Dennis' goal is to preserve and create awareness of sacred, culturally significant, and historical Native American landscapes on Long Island, New York.By presenting the archeological research in the format of photography, it presents to the public a new understanding of communal awareness and cultural enlightenment, which leads to cultural critique, historical inquiry, and educational development.

Digging Earth: Extractivism and Resistance on Indigenous lands of the Americas is a collection of essays and artists’ contributions that documents the practices of extractivism on indigenous lands of the American continent, and the opposition to the politics of land appropriation and exploitation, by indigenous movements, activists and artists. Authors and artists address the extractivism of neo-colonial operations, its impact on local and indigenous communities and their environment, while tracing back its practices to settler colonialism in the Americas, ​and the vision of the natural world as ready to plunder. In addition to the economic impact, some contributions look at extractivism from the point of view of the extraction of cultural knowledge and ontologies. Artists and authors highlight topics of indigenous sovereignty, land rights, environmental justice, the stewardship of the land, and the history of indigenous environmental practices. The diversity of the contributors' backgrounds brings fresh perspectives to the issues surrounding the practices of the extractive industries and the exploitation of indigenous lands and resources. Their reflections and analyses convey the urgency of rethinking our politics towards the earth and its resources, as we are warned of an approaching collective ecocide.

StoriesNative American stories and legends have traditionally served a role of dealing with the unknown for Native people, specifically to illustrate the power of nature and create a reverence for it. As a Native American myself, recreating these stories with digital photography is my way of dealing with my own mysteries - where I come from and who my people are.The medium of photography, and my specific method of creating photo realistic, yet supernatural, images is to transform these stories from myths and legends on a page to depictions of actual experience in a photo. Using photography's power to mirror reality, the stories subscribe to the modern standard of perceptual spiritual belief.The themes, aesthetics, morals, and stories of each image attempt to give Native American culture a contemporary agency to discuss the taboos of post-colonialism and universal global themes.

"Some might say that making art is an impulse all humans have, yet artist-as-occupation is tremendously difficult - only a few are able to find their way as an artist due to social oppression, lack of confidence, or general exhaustion from navigating capitalist systems and markets."" - From the Introduction by Ginger DunnillFew books have been published in the Southwest celebrating the intersectionality of contemporary artists. A term first coined in 1989, intersectionality studies overlapping and intersecting social identities and their related systems of oppression, domination, or discrimination. Broken Boxes celebrates ten years of Ginger Dunnill's Broken Boxes podcast. Here are twenty-three extraordinary artists bringing the creativity of their processes and identities to life in the Albuquerque Museum's exhibition and in this accompanying book. Broken Boxes delves deeply into the realm of intentionality, challenging not just how artists create, but why. And Broken Boxes - the podcast, the exhibition, and the book - thrives on bringing artists together in dialogue with each other through the artist's own words. This book provides an opportunity to introduce the larger public to artists committed to creating, sustaining, and encouraging solidarity. By opening up the conversations across communities, groups, art practices, materials, and shared space, we hope to demonstrate how artists are forging new forms of action.

On This Site is an art-based researched project by Shinnecock Nation tribe member and artist Jeremy Dennis. Dennis' goal is to preserve and create awareness of sacred, culturally significant, and historical Native American landscapes on Long Island, New York.

"Working from a speculative, more-than-human ontological position, Inefficient Mapping: A Protocol for Attuning to Phenomena presents a new, experimental cartographic practice and non-representational methodological protocol that attunes to the subaltern genealogies of sites and places, proposing a wayfaring practice for traversing the land founded on an ethics of care. As a methodological protocol, inefficient mapping inscribes the histories and politics of a place by gesturally marking affective and relational imprints of colonisation, industrialisation, appropriation, histories, futures, exclusions, privileges, neglect, survival, and persistence. Inefficient Mapping details a research experiment and is designed to be taken out on mapping expeditions to be referred to, consulted with, and experimented with by those who are familiar or new to mapping. The inefficient mapping protocol described in this book is informed by feminist speculative and immanent theories, including posthuman theories, critical-cultural theories, Indigenous and critical place inquiry, as well as the works of Karen Barad, Erin Manning, Jane Bennett, Maria Puig de la Bellacassa, Elizabeth Povinelli, and Eve Tuck and Marcia McKenzie, which frame how inefficient mapping attunes to the matter, tenses, and ontologies of phenomena and how the interweaving agglomerations of theory, critique, and practice can remain embedded in experimental methodologies"--Publisher's website

This urgent book explores the roots of racism and its legacy in modern day, all while empowering young people with actionable ways they can help foster a better world and become antiracists. Why are white supremacists still openly marching in the United States? Why are undocumented children of color separated from their families and housed in cages? Where did racism come from? Why hasn’t it already disappeared? And what can young people do about it? Rise Up! breaks down the origins of racial injustice and its continued impact today, connecting dots between the past and present. By including contemporary examples ripped from headlines and actionable ways young people can help create a more inclusive world, sociologist Crystal Marie Fleming shares the knowledge and values that unite all antiracists: compassion, solidarity, respect, and courage in the face of adversity. Perfect for fans of Stamped: Remix, This Book is Antiracist, Uncomfortable Conversations with a Black Boy, and The Black Friend. Praise for Rise Up! A Kirkus Reviews Best Book of 2021 A School Library Journal Best Book of 2021 A Booklist Editors' Choice Winner for 2021 * "A clear and damning appraisal of the United States’ long-standing relationship with White supremacy—with actionable advice for readers to do better." —Kirkus Reviews, starred review * "A standout . . . sure to inspire young people to act." —Booklist, starred review "Rise Up! is the invigorating, thought-provoking, eye-opening, and essential book about fighting white supremacy that I wish I had when I was a teen. Crystal M. Fleming writes about tough subjects with authority and compassion, and inspires with a roadmap for how we can change the world for the better." —Malinda Lo, author of Last Night at the Telegraph Club