With the shadow of hatred festering at its core, One Jewish Boy is a bittersweet comedy fueled by rising anti-Semitism. It premiered at the Old Red Lion Theatre, London, in 2018.

On June 22, 1941, the German invasion of the Soviet Union began. In a matter of days, the war reached the suburbs of Kaunas, Lithuania, where a young Jewish violinist, Yochanan Fein, led a happy childhood. On June 22, 1941, that childhood ended. In Boy with a Violin, Fein recounts his early life under Nazi occupation—his survival in the Kaunas Ghetto, the separation from his parents, his narrow escapes from death at the hands of Nazi officers, the harrowing stories of those he knew who did not survive, and the abhorrent conditions he endured while in hiding. He tells the tale of his rescuer, Jonas Paulavičius, the Lithuanian carpenter who sought to save the Jewish spirit. Paulavičius rescued those he believed could rebuild in the wake of the Holocaust, hiding engineers and doctors in his underground Noah's Ark. Among the sixteen he saved stood one fourteen-year-old violinist. Following liberation, Fein describes the aftermath of the war as survivors returned to what was left of their homes and attempted to piece together the fragmented remains of their lives. He recounts the difficulties of returning to some semblance of normal life in the midst of a complex political climate, culminating in his daring escape from Soviet Lithuania. In one of the darkest eras of human history, there were those who proved that the goodness of the human spirit survives against all odds. Boy with a Violin pays tribute to those who risked everything to save a life, and whose altruism crossed the boundaries of race and religion. In this first English translation of Boy with a Violin, Fein continues to offer his testimony to the strength of the human spirit.

INSTANT NEW YORK TIMES BESTSELLER An urgent primer on race and racism, from the host of the viral hit video series “Uncomfortable Conversations with a Black Man” “You cannot fix a problem you do not know you have.” So begins Emmanuel Acho in his essential guide to the truths Americans need to know to address the systemic racism that has recently electrified protests in all fifty states. “There is a fix,” Acho says. “But in order to access it, we’re going to have to have some uncomfortable conversations.” In Uncomfortable Conversations With a Black Man, Acho takes on all the questions, large and small, insensitive and taboo, many white Americans are afraid to ask—yet which all Americans need the answers to, now more than ever. With the same open-hearted generosity that has made his video series a phenomenon, Acho explains the vital core of such fraught concepts as white privilege, cultural appropriation, and “reverse racism.” In his own words, he provides a space of compassion and understanding in a discussion that can lack both. He asks only for the reader’s curiosity—but along the way, he will galvanize all of us to join the antiracist fight.

A young boy named Natt finds his world overturned when his family is uprooted and exiled to Siberia during the occupation of the Soviet Ukraine by Nazi Germany. In 1941, life in Natt’s small town of Zastavna is comfortable and familiar, even if the grownups are acting strange, and his parents treat him like a baby. Natt knows there’s a war on, of course, but he’s glad their family didn’t emigrate to Canada when they had a chance. His mother didn’t want to leave their home, and neither did he. He especially wouldn’t want to leave his best friend, Max. Max is the ideas guy, and he hears what’s going on in the world from his older sisters. Together the boys are two brave musketeers. Then one day Natt goes home and finds his family huddled around the radio. The Russians are taking over. The churches and synagogues will close, Hebrew school will be held in secret, and there are tanks and soldiers in the street. But it’s exciting, too. Natt wants to become a Young Pioneer, to show outstanding revolutionary spirit and make their new leader, Comrade Stalin, proud. But life under the Russians is hard. The soldiers are poor. They eat up all the food and they even take over Natt’s house. Then Natt’s father is arrested, and even Natt is detained and questioned. He feels like a nomad, sleeping at other people’s houses while his mother works to free his father. As the adults try to protect him from the reality of their situation, and local authorities begin to round up deportees bound for Siberia, Natt is filled with a sense of guilt and grief. Why wasn’t he brave enough to look up at the prison window when his mother took him to see his father for what might be the last time? Or can just getting through war be a heroic act in itself? Key Text Features historical note map author’s note Correlates to the Common Core State Standards in English Language Arts: CCSS.ELA-LITERACY.RL.6.3 Describe how a particular story's or drama's plot unfolds in a series of episodes as well as how the characters respond or change as the plot moves toward a resolution.

NATIONAL BESTSELLER • In this modern classic from the National Book Award–nominated author of The Chosen, a young religious artist is compulsively driven to render the world he sees and feels, even when it leads him to blasphemy. “A novel of finely articulated tragic power .... Little short of a work of genius.”—The New York Times Book Review Asher Lev is a Ladover Hasid who keeps kosher, prays three times a day and believes in the Ribbono Shel Olom, the Master of the Universe. He grows up in a cloistered Hasidic community in postwar Brooklyn, a world suffused by ritual and revolving around a charismatic Rebbe. He is torn between two identities, the one consecrated to God, the other devoted only to art and his imagination, and in time, his artistic gift threatens to estrange him from that world and the parents he adores. As it follows his struggle, My Name Is Asher Lev becomes a luminous, visionary portrait of the artist, by turns heartbreaking and exultant.

Leon Leyson (born Leib Lezjon) was only ten years old when the Nazis invaded Poland and his family was forced to relocate to the Krakow ghetto. With incredible luck, perseverance and grit, Leyson was able to survive the sadism of the Nazis, including that of the demonic Amon Goeth, commandant of Plaszow, the concentration camp outside Krakow. Ultimately, it was the generosity and cunning of one man, a man named Oskar Schindler, who saved Leon Leyson's life, and the lives of his mother, his father, and two of his four siblings, by adding their names to his list of workers in his factory - a list that became world renowned: Schindler's List. This, the only memoir published by a former Schindler's List child, perfectly captures the innocence of a small boy who goes through the unthinkable. Most notable is the lack of rancour, the lack of venom, and the abundance of dignity in Mr Leyson's telling. The Boy on the Wooden Boxis a legacy of hope, a memoir unlike anything you've ever read.