The story of a foundational aspect of publishing, from Gutenberg's press to today's digital type. It's common knowledge that the name Gutenberg and the words "moveable type" go together. What's far less known is that Garamond, Baskerville, and Bodoni aren't just font options in a word processing dropdown menu, but the names of some of the real punchcutters and type designers who raised the essential work of typography to the level of art. ​ One Hundred Books Famous in Typography, the latest entry in the Grolier Club's prestigious Grolier Hundred series, is the story of art and technology working in harmony with each other, all the way from Johannes Gutenberg's ingenious development of a system for reproducing texts through the introduction of newer technologies like hot-metal line casting, phototype, and digital type. Featuring scholarly yet accessible context for the works discussed and their typographical significance, and illustrated with more than two hundred images, Jerry Kelly's book is the most comprehensive exploration yet of this essential facet of bookmaking and publishing.

For her gorgeously illustrated and deeply researched contribution to the prestigious Grolier Hundred series, Chris Loker has assembled one hundred of the best known and most admired children's books from the English language canon of classics. Organized chronologically, One Hundred Books Famous in Children's Literature invites readers to follow the development of books written for children and printed between 1650 and 2000--from early forms of instructional primers and devotional readers, to exuberantly entertaining nursery rhymes, fairy tales, children's novels and works of verse. Also represented are alphabets, folktales, fables, and legends; a touch-and-feel book, a rebus book, a pop-up book, and, of course, picture books. Supplementing the informative essays that accompany each selection are illuminating contributions by five internationally recognized experts in children's literature: Brian Alderson, Nick Clark, Andrea Immel, Jill Shefrin, and Justin Schiller. This charming and intellectually stimulating volume, accessibly written to appeal to both scholars and the general public, has quickly become the classic checklist for book collectors, scholars, and anyone who loves children's literature.

This book presents the reader with one hundred valuable and influential books on the subject. Thematic sections allow the reader to navigate easily, and thorough reviews explain the importance of each book. This versatile collection is the ideal library for anyone who wants to know how type works and, more importantly, how to use it. The book also contains three interviews with typography experts and authors of influential books on the subject.

This is a collection of bibliographical notes on old books. The author's relations with the printer or publisher, the success or failure of the books, topics of illustration, and marked irregularities of editions, issues or volumes are discussed in this volume. It covers famous works of influential writers like Chaucer, Shakespeare, Marlowe Sidney and many more.

This accessible book demonstrates how ideas influenced and defined graphic design. Lavishly illustrated, it is both a great source of inspiration and a provocative record of some of the best examples of graphic design from the last hundred years. The entries, arranged broadly in chronological order, range from technical (overprinting, rub-on designs, split fountain); to stylistic (swashes on caps, loud typography, and white space); to objects (dust jackets, design handbooks); and methods (paper cut-outs, pixelation).

This study of five centuries of book designs looks at the successes and failures, and examines some classics of layout and production from Western Europe and America.