Spring is the perfect time to go outside and experience the wonders of nature through painting, even if social distancing. Plein air painting, the art of painting outdoors, offers possibilities artists can’t find inside the studio. When painters set up easels outside, they put themselves in direct contact with nature. Responsiveness to the landscape’s changing light, forms, and colors yields work that’s lively and spontaneous. However, plein air painting also poses a set of challenges not encountered in the studio. There are matters of choosing a location, rationing the number of supplies to bring, working within a time limit, adjusting to sudden changes in weather, and possibly even testing physical endurance when transporting equipment to a painting site. The Art of Plein Air Painting presents the full picture of what painting en plein air requires. Devoted plein air artist M. Stephen Doherty guides readers through how to choose the best spot, which materials and tools to bring, and the basics of mixing colors and preparing canvases and panels ahead of time. Sidebars and step-by-step demonstrations cover topics that range from sketching out a composition to starting a painting with washes or lines, toning a surface, and doing a cityscape. Doherty even teaches how to do a nocturne—a painting made after the sun has gone down. Works by famous plein air painters, such as Claude Monet and John Singer Sargent, are discussed, along with works by some of today’s best plein air artists. Doherty interviews contemporary masters Mark Boedges, Clyde Aspevig, Kathryn Stats, Michael Godfrey, Joseph McGurl, and Clive C. Tyler to gain a deeper insight into the plein air process. Finally, the book contains information on plein air events—workshops, county festivals, and juried shows—now being held across North America, as well as advice on selling finished work.

For artists looking to grow beyond the studio, En Plein Air: Watercolor is the definitive resource for experiencing the rewards and invigoration of watercolor painting on location. En Plein Air: Watercolor introduces beginning artists and fine-art enthusiasts to the core concepts of painting on location. This guide will have you fully prepared for a day of painting outdoors. Inside, you'll find a comprehensive list of what to pack to maximize your time, learn how to choose a subject and interpret it for a composition, discover how to deal with the challenges of shadows and shifting natural light, and hone your watercolor techniques. The collection of step-by-step projects will help you gain new artistic skills as you create unique, dynamic artwork outside the studio. Perfect for artists looking to break outside the norm, En Plein Air: Watercolor is your complete guide to experiencing the unique rewards of painting on location with the invigorating medium of watercolor.

"How did modern Chinese painters see landscape? Did they depict nature in the same way as premodern Chinese painters? What does the artistic perception of modern Chinese painters reveal about the relationship between artists and the nation-state? Could an understanding of modern Chinese landscape painting tell us something previously unknown about art, political change, and the epistemological and sensory regime of twentieth-century China? Yi Gu tackles these questions by focusing on the rise of open-air painting in modern China. Chinese artists almost never painted outdoors until the late 1910s, when the New Culture Movement prompted them to embrace direct observation, linear perspective, and a conception of vision based on Cartesian optics. The new landscape practice brought with it unprecedented emphasis on perception and redefined artistic expertise. Central to the pursuit of open-air painting from the late 1910s right through to the early 1960s was a reinvigorated and ever-growing urgency to see suitably as a Chinese and to see the Chinese homeland correctly. Examining this long-overlooked ocular turn, Gu not only provides an innovative perspective from which to reflect on complicated interactions of the global and local in China, but also calls for rethinking the nature of visual modernity there."

Nineteenth-century landscape and outdoor drawings and sketches by the Hudson River School artists and others.

Want to draw but don't think you have the talent? This book is for you--no experience or formal training required! Danny Gregory, co-founder of the popular online Sketchbook Skool, shows you how to get started making art for pleasure with fun, easy lessons. Get started fast with just a pen and paper, learn to see your subject with new eyes, and enjoy the creative process.

Drawing is not a talent, it's a skill anyone can learn. This is the philosophy of drawing instructor Brent Eviston based on his more than twenty years of teaching. He has tested numerous types of drawing instruction from centuries old classical techniques to contemporary practices and designed an approach that combines tried and true techniques with innovative methods of his own. Now, he shares his secrets with this book that provides the most accessible, streamlined, and effective methods for learning to draw.

Taking the reader through the entire process, beginning with the most basic skills to more advanced such as volumetric drawing, shading, and figure sketching, this book contains numerous projects and guidance on what and how to practice. It also features instructional images and diagrams as well as finished drawings. With this book and a dedication to practice, anyone can learn to draw!