Once a Year: Some Traditional British Customs was first published in 1977 establishing Homer Sykes as one of the UK's leading young photographers. Over a period of almost seven years he travelled the country photographing around 100 traditional British customs, with over 80 appearing in the book. Though inspired by the 19th century photographer Benjamin Stone, Homer Sykes approached the events with a distinctly modern sensibility, creating dynamic images which focus mainly on the tradition that is being re-enacted against a background of everyday life.

Ike wants night-time blue for his once-a-year suit, but when Mama takes him and thirteen neighborhood boys shopping, he figures the chances of getting it are slim.

It is carnival in south-western Germany: On the streets of Endingen and Sachsenheim, Kissleg and Singen, Wilfingen and Triberg, the elaborate and lavish costumes of the Swabian-Alemannic tradition are paraded. The fashion and portrait photographer Axel Hoedt from the area of Breisgau in Germany shows the carnival revellers and their disguises beyond established clichés and radically breaks with carnival iconography. No breath taking somersaults in front of the crowds and romantic timber framework, no crazy goings-on but revellers in earnest pose, in front of a bright background, in a forest or in front of customary functional buildings. Classical studio shots, Polaroid snapshots and still life images are juxtaposed. Hoedt regularly confronts the quaint masks with the wintry-rigid scenery impressions and reminds us of what carnival used to be: a last jamboree before the dawning of hard times. Axel Hoedt was born in Freiburg in 1966 and studied photo design at the University of Applied Sciences Bielefeld. He has lived and worked in London since 1999. Axel Hoedt has received numerous awards such as the Gold Medal of Lead Awards in 2010 and the Otto-Steinert-Preis of the German Society of Photography in 2011.

Combines the author's retelling of two old and familiar Christmas legends: the flowering forest and the barn animals talking at midnight.

A Book of the Month for GQ, The New Yorker, and Flavorwire "Beautifully told...In this one season of life, Crawford's writing about the work, people, nature and his family legacy reveals much about a simple life, and reminds us all to appreciate life's riches."—Seattle Post Intelligencer "A must-read..."—Washington Independent Review of Books An intimate, gorgeously observed memoir about family and farming that forms a powerful lesson in the hard-earned risks that make life worth living The summer he was thirty-one, Arlo Crawford returned home for the summer harvest at New Morning Farm—seventy-five acres tucked in a hollow in south-central Pennsylvania where his parents had been growing organic vegetables for almost forty years. Like many summers before, Arlo returned to the family farm's familiar rhythms—rise, eat, bend, pick, sort, sweat, sleep. But this time he was also there to change his direction, like his father years ago. In the 1970s, well before the explosion of the farm-to-table and slow food movement, Arlo's father, Jim, left behind law school and Vietnam, and decided to give farming a try. Arlo's return also prompts a reexamination of a past tragedy: the murder of a neighboring farmer twenty years before. A chronicle of one full season on a farm, with all its small triumphs and inevitable setbacks, A Farm Dies Once a Year is a meditation on work—the true nature of it, and on taking pride in it—and a son's reckoning with a father's legacy. Above all, it is a striking portrait of how one man builds, sows, and harvests his way into a new understanding of the risks necessary to a life well-lived.

A man and a woman begin the project of building an isolated, self-sustainable farm, cut off from civilisation. Against all expectations the first thing they have to confront is the construction of a road, and the constant reminder of the present left behind. Through a non-linear narrative, the two protagonists drive through the tawdry present, only to realise a future set deeply in the past. Their meagre provisions and inexperience places them at odds with survival, but at one with a mesmerising fiction. Haunted by the spectres of dead rabbits and a prophetic bear the couples utopian dream is delivered in a rapid, dense stream of language as if the text itself wants to return to the pace of present. A Society that Breathes Once a Year is commissioned as part of The Time Machine, selected and edited by Francesco Pedraglio from open submission. The Time Machine is a project that asks us to forget about archives and embrace the confusion of the present, in order to consciously experiment with all our imaginable histories and expected futures.

Ethel Pochocki, whimsically and unforgettably, presents a new set of heavenly friends to readers young and old in this third collection of Once Upon a Time Saints stories. Beginning in the dark of December, the start of the Church Year, there are stories and poems for each month, all bursting with saintly--not to mention angelic--deeds and happenings. Each tale or verse--whether of mystical apparitions in a tiny Irish village or of friars who float in the air or of entire countries single-handedly converted to Christianity--makes it quite plain that heaven doesn't keep to its place at all, but is happily determined to spill over into earthly life--here, there and . . . all around the year.