Pioneers -- Northwest, women pioneers.

This true story of a Victorian-era young woman who follows her husband to a small town with the improbable name of Gilt Edge, Montana, will remind readers of Wallace Stegner's Angle of Repose, the classic novel of a woman's life in the Mountain West. As a young girl, Lillian Weston, the author's grandmother, aspired to be a concert pianist. However, as a young woman in turn-of-the-century New York, she became a newspaper columnist. Her marriage to Frank Hazen took her west in 1899, ending her career as a newspaperwoman. She turned her writing skills to journals, diaries, stories, and poems, which traced her family's life on a frontier that was no longer unspoiled. The Hazens endured brutal winters and dry summers and endeavored to raise cattle and chickens by trial and error. Lillian was an assiduous diarist who included details of her turbulent marriage challenged by Frank's bad business deals. The details of birth control and child rearing, gambling and prostitution, education and health care are all part of this story, offering glimpses into everyday life that often go unreported in the larger story of western expansion.

Combining reminiscence, travelogue, history, and interviews with Iranians from all walks of life, a journey through modern-day Iran reveals a nation shrouded by misunderstanding, cultural stereotypes, and hostility.

Uses selections from diaries, public records, letters, interviews, and fiction to describe the experiences of women in the West, including Indians, servants, waitresses, prostitutes, and farmers

Portraits of fourteen women who graduated from West Point and served in the Army, highlighting their character, accomplishments, leadership, ordeals and sacrifices.

More than 140 period photographs and excerpts from letters, diaries, books, and journals provide insight into daily life in the American West for women in the nineteenth century. Winner of the Pacific Northwest Booksellers Award. Reprint.

The "woman question", this book asserts, is a Western one, and not a proper lens for viewing African society. A work that rethinks gender as a Western contruction, The Invention of Women offers a new way of understanding both Yoruban and Western cultures. Oyewumi traces the misapplication of Western, body-oriented concepts of gender through the history of gender discourses in Yoruba studies. Her analysis shows the paradoxical nature of two fundamental assumptions of feminist theory: that gender is socially constructed in old Yoruba society, and that social organization was determined by relative age.