A collection of jigs, reels and hornpipes from the O'Neill's Collection of Irish Dance Tunes arranged for clawhammer banjo.This is the second tab book from 'one of the banjo's true innovators' (Banjo Newsletter). Included are lots of tunes in different keys within the same tuning so you can build up some sets of tunes for medleys in sessions rather than having to retune or recapo all the time! However, there are plenty of tunes in G tuning, double C tuning and sawmill as well as one in a newly invented A major tuning that allows the banjo to get those lower notes of a tune that are usually out of the instrument's range.Please note the book is not aimed at beginners - the tunes are quite challenging although there is a fairly wide cross section of difficulties and there are a lot of detailed notes on how best to approach tabs in general and these tunes in particular.

Tony Trischka presents his groundbreaking guide to the melodic (chromatic) Banjo style, made famous by the great Bill Keith. The technique allows the Banjo player to create complex note-for-note renditions of Bluegrass fiddle tunes, as well as ornamenting solos with melodic fragments and motives. Along with a full step-by-step guide to developing the skills of the melodic style, this book also featuresBill Keith's personal explanation of how he developed his formidable technique, in his own words and music.37 tunes in tablature, including a section of fiddle tunes.Interviews with the stars of te melodic style including Bobby Thompson, Eric Weissberg, Ben Eldridge and Alan Munde.

With musical scores and helpful charts, noted jazz educator and featured jazz soloist, Jerry Coker, gives the beginning performer and the curious listener insights into the art of jazz improvisation. Improvising Jazz gives the beginning performer and the curious listener alike insights into the art of jazz improvisation. Jerry Coker, teacher and noted jazz saxophonist, explains the major concepts of jazz, including blues, harmony, swing, and the characteristic chord progressions. An easy-to-follow self-teaching guide, Improvising Jazz contains practical exercises and musical examples. Its step-by-step presentation shows the aspiring jazz improviser how to employ fundamental musical and theoretical tools, such as melody, rhythm, and superimposed chords, to develop an individual melodic style.

This comprehensive collection features over 100 note-for-note skillfully-crafted clawhammer banjo arrangements of “old-time” Southern fiddle tunes, in clear tablature - with suggested guitar chords at a wide variety of skill levels. It contains most of the tunes played in concert or recorded by author Ken Perlman and renowned Appalachian-style fiddler Alan Jabbour, plus over 50 more classic tunes from Ed Haley, Edden Hammons, John Salyer and many other iconic roots fiddlers. Also included: • Instruction on basic and advanced techniques • Tips on improving your musicianship • How to play syncopated rhythms and melodies in clawhammer style • Frameworks for dealing with crooked tunes and modal tunes • Historical notes and picturesque backstories • Ken Perlman demonstrates all tunes and most musical illustrations on 124 online audio tracks *Online Audio Includes: 24 tracks featuring excerpts from recordings of the author performing with the virtuosic fiddler Alan Jabbour, to whom the book is dedicated.

All of time is always here, now, in existence as we can live it. While there is still time, spiritual transformation is the crucial ingredient for human survival and flourishing, as long as we survive. There can only be a will to Be, and an inspiring human future while human beings are inspired. Krassen points to the clear pivot point: time. We can no longer aspire to a future we project from the standpoint of the dualistic world-that-is-going, but rather embrace a hope that is embedded in a fuller, grander, and more profound understanding of what time and being actually already are. By contemplating the mystical rhythms of the Hebrew calendar, Krassen challenges us to go beyond optimism and pessimism. Both are dead ends, built on a concept of time that is outmoded. The Vanishing Path before us can still be contemplated if only we reflect on the nature of reality through an enlightened lens that makes time count so we can still Be.