Coloring has never been this creative! Get inspired with designs by Paula Nadelstern, Valori Wells, and Bethany Pease Sheets. These illustrations, printed on high-quality, heavyweight paper, are ideal for framing and perfectly suited to coloring with colored pencils, fine tip markers, and even watercolors. There are funky and mesmerizing kaleidoscopic designs, flowery and exotic designs, and freeform doodle designs. Coloring even a few minutes a day can help you relieve stress and infuse much-need creativity into your busy life!

Barbara Brackman's classic quilter's resource, the "Encyclopedia of Pieced Quilt Patterns," is fully modernized, updated with over 160 new blocks, and presented in full color for the first time in this third edition! All of the 4,000+ pieced quilt block patterns found in this book are illustrated with both a line drawing and sample color suggestions to ensure that you will never run out of inspiration! Quilters, quilt historians, and textile enthusiasts will love the detailed information on pattern names and publication sources included with each block pattern.The book is easy to use in a multitude of ways: look up block designs by name to find a perfectly themed pattern, search by layout and construction information to find the name of the pattern in a historic quilt, or just browse the pages until your next quilting project catches your eye! Combine the book with "BlockBase" software (sold separately) to easily design and print custom templates, rotary charts, or foundation patterns for any of the blocks in the book.As a one-stop-shop for quilt pattern identification and ideas for your next quilting project, this fabulous book should be in every quilter's library!

An ambitious, lavishly illustrated survey of the most valuable of precious gems

The first in an epic trilogy, Amitav Ghosh's Sea of Poppies is "a remarkably rich saga . . . which has plenty of action and adventure à la Dumas, but moments also of Tolstoyan penetration--and a drop or two of Dickensian sentiment" (The Observer [London]). At the heart of this vibrant saga is a vast ship, the Ibis. Her destiny is a tumultuous voyage across the Indian Ocean shortly before the outbreak of the Opium Wars in China. In a time of colonial upheaval, fate has thrown together a diverse cast of Indians and Westerners on board, from a bankrupt raja to a widowed tribeswoman, from a mulatto American freedman to a free-spirited French orphan. As their old family ties are washed away, they, like their historical counterparts, come to view themselves as jahaj-bhais, or ship-brothers. The vast sweep of this historical adventure spans the lush poppy fields of the Ganges, the rolling high seas, and the exotic backstreets of Canton. With a panorama of characters whose diaspora encapsulates the vexed colonial history of the East itself, Sea of Poppies is "a storm-tossed adventure worthy of Sir Walter Scott" (Vogue).

Today we associate the Renaissance with painting, sculpture, and architecture—the “major” arts. Yet contemporaries often held the “minor” arts—gem-studded goldwork, richly embellished armor, splendid tapestries and embroideries, music, and ephemeral multi-media spectacles—in much higher esteem. Isabella d’Este, Marchesa of Mantua, was typical of the Italian nobility: she bequeathed to her children precious stone vases mounted in gold, engraved gems, ivories, and antique bronzes and marbles; her favorite ladies-in-waiting, by contrast, received mere paintings. Renaissance patrons and observers extolled finely wrought luxury artifacts for their exquisite craftsmanship and the symbolic capital of their components; paintings and sculptures in modest materials, although discussed by some literati, were of lesser consequence. This book endeavors to return to the mainstream material long marginalized as a result of historical and ideological biases of the intervening centuries. The author analyzes how luxury arts went from being lofty markers of ascendancy and discernment in the Renaissance to being dismissed as “decorative” or “minor” arts—extravagant trinkets of the rich unworthy of the status of Art. Then, by re-examining the objects themselves and their uses in their day, she shows how sumptuous creations constructed the world and taste of Renaissance women and men.

THE HILARIOUS AND WILDLY POPULAR INSTAGRAM COMIC ABOUT A WORLD WITH NO MEN With her startling humor, it’s no surprise that Aminder Dhaliwal’s web comic Woman World has a devoted audience of over 120,000 readers, updated biweekly with each installment earning an average of 25,000 likes. Now, readers everywhere will delight in the print edition as Dhaliwal seamlessly incorporates feminist philosophical concerns into a series of perfectly-paced strips that skewer perceived notions of femininity and contemporary cultural icons. D+Q’s edition of Woman World will include new and previously unpublished material. When a birth defect wipes out the planet’s entire population of men, Woman World rises out of society’s ashes. Dhaliwal’s infectiously funny instagram comic follows the rebuilding process, tracking a group of women who have rallied together under the flag of “Beyonce’s Thighs.” Only Grandma remembers the distant past, a civilization of segway-riding mall cops, Blockbusters movie rental shops, and “That’s What She Said” jokes. For the most part, Woman World’s residents are focused on their struggles with unrequited love and anxiety, not to mention that whole “survival of humanity” thing. Woman World is an uproarious and insightful graphic novel from a very talented and funny new voice.