This book of exciting bowing workouts for the cello gives you 110 all-new exercises to train your bow on open strings before you begin the rest of your practice. Since there are no left hand notes, you can focus entirely on improving the dexterity and control of the right (bow) hand. This book gives cellists a tremendous resource for developing an all-around bow technique that meets the demands of the cello repertoire, as well as a path to creating better tone. The exercises in this cello bowing book work on on staccato and articulation, dynamics, string crossing, chords, hooked bowing, spiccato, and more.

Dr. Suzuki questioned why all vocalists vocalize every day to improve their voices, but instrumentalists do not do so every day with their instruments. He believes that on any instrument, one needs to practice to make a more beautiful tone. First he talks about playing a beautiful resonant tone with the bow while plucking the string with a finger. When a pizzicato is played, the resonance goes on for a long time. Students should listen to that resonance and play the same kind of clear beautiful sound. He talks about how to make a difference in the tone by using a different bow speed, how to practice to find the resonance point, how to change the weight of the arm on the bow to produce a different kind of tone, and how to change tone color. This book includes all of Dr. Suzuki's basic ideas about tone.

Do you want to make better sound on the cello? With over 90 daily workouts that train your right hand in essential cello skills, this book gives you exercises to improve your bow control and tone. Useful for cellists of all ages and abilities, Open String Bow Workouts for the Cello is especially helpful for adult learners who have limited time to practice but want to sound the best they can. Since the entire book uses only open strings, note-reading isn't a distraction and you can focus on gaining control over your right hand and bow. Teachers can use Open String Bow Workouts for Cello to work on bow distribution, retaking bows, slurs, triplets, dotted rhythms, and more, with their students.These cello exercises could be studied along with scales and finger exercises to create a daily routine that truly helps move you forward; beautiful tone is now within your grasp!

Warming Up for Viola, Book Two combines exercises with pieces at a fourth-year playing level. Studies include warm-up exercises and lively pieces that focus specifically on playing in different keys and shifting. The book can be used as part of a string class, in conjunction with Warming Up for Violin, Book Two, Warming Up for Cello, Book Two, and Warming Up for Bass, Book Two.

One way to maximize your cello practice is by adding a short bowing study on open strings! Open-string studies on the cello can help you focus on your bow and how it interacts with the string. Good bow technique is essential for creating beautiful sound. This third book of new and exciting bowing workouts for the cello gives you 99 exercises to train your bow on open strings before you begin the rest of your practice. The main focus of Book Three is bow control. The exercises in this book help you develop bow control using long sustained bow work, string crossing, staccato, and spiccato, as well as special exercises for bow starts and bow landings. Since there are no left hand notes, you can focus entirely on improving the dexterity and control of the right (bow) hand. This book gives cellists a tremendous resource for developing an all-around bow technique that meets the demands of the cello repertoire, as well as a path to creating better tone.​ Smooth, connected bows and tone are the focus of Open String Bow Workouts for Cello, Book One, and articulated bowings are the focus of Book Two.

"Volinworks, in two volumes, is a comprehensive method for the adult beginner, taking students carefully from the very first steps to around Grade 3 standard. The approach suits self-taught beginners as well as those who have teachers, and emphasizes the importance of good habits from day one, of using your ear, and of always aiming for the best sound. Each volume contains a wide selection of repertoire, plus detailed descriptions and photos to demonstrate correct playing positions. The accompanying CD includes play-along tracks for all pieces, with piano, string quartet, or band backings, plus aural exercises and downloadable PDFs of piano accompaniments. There are supporting video clips and additional resources on a dedicated website, making Violinworks a complete resource for all new learners."--Publisher's description.

(Essential Elements for Strings). (Essential Elements for Strings and Essential Elements Interactive are fully compatible with Essential Elements 2000 for Strings) Essential Elements for Strings offers beginning students sound pedagogy and engaging music, all carefully paced to successfully start young players on their musical journey. EE features both familiar songs and specially designed exercises, created and arranged for the classroom in a unison-learning environment, as well as instrument-specific exercises to focus each student on the unique characteristics of their own instrument. EE provides both teachers and students with a wealth of materials to develop total musicianship, even at the beginning stages. Books 1 and 2 also include access to Essential Elements Interactive (EEi) , the ultimate online music education resource - anywhere, anytime, and on any device. Go to www.essentialelementsinteractive.com to learn more! Method features: * Enhanced Starting System * Optimum Reinforced Learning * Pacing * Theory, History, Cross-Curriculum & Creativity * Performance Spotlights Book also includes My EE Library * (www.myeelibrary.com) - Instant Stream/Download/CD-ROM* * Start-up video Learn the basics * Play-along mp3 tracks for all exercises Features a professional orchestra * Duets and trios Print and play parts with friends * Music listening library Hear great pieces for orchestra! *Internet access required for My EE Library . Book includes instructions to order free opt. CD-ROM.