In 'Ontological Catastrophe: }i~ek and the Paradoxical Metaphysics of German Idealism', Joseph Carew delves deep into the complex interplay between Slavoj }i~ek's philosophy and the metaphysical propositions of German Idealism. Carew's book meticulously examines }i~ek's unique blend of psychoanalysis, Marxism, and continental philosophy, offering insightful analyses of the paradoxes inherent in German Idealist thought. Carew's writing is erudite and densely packed with references to key philosophical texts, making this book essential reading for anyone interested in contemporary continental philosophy and its intersections with psychoanalysis. Carew's ability to navigate through }i~ek's intricate ideas while situating them within the broader context of German Idealism showcases his deep understanding of both philosophical traditions. Joseph Carew, a respected scholar in the field of continental philosophy, brings his expertise to this groundbreaking work, shedding new light on the philosophical implications of }i~ek's theories and their connection to German Idealism. 'Ontological Catastrophe' is a must-read for philosophers, academics, and students seeking to explore the complexities of contemporary philosophy through the lens of }i~ek and German Idealism.

"In Ontological Catastrophe, Joseph Carew takes up the central question guiding Slavoj Žižek's philosophy: How could something like phenomenal reality emerge out of the meaninglessness of the Real? Carefully reconstructing and expanding upon his controversial reactualization of German Idealism, Carew argues that Žižek offers us an original, but perhaps terrifying, response: experience is possible only if we presuppose a prior moment of breakdown as the ontogenetic basis of subjectivity. Drawing upon resources found in Žižek, Lacanian psychoanalysis, and post-Kantian philosophy, Carew thus develops a new critical metaphysics--a metaphysics which is a variation upon the late German Idealist theme of balancing system and freedom, realism and idealism, in a single, self-reflexive theoretical construct--that challenges our understanding of nature, culture, and the ultimate structure of reality."--Publisher's description.

Søren Kierkegaard's work is teeming with images of earthquakes, floods, storms, volcanic eruptions, wildfires, burned down cities, and apocalyptic events that 'let the heavens fall and the stars change their places in the overturning of everything'. These disaster images are not just rhetorical packaging of the philosophical and theological content of his works. Rather, disasters play an important but largely understudied role in Kierkegaard's analysis of human existence. Kierkegaard and Climate Catastrophe focuses on prophetic noir in Kierkegaard's work: the sombre mood that is evoked when the shadow of future disaster falls upon the present. Isak Winkel Holm's core contention is that the prophetic noir in Kierkegaard, modelled after the prophetic books of the Hebrew Bible, contributes to making his works urgently relevant today. From the vantage point of the contemporary world threatened by rapidly evolving climate catastrophes, Kierkegaard's analysis of human existence emerges in a more sombre light, dimmed by the future disaster: to exist, in the emphatic sense Kierkegaard gave to that word, is to live a meaningful human life even if things are darkened by the coming calamity. Thus, a thorough analysis of the prophetic noir in Kierkegaard offers an existential perspective on living in a world threatened by environmental devastation.

Plastic bags, newspapers, pizza boxes, razors, watches, diapers, toothbrushes ... What makes a thing disposable? Which of its properties allows us to treat it as if it did not matter, or as if it actually lacked matter? Why do so many objects appear to us as nothing more than brief flashes between checkout-line and landfill? In An Ontology of Trash, Greg Kennedy inquires into the meaning of disposable objects and explores the nature of our prodigious refuse. He takes trash as a real ontological problem resulting from our unsettled relation to nature. The metaphysical drive from immanence to transcendence leaves us in an alien world of objects drained of meaningful physical presence. Consequently, they become interpreted as beings that somehow essentially lack being, and exist in our technological world only to disappear. Kennedy explores this problematic nature and looks for possibilities of salutary change.

In Ontological Terror Calvin L. Warren intervenes in Afro-pessimism, Heideggerian metaphysics, and black humanist philosophy by positing that the "Negro question" is intimately imbricated with questions of Being. Warren uses the figure of the antebellum free black as a philosophical paradigm for thinking through the tensions between blackness and Being. He illustrates how blacks embody a metaphysical nothing. This nothingness serves as a destabilizing presence and force as well as that which whiteness defines itself against. Thus, the function of blackness as giving form to nothing presents a terrifying problem for whites: they need blacks to affirm their existence, even as they despise the nothingness they represent. By pointing out how all humanism is based on investing blackness with nonbeing—a logic which reproduces antiblack violence and precludes any realization of equality, justice, and recognition for blacks—Warren urges the removal of the human from its metaphysical pedestal and the exploration of ways of existing that are not predicated on a grounding in being.

Using the recent turn to ecology as a starting point, Hannah Richter and Elisa Randazzo bring ecological thinking into contact with Critical Indigenous Studies, in which awareness of the necessity for sustainable relations between humans and non-humans has long preceded Western Anthropocene discourse. Currently, the drastic ecological changes labelled as 'the Anthropocene' not only increasingly shape the political awareness and the priorities of citizens and governments, but also inform a large body of social scientific scholarship. Indigenous scholarship and practice, in particular ecological adaptability, is intrinsically related to power structures and political struggle – hence indigenous understanding of Anthropocene discourses are intertwined with discourses of colonialism and political contestation. This book problematises the depoliticising character of Western Anthropocene discourses in relation to indigenous ecologies. The authors reveal how the anti-colonial struggles of Indigenous communities and the unequal distribution of responsibilities for and suffering from ecological change, are concealed and devalued in Western discourses of the Anthropocene.

In the most rigorous articulation of his philosophical system to date, Slavoj Žižek provides nothing short of a new definition of dialectical materialism. In forging this new materialism, Žižek critiques and challenges not only the work of Alain Badiou, Robert Brandom, Joan Copjec, Quentin Meillassoux, and Julia Kristeva (to name but a few), but everything from popular science and quantum mechanics to sexual difference and analytic philosophy. Alongside striking images of the Möbius strip, the cross-cap, and the Klein bottle, Žižek brings alive the Hegelian triad of being-essence-notion. Radical new readings of Hegel, and Kant, sit side by side with characteristically lively commentaries on film, politics, and culture. Here is Žižek at his interrogative best.