In its eleven-year history, Oppositions, the journal of the New York-based Institute for Architecture and Urban Studies (IAUS), had an impact far beyond what its modest cover might suggest. Indeed, Oppositions set the agenda, introduced the key players, and published the seminal pieces in the theorization of architecture in the last twenty years. It is a testament to the enduring importance of the journal that its issues are still highly sought after today, prized (and priced) as collector's items, and found behind the desk at virtually every architectural library. Oppositions Reader collects the most important essays from 26 issues of Oppositions. Essays from the editors of the series-Peter Eisenman, Kenneth Frampton, Mario Gandelsonas, Anthony Vidler, and Kurt Forster-are included, along with texts by such noted architects, theorists, and historians as Aldo Rossi, Alan Colquhoun, Leon Krier, Denise Scott Brown, Bernard Tschumi, Rem Koolhaas, Mary McLeod, Georgio Ciucci, and Rafael Moneo. The page design, by Massimo Vignelli, has been faithfully reproduced. Harvard Professor K. Michael Hays has selected the writings for inclusion. Contributors include: Diana Agrest, Stanford Anderson, Giorgio Ciucci, Stuart Cohen, Alan Colquhoun, Francesco Dal Co, Peter Eisenman, William Ellis, Kurt W. Forster, Kenneth Frampton, Mario Gandelsonas, Giorgio Grassi, Fred Koetter, Rem Koolhaas, Leon Krier, Mary McLeod, Rafael Moneo, Joan Ockman, Martin Pawley, Aldo Rossi, Colin Rowe, Denise Scott Brown, Jorge Silvetti, Ignasi de Sol -Morales, Manfredo Tafuri, Bernard Tschumi, Anthony Vidler, and Hajime Yatsuka. It is an understatement to say that this volume is indispensable for any scholar or student interested in contemporary architectural theory.

Aldo Rossi was a practicing architect and leader of the Italian architectural movement La Tendenza and one of the most influential theorists of the twentieth century. The Architecture of the City is his major work of architectural and urban theory. In part a protest against functionalism and the Modern Movement, in part an attempt to restore the craft of architecture to its position as the only valid object of architectural study, and in part an analysis of the rules and forms of the city's construction, the book has become immensely popular among architects and design students.

The idea that the opposition has a right to organize and to appeal for votes against the government in elections and in parliament is one of the most important milestones in the development of democratic institutions. Mr. Dahl and nine collaborators analyze the role of the opposition in Austria, Belgium, France, Germany, Great Britain, Italy, the Netherlands, Norway, Sweden, and the United States. In introductory and concluding chapters, Dahl compares the patterns of opposition in these countries and makes predictions for the future. He carries forward on the basis of this evidence the theory of a pluralistic society he has explored in earlier books such as Who Governs? Mr. Dahl is Sterling Professor of Political Science at Yale University. His collaborators are Samuel Barnes, Hans Daalder, Frederick Engelmann, Alfred Grosser, Otto Kirchheimer, Val R. Lorwin, Allen Potter, Stein Rokkan, and Nils Stjernquist. "This stately volume is distinguished by several unusual features. First, it straightforwardly focuses on a crucial issue of Comparative Politics without being vitiated by the familiar behaviorist semantics and jargon. Secondly, contrary to the ubiquitous trend in this country, flooded by discussion—more journalistic than scientific—on the emergent states, it centers on constitutional democracy in Western Europe, a region which for a decade and more had been badly neglected by the rampant computerizers. Thirdly, for the ten countries under discussion Professor Dahl was fortunate to enlist the services of genuine experts, the majority of whom are specialists in their field. . . . On the whole the volume is one of the major contributions to Comparative Politics that have appeared in this country for some time. The study of the issue as such as well as of the individual reviews is highly rewarding."—Karl Loewenstein, The Annals.

Oppositions By: Bambi Cassidy Oppositions is a collection of short stories and poems, the creativity and resonation prevalent to others. This book is unique because it is not only about life but imagination. It offers not only poems but short stories to put yourself into, and readers can take away wisdom and empathy from its message.

Since antiquity, opposed concepts such as the One and the Many, the Finite and the Infinite, and the Absolute and the Relative, have been a driving force in philosophical, scientific, and mathematical thought. Yet they have also given rise to perplexing problems and conceptual paradoxes which continue to haunt scientists and philosophers. In Oppositions and Paradoxes, John L. Bell explains and investigates the paradoxes and puzzles that arise out of conceptual oppositions in physics and mathematics. In the process, Bell not only motivates abstract conceptual thinking about the paradoxes at issue, but he also offers a compelling introduction to central ideas in such otherwise-difficult topics as non-Euclidean geometry, relativity, and quantum physics. These paradoxes are often as fun as they are flabbergasting. Consider, for example, the famous Tristram Shandy paradox: an immortal man composing an autobiography so slowly as to require a year of writing to describe each day of his life — he would, if he had infinite time, presumably never complete the work, although no individual part of it would remain unwritten. Or think of an office mailbox labelled “mail for those with no mailbox”—if this is a person’s mailbox, how can they possibly have “no mailbox”? These and many other paradoxes straddle the boundary between physics and metaphysics, and demonstrate the hidden difficulty in many of our most basic concepts.

Postscript by Vincent Scully Based on notebooks composed since 1971, Aldo Rossi's memoir intermingles his architectural projects, including discussion of the major literary and artistic influences on his work, with his personal history. His ruminations range from his obsession with theater to his concept of architecture as ritual. The illustrations-photographs, evocative images, as well as a set of drawings of Rossi's major architectural projects prepared particularly for this publicationwere personally selected by the author to augment the text.