This book, dedicated by its author to all who understand or do not understand the Malays as well as to those who wish to know them better, provides a rare and insightful entry into those elements that best define and represent the Malaysian Malay community. Fully aware of the fact that the Malays, as a relatively small race in global terms, has been influenced in terms of their traditional beliefs as well as cultural practices by elements from India, Indonesia as well as the World of Islam, the author yet manages to successfully indicate what makes the Malays unique when it comes to their identity. In essence, he catches the spirit or soul of the Malays. The features selected for this purpose have been defined or described in a relatively uncomplicated manner and in simple terms so that the work is accessible to non-expert readers both at home and abroad. It makes an interesting and almost casual entry into what may be defined as Malay. The photographs and illustrations provided add value to the work, which in many ways is a unique piece of writing.

Curious about the chains that bound Fenriswulf in Norse mythology? Or the hut of Baba Yaga, the infamous witch of Russian folklore? Containing more than one thousand detailed entries on the magical and mythical items from the different folklore, legends, and religions the world over, this encyclopedia is the first of its kind. From Abadi, the named stone in Roman mythology to Zul-Hajam, one of the four swords said to belong to the prophet Mohammed, each item is described in as much detail as the original source material provided, including information on its origin, who was its wielder, and the extent of its magical abilities. The text also includes a comprehensive cross-reference system and an extensive bibliography to aid researchers.

The earliest European account of the existence of the were-tiger comes from the Malacca Portuguese records. British Victorian era explorers to Malaya not only recorded stories about the were-tiger but told of several were-tiger villages hidden deep in the jungles of Malaya. These mythical shapeshifters struck fear in rural Malay society as they were able to kill their unsuspecting victims, usually out of vengeance. The Were-Tiger was written by the renowned Malayan colonial Sir Hugh Clifford and it was originally published in 1916. It is a short story of a village’s experience with a migrant Sumatran trader and a supernatural big cat that occurred in Slim, Pahang. Sir Hugh Clifford served as the British Resident at Pahang and later as British High Commissioner in Malaya.

This stunning book will take us through an intellectual journey of "Human" and "Religion". "Bharat" has a rich history, unfortunately Bharat history was written under the influence of westerns. A must read for all. Quran and Bible from the incident of Prophet "Noah" justify yug systems of Sanatan. "God" is one but called by different names. "Vedas" was send by God lakhs of years ago. God send 124000 messengers across world to eradicate evils and establish humanity. The path of different religions are different but destination is one. "Islam" was in its height during first four centuries. Latter different kings high jacked the religion and experimented it to expand territories. These days few Bhartiye Muslims have gone astray, so Allah has withdrawn his blessing which accounts for pains, struggles and humiliations. After independence Muslims has been used as a tool kit by political parties. 99.9% people living in Bharat have a common "DNA", then why to fight in the name of "Rights" and "Religion"? Fight for your "Duties". The main objective of writing this book is to bring the attentions of people towards this important topic "Who are we?

This book contains a selection of non-academic materials on a wide range of topics related to Malaysian culture. Several of them deal with traditional Malay theatre genres, particularly mak yong, recognised by UNESCO as an item of the Oral and Intangible Heritage of Humanity in 2005, the shadow play and bangsawan. Others record the contributions of prominent personalities as practitioners, preservers, teachers and transmitters of oral traditions. The author touches upon issues related to the precarious situation in the arts in a rapidly changing Malay society which has in general neglected traditional performing arts forms under pressures exerted by modenisation and the simultaneous wave of Islamicisation. His own involvement in teaching, research, documentation as well as preservation of many of these arts provides unique personal insights into some of the problems and pertinent issues. Other essays of a more general nature, touch upon the continuing and at times controversial relationships between Malay cultural manifestations and those in neighbouring countries, contributions of the minority Indian-Muslim community in Malaysia, and upon the role of the administration in the preservation of heritage. The brief accounts contained in this volume are presented in a direct and readable manner for the non-expert enthusiast of culture and the arts from the perspective of someone deeply and passionately involved.