One of the remarkable qualities of The Waste Land is its ability to resonate across time and space, transcending cultural and historical boundaries. As we mark its centenary, it is fitting that we take stock of the poem's continued relevance in our contemporary world. The contributors to this anthology guide us through the labyrinthine paths of The Waste Land, highlighting its capacity to speak to our own spiritual dilemmas, anxieties, and yearnings.

An exploration of the legacy of The Waste Land on the centenary of its original publication, looking at the impact it had had upon criticism and new poetries across one hundred years.

The history of human waste. How I learned to love the excrement; The early history of human excreta; Treasure nigh soil as if it were gold!; The water closet dilemma and the sewage farm paradigm; Germs, fertilizer, and the poop police -- The present: a sludge revolution in progress. The great sewage time bomb and the redistribution of nutrients on the planet; Loowatt, a loo that turns waste into watts; The crap that cooks your dinner and container-based sanitation; HomeBiogas : your personal digester in a box; Made in New York; Lystek, the home of sewage smoothies; How DC water makes biosolids BLOOM; From biosolids to biofuels -- The future of medicine and other things; Poop : the best (and cheapest medicine; Looking where the sun doesn't shine; From the kindness of one's gut : an insider look into stool banks -- Afterword : breathing poetry into poop.

In this Companion, an international team of leading T. S. Eliot scholars contribute studies of different facets of the writer's work to build up a carefully co-ordinated and fully rounded introduction. Five chapters give a complete account of Eliot's poems and plays from several distinct points of view. The major aspects and issues of his life and thought are assessed: his American origins and his becoming English; his position as a philosopher; his literary, social, and political criticism; and the evolution of his religious sense. Later chapters place his work in a number of historical perspectives; and the final chapter provides an expert review of the whole field of Eliot studies and is supplemented by a listing of the most significant publications. There is a useful chronological outline. Taken as a whole, the Companion comprises an essential handbook for students and other readers of Eliot.

Richard Savage returns in the sequel to ""Lions of the Grail"". 1316 AD. Richard Savage thought he had left the war in Ireland behind but Edward Bruce will not let him just walk away. He wants the Grail Savage stole from him back. To force Savage to return it he takes what is dear to him - his daughter Galiene. Savage must return to Ireland, but the seas are ruled by a ruthless pirate. Ireland is now a land devastated by war and decimated by famine. Carrickfergus castle stands besieged by the Scottish army, the garrison on its knees, and Scottish invaders ravage the countryside. Savage and Alys re-unite with old comrades on a desperate raid to save their daughter and turn the tide of war

Published simultaneously in Britain and America to mark the fiftieth anniversary of the death of T. S. Eliot, this major biography traces the life of the twentieth century’s most important poet from his childhood in the ragtime city of St Louis right up to the publication of his most famous poem, The Waste Land. Meticulously detailed and incisively written, Young Eliot portrays a brilliant, shy and wounded American who defied his parents’ wishes and committed himself to life as an immigrant in England, authoring work astonishing in its scope and hurt. Quoting extensively from poetry and prose as well as drawing on new interviews, archives, and previously undisclosed memoirs, Robert Crawford shows how Eliot’s background in Missouri, Massachusetts and Paris made him a lightning conductor for modernity. Most impressively, Young Eliot shows how deeply personal were the experiences underlying masterpieces from ‘The Love Song of J. Alfred Prufrock’ to The Waste Land. T. S. Eliot wanted no biography written, but this book reveals him in all his vulnerable complexity as student and lover, stink-bomber, banker and philosopher, but most of all as an epoch-shaping poet struggling to make art among personal disasters.

A collection of poems, some of which had first appeared in Poetry, Blas, Others, The Little Review, and Arts and Letters.