa, but in the world at large. At the same time, oral literature, and more specifically African oral literature, needs to be liberated in order to interact with other scholarly disciplines. the original writings of the essays in this volume. It is these very changes which provide research material for scholars in oral studies. At the same time, all students of the discipline must look at these seminal studies in order to appreciate the traditional bases of oral performance today.

Literacy is essentially about the control of information, memory, and belief, and with colonialism in Southern Africa came the Bible and text-based literacy monitored by missionaries and colonial authorities. Old and new oral traditions, however, are beyond the control of empire and often carry the resistance, hopes, and dreams of colonized people. The essays in this volume recover aspects of Southern Africa's rich oral tradition. The authors, from disciplines such as anthropology, African literature, and biblical studies, delineate some of the contours of the indigenous knowledge systems which sustained resistance to colonialism and today provide resources for postapartheid society in Southern Africa. Paperback edition is available from the Society of Biblical Literature (www.sbl-site.org)

In the age of the African Renaissance, southern Africa has needed to reinterpret the past in fresh and more appropriate ways. The last 500 years represent a strikingly unexplored and misrepresented period which remains disfigured by colonial/apartheid assumptions, most notably in the way that African societies are depicted as fixed, passive, isolated, un-enterprising and unenlightened. This period is one the most formative in relation to southern Africa’s past while remaining, in many ways, the least known. Key cultural contours of the sub-continent took shape, while in a jagged and uneven fashion some of the features of modern identities emerged. Enormous internal economic innovation and political experimentation was taking place at the same time as expanding European mercantile forces started to press upon southern African shores and its hinterlands. This suggests that interaction, flux and mixing were a strong feature of the period, rather than the homogeneity and fixity proposed in standard historical and archaeological writings. Five Hundred Years Rediscovered represents the first step, taken by a group of archaeologists and historians, to collectively reframe, revitalise and re-examine the last 500 years. By integrating research and developing trans-frontier research networks, the group hopes to challenge thinking about the region’s expanding internal and colonial frontiers, and to broaden current perceptions about southern Africa’s colonial past.

"At a strategic time in South Africa's history, the Christian history which is absolutely basic to all developments, is presented in a comprehensive and objective way. Too little attention is given to the influence of religion in socio-political accounts. This is a creative and much-needed contribution to scholarship and general knowledge. . . . An outstanding work."--Dean S. Gilliland, Fuller Theological Seminary