Contains excerpts from his second hundred books, arranged in categories.

A thrilling exposé recounting how members of Opus Dei—a secretive, ultra-conservative Catholic sect—pushed its radical agenda within the Church and around the globe, using billions of dollars siphoned from one of the world’s largest banks. For over half a century, Banco Popular was one of the most profitable banks in the world—until one day, in 2017, when the Spanish bank suddenly collapsed overnight. When investigative journalist Gareth Gore was dispatched to report on the story, he expected to find yet another case of unbridled capitalist ambition gone wrong. Instead, he uncovered decades of deception that hid one of the most brazen cases of corporate pillaging in history, perpetrated by a group of men sworn to celibacy and self-flagellation who had secretly controlled Popular and abused their positions there to help spread Opus Dei to every corner of the world. Drawing on unparalleled access to bank records, insider accounts, and exclusive interviews with whistle-blowers from within Opus Dei, Gore reveals how money from the bank was used to lure unsuspecting recruits—some of them only children—into a life of servitude. He also tracks the ascent of Opus Dei within the United States, exposing its role in bankrolling many right-wing causes, including the Supreme Court’s overturning of Roe v. Wade. In an era of disinformation and deep fakes, here is a real-life conspiracy which hid in plain sight for more than sixty years. Gore tells a shocking story of money and power that spans decades and continents. Documenting Opus Dei’s secret history for the first time, this thrilling work of investigative storytelling raises important questions about the dark forces that shape our society.

Isaac Asimov's 100th book, a collection including samples of the range of his writings.

Written by one of the leading authorities on writing, publishing and teaching science fiction, The Science of Science Fiction Writing offers the opportunity to share in the knowledge James Gunn has acquired over the past forty years. He reflects on the fiction-writing process and how to teach it, and the ideas he has shared with his students about how to do it effectively and how to get it published afterwards. The first section discusses why people read fiction, the parts of the short story, the strategy of the science fiction author, scene as the smallest dramatic unit, how to speak well in print, suspense in fiction, how to say the right thing, and how to give constructive criticism. The second section takes a more philosophical approach. Here, Gunn elaborates on the origins of science fiction, its definition, the worldview of science fiction, and the characters that appear in science fiction novels. The third section highlights well-known sci-fi authors: H.G. Wells, Robert A. Heinlein, Isaac Asimov, Henry Kuttner, C.L. Moore, and others, and the impact they have had on the development and progression of science fiction.

The Philosopher's Stone is a collection of case studies in compositional process; not so much about how the music was arrived at through its sketch stages, but more are construction of issues of form as the defining features of a genre, and structure as the individual realization in a particular work. Great musical movements and works are seen as highly creative solutions to problem-solving. The contexts of the works differ considerably. Some were written against the background of a specific precedent or model, as with Mozart's Haydn quartets via Haydn's Op. 33 set. In other cases, as with Beethoven's middle period style, the composer reconsiders a comprehensive range of implications about style and construction, of how, after earlier successes now outworn, to make a new and significant contribution to the genre without duplicating earlier solutions. The essays are grouped into three sections: on Beethoven studies, Mozart in retrospect, and nineteenth-century music. All the movements and works in these chapters pose in their different ways these issues of structural reinterpretation and re-formation, where the reworking of the form leads to a distinctive and higher level transformation