Journey through Poland, Ukraine, Slovenia, and other places neglected by tourists, with “an accomplished stylist with an eye for telling detail” (Irvine Welsh). Andrzej Stasiuk is a restless and indefatigable traveler. By car, train, bus, and ferry, he goes from his native Poland to Slovakia, Hungary, Romania, Slovenia, Albania, Moldova, and Ukraine—to small towns and villages with strangely evocative names. “The heart of my Europe,” he tells us, “beats in Sokolów Podlaski and in Huși. It does not beat in Vienna.” In Comrat, a funeral procession moves slowly down the main street, the open coffin on a pickup truck, an old woman dressed in black brushing away the flies above the face of the deceased. In Soroca, he locates a baroque-Byzantine-Tatar-Turkish encampment, to meet Gypsies. And all the way to Babadag, between the Baltic Coast and the Black Sea, Stasiuk indulges his curiosity and his love for the forgotten places and people of Europe. “There isn’t quite a name for the region that holds the Polish writer Andrzej Stasiuk in thrall. The general drift is from ‘the land of King Ubu to the land of Count Dracula’, Poland to Romania. . . . Its nucleus is the landlocked centre of Central Europe; its protoplasm spreads like an amoeba through the Balkans. It cannot be convincingly mapped. . . . As travel writing, this is unconventional, but as literature profoundly authentic.” —The Independent (UK) “A mesmerizing, not-to-be-missed trek through a little-visited region of the world.” —Kirkus Reviews “A eulogy for the old Europe, the Europe both in and out of time, the Europe now lost in the folds of the map.” —The Guardian (UK)

A postcolonial study of Polish literature from Romanticism to the twenty-first century

"At several points in the haunting Dukla, Andrzej Stasiuk claims that what he is trying to do is 'write a book about light.' The result is a beautiful, lyrical series of evocations of a very specific locale at different times of the year, in different kinds of weather, and with different human landscapes. Dukla, in fact, is a real place: a small resort town not far from where Stasiuk now lives. Taking an usual form--a short essay, a novella, and then a series of brief portraits of local people or event--this book, though bordering on the metaphysical, the mystical, even the supernatural, never loses sight of the particular time, and above all place, in which it is rooted"--Page 4 of cover.

Poetry. Translation. Seemingly a set of prose ballads about the southeastern tip of Poland, TALES OF GALICIA brilliantly blurs the line between the short-story genre and the novel, while giving a vivid, poetic portrait of an imaginary village that was once part of a vibrant collective farm system. It is a part of Poland that - once inhabited by Poles, Ukrainians, and Jews - suddenly became homogenous after the war. Those who came to live in this region formed their own peculiar culture that lacked any sort of historical connection to what had preceded it. The village became depressed, its inhabitants largely unemployed and spending most of their time drinking in the pub. But rather than dark, naturalistic dirge, Stasiuk exhibits a Hrabalian flare for language and description that turns the banality and drudgery of these lives into poetry, with a final redemption scene that is at once comical, moving, and starkly beautiful.

Martin Jay is one of America's leading intellectual historians. His work spans almost all important questions concerning the subject of modernity. Outstanding Polish scholars engage in a dialogue with Jay’s work, discussing significant problems of modernity and postmodernity. The book offers a broad panorama of contemporary thought approached from various angles. It is also a unique exercise of intercultural intellectual dialogue covering many areas from literature to politics. The book also includes an essay on photography by Martin Jay and his detailed response to the other contributors, which has the character of an extended conversation with them. The book can serve as an assessment of the uptake of Jay’s ideas, and equally well as a general introduction to the genealogy of modernity and postmodernity.

The author recounts his adventures traveling through Turkey in search of the history of the fez, using it as a key to understanding the country's history and culture.

Cycling is Britain’s biggest boom sport and nowhere is the boom more evident than on the road: once seen as the preserve of serious racers, the road bike has recently found a new lease of life due to the popularity of challenge rides and Sportives. It is now possible for cyclists of all abilities to ride a well marked, well marshalled event just about any weekend of the year, usually based around one, two or sometimes as many as ten fearsome hills. For the first time, here is a pocket-sized guide to the 100 greatest climbs in the land, the building blocks for these rides, written by a cyclist for cyclists. From lung busting city centre cobbles to leg breaking windswept mountain passes, this guide locates the roads that have tested riders for generations and worked their way into cycling folklore. Whether you’re a leisure cyclist looking for a challenge or an elite athlete trying to break records stick this book in your pocket and head for the hills. To watch a video of Simon Warren in action click here