Drama. LGBTQIA Stidies. Terry Baum's Dos Lesbos (1981) inspired the first anthology of lesbian plays in the history of the universe--Places, Please!--in 1985. The ten plays in Baum's ONE DYKE'S THEATER span 40 years of making theater about lesbian lives, from absurd farce to gripping historical drama. Baum's pioneering works have been lauded by critics and produced all over the world. HICK: A Love Story was honored as a Fringe Fave and selected for the Fringe Encore Series at the New York International Fringe Festival in 2015.

With an unrelenting devotion to social consciousness and artistic integrity, Willard Van Dyke emerged in the mid-1920s as one of the few artists to bridge both mediums of photography and film.

This work is a unique collection of key articles on feminist theatre and performance form The Drama Review (TDR). Carol Martin juxtaposes theory and practice to provide an exceptionally comprehensive overview of the development of feminist theatre. This outstanding collection includes key texts by theorists such as Elin Diamond, Peggy Phelan and Lynda Hart and interviews with practitioners including Anna Deveare Smith and Robbie McCauley. It also contains full performances texts by two of the most influential and controversial practiitioners of feminist theatre: Dress Suits to Hire by Holly Hughes and The Constant State of Desire by Karen Finley. A Sourcebook on Feminist Theatre and Performance is an essential purchase for students of theatre studies, performance studies and women's theatre.

A fresh and brilliantly told memoir from a cult favorite comic artist, marked by gothic twists, a family funeral home, sexual angst, and great books. This breakout book by Alison Bechdel is a darkly funny family tale, pitch-perfectly illustrated with Bechdel's sweetly gothic drawings. Like Marjane Satrapi's Persepolis, it's a story exhilaratingly suited to graphic memoir form. Meet Alison's father, a historic preservation expert and obsessive restorer of the family's Victorian home, a third-generation funeral home director, a high school English teacher, an icily distant parent, and a closeted homosexual who, as it turns out, is involved with his male students and a family babysitter. Through narrative that is alternately heartbreaking and fiercely funny, we are drawn into a daughter's complex yearning for her father. And yet, apart from assigned stints dusting caskets at the family-owned "fun home," as Alison and her brothers call it, the relationship achieves its most intimate expression through the shared code of books. When Alison comes out as homosexual herself in late adolescense, the denouement is swift, graphic -- and redemptive.

Through intertwined threads of autofiction, lyric science writing, and the tale of a newly queer Hawaiian volcano, Sabrina Imbler delivers a coming out story on a geological time scale. This is a small book that tackles large, wholly human questions--what it means to live and date under white supremacy, to never know if one is loved or fetishized, how to navigate fierce desires and tectonic heartbreak through the rise and eventual eruption of a first queer love. "When two galaxies stray too near each other, the attraction between them can be so strong that the galaxies latch on and never let go. Sometimes the pull triggers head-on wrecks between stars--galactic collisions--throwing bodies out of orbit, seamlessly into space. Sometimes the attraction only creates a giant black hole, making something whole into a kind of missing." In vivid, tensile prose, Dyke (geology) subverts the flat, neutral language of scientific journals to explore what it means to understand the Earth as something queer, volatile, and disruptive.

A major reissue of a book which is used by students of Meyerhold across the world This was the first collection of Meyerhold's writings and utterances to appear in English and covers his entire career as a director from 1902 to 1939. These are supplemented by a critical commentary, relating Meyerhold to his period and containing descriptions, based on eye-witness accounts, of all his major productions.