HALE-BOPP What would you feel if today, as soon as you got home, you found out that the world had barely a year to live? How do you think the people around you would react? After a week surrounded by strange events, psychologist and violinist Daniela Palmer will have to face those questions just before being arrested for an espionage charge. Two days later, after an unexpected release, she will flee to Sydney in the company of a skilled cybercriminal to try to discover what is behind the apocalyptic news and its consequences. However, her findings are complicated when a mysterious corporation she had a relationship with in the past and an experimental project of unlimited potential enters the scene. With all the pieces on the table, Daniela will have to solve a perplexing puzzle aware that she is getting closer to crossing the limits of her sanity. ONIRICA: THE DRAGONFLY’S SECRET Albiorix Corporation continues to expand its unstoppable monopoly around the world, creating new addicts to its dream capsules every day. Struggling against her dependency, Miles Cavanagh watches his wife disappear after contemplating his death in what should have been a peaceful lake experience. Investigating, the financial manager discovers that the ONIRICA Project is not limited only to entertainment, but also conceals much more pernicious purposes. At the same time, Miles meets the mysterious Alissa, a member of a resistance group against the Corporation, with whom he establishes an ambitious collaboration agreement. Will they be able to find out what is behind Elisabeth Warby's disappearance? Is it connected to the strange events that Miles faces in the woods? Is someone capable of stopping the Corporation's dark plans?

Albiorix Corporation continues to expand its unstoppable monopoly around the world, creating new addicts to its dream capsules every day. Struggling against her dependency, Miles Cavanagh watches his wife disappear after contemplating his death in what should have been a peaceful lake experience. Investigating, the financial manager discovers that the Onirica Project is not limited only to entertainment, but also conceals much more pernicious purposes. At the same time, Miles meets the mysterious Alissa, a member of a resistance group against the Corporation, with whom he establishes an ambitious collaboration agreement. Will they be able to find out what is behind Elisabeth Warby's disappearance? Is it connected to the strange events that Miles faces in the woods? Is someone capable of stopping the Corporation's dark plans?

What would you feel if today, as soon as you get home, you find out that the world has only one year left to live? How do you think the people around you would react? Will Humanity be prepared to face its extinction? After a week surrounded by strange events, on July 20, 2019, psychologist and violinist Daniela Palmer will have to face those questions just before being arrested on charges of espionage. Two days later, after an unexpected release, she will flee to Sydney in the company of a skilled cybercriminal to try to discover what lies behind the apocalyptic news and its consequences. However, her findings get complicated when a mysterious corporation with which she had a relationship in the past and an experimental project of unlimited potential enters the scene. With all the pieces on the table, Daniela must solve a disconcerting puzzle aware that she is getting closer to crossing the limits of her sanity.

This two-volme set CCIS 1957-1958 is part of the refereed proceedings of the 25th International Conference on Human-Computer Interaction, HCII 2023, which was held in Copenhagen, Denmark, in July 2023. A total of 5583 individuals from academia, research institutes, industry, and governmental agencies from 88 countries submitted contributions, and 1276 papers and 275 posters were included in the proceedings that were published just before the start of the conference. Additionally, 296 papers and 181 posters are included in the volumes of the proceedings published after the conference, as “Late Breaking Work” (papers and posters). The contributions thoroughly cover the entire field of human-computer interaction, addressing major advances in knowledge and effective use of computers in a variety of application areas.

Blanco examines the relationship between life-writing in Martín Gaite's notebooks and her fictional work. Carmen Martín Gaite (1925-2000) was one of the most important Spanish writers of the second half of the twentieth century. From the 1940s, until her death in 2000, she published short stories, novels, poetry, drama, children literature and cultural and historical studies. This book studies life writing in Martín Gaite's notebooks Cuadernos de todo (2002) and her novels of the 1990s, Nubosidad variable (1992), La Reina de las nieves (1994), Lo raro es vivir (1996) and Irse de casa (1998). It looks at the use of first person narration in Martín Gaite's work, drawing a parallel between the notebooks and her fictional work. It further analyses the waythe author's notebooks relate to the development of her later novels as well as the use of writing as therapy. This work offers a way of looking at Carmen Martín Gaite's work from a personal and intimate perspective. Maria-José Blanco López de Lerma is Spanish Lecturer and Language Tutor at the Department of Spanish, Portuguese & Latin-American Studies, King's College London.

Proceedings volume for researchers and graduate students of astronomy, covering the most exciting science and key ELT projects.

This collection of essays examines current trends in scholarly research on Spanish author Carmen Martín Gaite (1925-2000). It concentrates on the least explored areas of Martín Gaite's oeuvre, such as her collage artwork, the relationship between image and text in her work, and her close relationship with themes such as genre writing, the fairy tale, and textual/physical notions of space, as well as her personal theories on orality and narration. As we pass the tenth anniversary of her death, Martín Gaite continues to be an increasing focus of study, as scholars start to identify and comprehend the breadth and scope of her work. The essays in the volume complement previous studies of Martín Gaite's major works from the 1960s and 1970s by focusing largely on her later novels, together with in-depth analysis of the manuscripts and artistic materials that have been made available since her death.