Another enlightened collection from the bestselling author of Politically Correct Bedtime Stories. Garner continues his mission to liberate our classic fairy tales from archaic, sexist, ageist, classist, lookist, and environmentally unsound prejudices with a new collection of humorous tales for readers of evolved consciousness. 13 line drawings.

America's master of satire and wit looks at the concepts of UFO conspiracies, numerological calculations, harmonic convergence, the Internet, and talk of the Last Days.

A brilliantly brain-warping thriller and a love story that leaps back and forth in time – All Our Yesterdays is an amazing first novel, perfect for fans of The Hunger Games. Em is locked in a bare, cold cell with no comforts. Finn is in the cell next door. The Doctor is keeping them there until they tell him what he wants to know. Trouble is, what he wants to know hasn't happened yet. Em and Finn have a shared past, but no future unless they can find a way out. The present is torture – being kept apart, overhearing each other's anguish as the Doctor relentlessly seeks answers. There's no way back from here, to what they used to be, the world they used to know. Then Em finds a note in her cell which changes everything. It's from her future self and contains some simple but very clear instructions. Em must travel back in time to avert a tragedy that's about to unfold. Worse, she has to pursue and kill the boy she loves to change the future . . .

A “big-hearted” (The Daily Beast), “LOL-worthy” (Cosmopolitan) debut about a down-on-his-luck gay man working out how he fits into the world, making up for lost time, and opening himself up to life’s possibilities “Part of a new wave of authors releasing uplifting queer literature that casts its characters as the heroes of their lives . . . crammed with blossoming romances and glittery escapism.”—The Guardian Danny Scudd is absolutely fine. He always dreamed of escaping the small-town life of his parents’ fish-and-chip shop, moving to London, and becoming a journalist. And, after five years in the city, his career isn’t exactly awful, and his relationship with pretentious Tobbs isn’t exactly unfulfilling. Certainly his limited-edition Dolly Parton vinyls and many (maybe too many) house plants are hitting the spot. But his world is flipped upside down when a visit to the local clinic reveals that Tobbs might not have been exactly faithful. In fact, Tobbs claims they were never operating under the “heteronormative paradigm” of monogamy to begin with. Oh, and Danny’s flatmates are unceremoniously evicting him because they want to start a family. It’s all going quite well. Newly single and with nowhere to live, Danny is forced to move in with his best friend, Jacob, a flamboyant nonbinary artist whom he’s known since childhood, and their eccentric group of friends living in an East London “commune.” What follows is a colorful voyage of discovery through modern queer life, dating, work, and lots of therapy—all places Danny has always been too afraid to fully explore. Upon realizing just how little he knows about himself and his sexuality, he careens from one questionable decision (and man) to another, relying on his inscrutable new therapist and housemates to help him face the demons he’s spent his entire life trying to repress. Is he really fine, after all?

Recut Madness is a retelling of the Hollywood Classics for red states and blue states. Hollywood movies purport to appeal to a mass audience, but in America today, half the population would see The Passion of the Christ while the other half sees Brokeback Mountain. Such an inclusive strategy is no longer realistic. In Recut Madness some of the most beloved classics are retailed for one side or the other. From a red state Wizard of Oz (aka The Decider of Oz) to a blue state Jaws, Garner has reinvented colorization for the new millennium.

FINALIST FOR THE 2021 BOOKER PRIZE & A NEW YORK TIMES TOP 10 BOOK OF 2021 WINNER OF THE DYLAN THOMAS PRIZE “A book that reads like a prose poem, at once sublime, profane, intimate, philosophical, witty and, eventually, deeply moving.” —New York Times Book Review, Editors’ Choice “Wow. I can’t remember the last time I laughed so much reading a book. What an inventive and startling writer…I’m so glad I read this. I really think this book is remarkable.” —David Sedaris From "a formidably gifted writer" (The New York Times Book Review), a book that asks: Is there life after the internet? As this urgent, genre-defying book opens, a woman who has recently been elevated to prominence for her social media posts travels around the world to meet her adoring fans. She is overwhelmed by navigating the new language and etiquette of what she terms "the portal," where she grapples with an unshakable conviction that a vast chorus of voices is now dictating her thoughts. When existential threats--from climate change and economic precariousness to the rise of an unnamed dictator and an epidemic of loneliness--begin to loom, she posts her way deeper into the portal's void. An avalanche of images, details, and references accumulate to form a landscape that is post-sense, post-irony, post-everything. "Are we in hell?" the people of the portal ask themselves. "Are we all just going to keep doing this until we die?" Suddenly, two texts from her mother pierce the fray: "Something has gone wrong," and "How soon can you get here?" As real life and its stakes collide with the increasingly absurd antics of the portal, the woman confronts a world that seems to contain both an abundance of proof that there is goodness, empathy, and justice in the universe, and a deluge of evidence to the contrary. Fragmentary and omniscient, incisive and sincere, No One Is Talking About This is at once a love letter to the endless scroll and a profound, modern meditation on love, language, and human connection from a singular voice in American literature.

In the spirit of Muriel Spark and Walker Percy, The Age of Infidelity's eleven stories embrace the comic, the absurd, and the dead serious. Faithless parents betray their children, the young betray the old, and lovers betray each other--but somehow these characters cling to hope. Aging white cheerleaders shout through an online megaphone, remembering a time when racial equality seemed almost possible; a teenager endures her father's abandonment as her mother's psychotic episodes pick up pace; an old couple on the lam from the Constitutional Guard of the future hides out in a garage reminiscent of our consumerist past. In an age many call post-religious, these characters want to believe in something, but they're not always sure what that something is. Set in landscapes from the small-town South to New York City, from a parched Midwest to a deserted Dublin, these stories time-travel from our Jim Crow past to an imagined future of warehouses for the aged where robots do the nursing. With what the Washington Post describes as her ""distinctive brutal elegance,"" Valerie Sayers writes playfully, powerfully, and musically. These stories form an album riffing on our age, the Age of Infidelity.