Leos Janacek, famed opera composer, ethnographer and amateur psychologist, is stranded in an obscure and enigmatic mountain village. Here, Janacek must become a detective far from home. Attempting to solve a murder in which he himself is suspect - and whose perpetrator might be a wild animal, a jealous lover, or Nature unhinged.

NEW YORK TIMES EDITORS’ CHOICE • In this vulnerable, insightful memoir, the New York Times columnist tells the story of his five-year struggle with a disease that officially doesn’t exist, exploring the limits of modern medicine, the stories that we unexpectedly fall into, and the secrets that only suffering reveals. “A powerful memoir about our fragile hopes in the face of chronic illness.”—Kate Bowler, bestselling author of Everything Happens for a Reason In the summer of 2015, Ross Douthat was moving his family, with two young daughters and a pregnant wife, from Washington, D.C., to a sprawling farmhouse in a picturesque Connecticut town when he acquired a mysterious and devastating sickness. It left him sleepless, crippled, wracked with pain--a shell of himself. After months of seeing doctors and descending deeper into a physical inferno, he discovered that he had a disease which according to CDC definitions does not actually exist: the chronic form of Lyme disease, a hotly contested condition that devastates the lives of tens of thousands of people but has no official recognition--and no medically approved cure. From a rural dream house that now felt like a prison, Douthat's search for help takes him off the map of official medicine, into territory where cranks and conspiracies abound and patients are forced to take control of their own treatment and experiment on themselves. Slowly, against his instincts and assumptions, he realizes that many of the cranks and weirdos are right, that many supposed "hypochondriacs" are victims of an indifferent medical establishment, and that all kinds of unexpected experiences and revelations lurk beneath the surface of normal existence, in the places underneath. The Deep Places is a story about what happens when you are terribly sick and realize that even the doctors who are willing to treat you can only do so much. Along the way, Douthat describes his struggle back toward health with wit and candor, portraying sickness as the most terrible of gifts. It teaches you to appreciate the grace of ordinary life by taking that life away from you. It reveals the deep strangeness of the world, the possibility that the reasonable people might be wrong, and the necessity of figuring out things for yourself. And it proves, day by dreadful day, that you are stronger than you ever imagined, and that even in the depths there is always hope.

“Intriguing, delightful, and touching.” —School Library Journal (starred review) “Creech’s best yet.” —Publishers Weekly (starred review) It started out as an ordinary summer. But the minute thirteen-year-old Zinny discovered the old, overgrown trail that ran through the woods behind her family’s house, she realized that things were about to change. It was her chance to finally make people notice her, and to have a place she could call her very own. But more than that, Zinny knew that the trail somehow held the key to all kinds of questions. And that the only way to understand her family, her Aunt Jessie’s death, and herself, was to find out where it went. From Newbery Medal-winning author Sharon Creech comes a story of love, loss, and understanding, an intricately woven tale of a young girl who sets out in search of her place in the world—and discovers it in her own backyard. An ALA Best Book for Young Adults

In Dean Dixon: Negro at Home, Maestro Abroad, conductor and scholar Rufus Jones Jr. brings to light a literal treasure trove of unpublished primary sources to tell the compelling story of this great American conductor. A testament to Dixon’s resolve, this first-ever full-length biography of this American musical hero chronicles Dixon’s musical upbringing, beginnings as a conductor, painful decision to leave his own country, rise to fame in Europe and his triumphant stand twenty-one years later when he returned to the United States to serve as a model for aspiring Black classical musicians. Dean Dixon: Negro at Home, Maestro Abroad will interest anyone who wants to know more about Black American history, American musical culture, and Black American concert music and musicians. More information is available at: www.maestroabroad.com

St Declan's Way is one of Ireland's best kept secrets. Returning to her homeland and to Lismore Castle where her parents once lived, Rosamund Burton takes us on a journey that is full of the sorts of surprises that only Ireland can offer.

Mysteries, mazes, and magic combine in this smart, funny summer-camp fantasy -- like THE AMAZING ADVENTURES OF KAVALIER & CLAY for kids! Dahlia Sherman loves magic, and Math Club, and Guitar Hero. She isn't so fond of nature walks, and Hebrew campfire songs, and mean girls her own age.All of which makes a week at summer camp pretty much the worst idea ever. But within minutes of arriving at camp, Dahlia realizes that it might not be as bad as she'd feared. First she sees two little girls walk right through the walls of her cabin. Then come the dreams -- frighteningly detailed visions of a young man being pursued through 1930s New York City. How are the dreams and the girls related? Why is Dahlia the only one who can see any of them? And what's up with the overgrown, strangely shaped hedge maze that none of the campers are allowed to touch? Dahlia's increasingly dangerous quest for answers will lead her right to the center of the maze -- but it will take all her courage, smarts, and sleight-of-hand skills to get her back out again.

A call for landscape architects to leave the office and return to the garden. Addressing one of the most repressed subjects in landscape architecture, this book could only have been written by someone who is both an experienced gardener and a landscape architect. With Overgrown, Julian Raxworthy offers a watershed work in the tradition of Ian McHarg, Anne Whiston Spirn, Kevin Lynch, and J. B. Jackson. As a discipline, landscape architecture has distanced itself from gardening, and landscape architects take pains to distinguish themselves from gardeners or landscapers. Landscape architects tend to imagine gardens from the office, representing plants with drawings or other simulations, whereas gardeners work in the dirt, in real time, planting, pruning, and maintaining. In Overgrown, Raxworthy calls for the integration of landscape architecture and gardening. Each has something to offer the other: Landscape architecture can design beautiful spaces, and gardening can enhance and deepen the beauty of garden environments over time. Growth, says Raxworthy, is the medium of garden development; landscape architects should leave the office and go into the garden in order to know growth in an organic, nonsimulated way. Raxworthy proposes a new practice for working with plant material that he terms “the viridic” (after “the tectonic” in architecture), from the Latin word for green, with its associations of spring and growth. He builds his argument for the viridic through six generously illustrated case studies of gardens that range from “formal” to “informal” approaches—from a sixteenth-century French Renaissance water garden to a Scottish poet-scientist's “marginal” garden, barely differentiated from nature. Raxworthy argues that landscape architectural practice itself needs to be “gardened,” brought back into the field. He offers a “Manifesto for the Viridic” that casts designers and plants as vegetal partners in a renewed practice of landscape gardening.