In the half century after World War II, California’s Santa Clara Valley transformed from a rolling landscape of fields and orchards into the nation’s most consequential high-tech industrial corridor. How Santa Clara Valley became Silicon Valley and came to embody both the triumphs and the failures of a new vision of the American West is the question Jason A. Heppler explores in this book. A revealing look at the significance of nature in social, cultural, and economic conceptions of place, the book is also a case study on the origins of American environmentalism and debates about urban and suburban sustainability. Between 1950 and 1990, business and community leaders pursued a new vision of the landscape stretching from Palo Alto to San Jose—a vision that melded the bucolic naturalism of orchards, pleasant weather, and green spaces with the metropolitan promise of modern industry, government-funded research, and technology. Heppler describes the success of a new, clean, future-facing economy, coupled with a pleasant, green environment, in drawing people to Silicon Valley. And in this overwhelming success, he also locates the rapidly emerging faults created by competing ideas about forming these idyllic communities—specifically, widespread environmental degradation and increasing social stratification. Cities organized around high-tech industries, suburban growth, and urban expansion were, as Heppler shows, crucibles for empowering elites, worsening human health, and spreading pollution. What do “nature” and “place” mean, and who gets to define these terms? Key to Heppler’s work is the idea that these questions reflect and determine what, and who, matters in any conversation about the environment. Silicon Valley and the Environmental Inequalities of High-Tech Urbanism vividly traces that idea through the linked histories of Silicon Valley and environmentalism in the West.

Doing Oral History is considered the premier guidebook to oral history, used by professional oral historians, public historians, archivists, and genealogists as a core text in college courses and throughout the public history community. The recent development of digital audio and video recording technology has continued to alter the practice of oral history, making it even easier to produce and disseminate quality recordings. At the same time, digital technology has complicated the preservation of the recordings, past and present. This basic manual offers detailed advice for setting up an oral history project, conducting interviews and using oral history for research, making video recordings, preserving oral history collections in archives and libraries, and teaching and presenting oral history.

Sjov fortælling om en kvik og snarrådig svensk vikingedrengs oplevelser.

Examines Professional Development Schools, or "teaching schools," and the myriad complex issues, from policy to personnel, that surround their operation.

Through the use of dialogue, music, chant, dance, pantomime, and image, the play satirizes attitudes toward the Vietnam war. It attempts to present the very complicated, tragic, and helplessly divided atmosphere that prevailed in America, and to look at hapless emotions in a hopelessly complex mythology of war. With the technique of "transformations" the play unfolds. People change from flowers to individuals to machines, from one character to another, from character into actor into bystander and back to character or abstract image or comment; women change to men and back to women again. Americans change into Vietnamese into Viet Cong and back to American soldiers. The line of the play follows several soldiers from birth, to induction, to indoctrination, to overseas, to battle, to fraternization, and to death. Along the way we meet their mothers, their instructors, their superiors, their elected officials, their friends and their enemies, their tormentors and finally their ghosts. A strong ensemble spirit emerges via the actors' technique and interaction with one another and with the audience. The form of the play is constructed so as to manifest the reality of theatre--not as a replica of or comment upon life but as a part of life--and thus restore its urgency and relevance. ..".the best new play since THE BRIG and THE CONNECTION...the theme and scope the variety and density of VIET ROCK would have excited Brecht." Richard Schechner, T D R "VIET ROCK vividly expressed is a breakthrough...extraordinary on at least two counts. It is the first realized theatrical statement about the Vietnam war...and a rare instance of theater confronting issues broader than individual psychology...I would like to assert my admiration." Michael Smith, Village Voice "Wild...an acid indictment...ensemble acting effects that have to be seen to be believed...VIET ROCK has been brilliantly staged, these Open Theater types are contributing something new to the concept and technique of stagecraft." Tomo., Variety