The award-winning former editor of Science News shows that one of the most fascinating and controversial ideas in contemporary cosmology—the existence of multiple parallel universes—has a long and divisive history that continues to this day. We often consider the universe to encompass everything that exists, but some scientists have come to believe that the vast, expanding universe we inhabit may be just one of many. The totality of those parallel universes, still for some the stuff of science fiction, has come to be known as the multiverse. The concept of the multiverse, exotic as it may be, isn’t actually new. In The Number of the Heavens, veteran science journalist Tom Siegfried traces the history of this controversial idea from antiquity to the present. Ancient Greek philosophers first raised the possibility of multiple universes, but Aristotle insisted on one and only one cosmos. Then in 1277 the bishop of Paris declared it heresy to teach that God could not create as many universes as he pleased, unleashing fervent philosophical debate about whether there might exist a “plurality of worlds.” As the Middle Ages gave way to the Renaissance, the philosophical debates became more scientific. René Descartes declared “the number of the heavens” to be indefinitely large, and as notions of the known universe expanded from our solar system to our galaxy, the debate about its multiplicity was repeatedly recast. In the 1980s, new theories about the big bang reignited interest in the multiverse. Today the controversy continues, as cosmologists and physicists explore the possibility of many big bangs, extra dimensions of space, and a set of branching, parallel universes. This engrossing story offers deep lessons about the nature of science and the quest to understand the universe.

AS THE WORLD BURNS, ONLY A DREAMER CAN SAVE IT New York, 2000. The United Nations has just planted its flag on Mars, and a Green Party senator is about to become the first female president of the United States. At a party in the almost-Utopian world, Kate and Ben fall in love. London, 1593. Kate wakes as Emilia, mistress to a nobleman and friend to a lowly court poet called Will. Afflicted by apocalyptic premonitions, she sets out to save the world. Each decision she makes as Emilia will change Kate's life with Ben forever.

The Heavens on Earth explores the place of the observatory in nineteenth-century science and culture. Astronomy was a core pursuit for observatories, but usually not the only one. It belonged to a larger group of “observatory sciences” that also included geodesy, meteorology, geomagnetism, and even parts of physics and statistics. These pursuits coexisted in the nineteenth-century observatory; this collection surveys them as a coherent whole. Broadening the focus beyond the solitary astronomer at his telescope, it illuminates the observatory’s importance to technological, military, political, and colonial undertakings, as well as in advancing and popularizing the mathematical, physical, and cosmological sciences. The contributors examine “observatory techniques” developed and used not only in connection with observatories but also by instrument makers in their workshops, navy officers on ships, civil engineers in the field, and many others. These techniques included the calibration and coordination of precision instruments for making observations and taking measurements; methods of data acquisition and tabulation; and the production of maps, drawings, and photographs, as well as numerical, textual, and visual representations of the heavens and the earth. They also encompassed the social management of personnel within observatories, the coordination of international scientific collaborations, and interactions with dignitaries and the public. The state observatory occupied a particularly privileged place in the life of the city. With their imposing architecture and ancient traditions, state observatories served representative purposes for their patrons, whether as symbols of a monarch’s enlightened power, a nation’s industrial and scientific excellence, or republican progressive values. Focusing on observatory techniques in settings from Berlin, London, Paris, and Rome to Australia, Russia, Thailand, and the United States, The Heavens on Earth is a major contribution to the history of science. Contributors: David Aubin, Charlotte Bigg, Guy Boistel, Theresa Levitt, Massimo Mazzotti, Ole Molvig, Simon Schaffer, Martina Schiavon , H. Otto Sibum, Richard Staley, John Tresch, Simon Werrett, Sven Widmalm

A theoretical astrophysicist explores the ideas that transformed our knowledge of the universe over the past century. The cosmos, once understood as a stagnant place, filled with the ordinary, is now a universe that is expanding at an accelerating pace, propelled by dark energy and structured by dark matter. Priyamvada Natarajan, our guide to these ideas, is someone at the forefront of the research—an astrophysicist who literally creates maps of invisible matter in the universe. She not only explains for a wide audience the science behind these essential ideas but also provides an understanding of how radical scientific theories gain acceptance. The formation and growth of black holes, dark matter halos, the accelerating expansion of the universe, the echo of the big bang, the discovery of exoplanets, and the possibility of other universes—these are some of the puzzling cosmological topics of the early twenty-first century. Natarajan discusses why the acceptance of new ideas about the universe and our place in it has never been linear and always contested even within the scientific community. And she affirms that, shifting and incomplete as science always must be, it offers the best path we have toward making sense of our wondrous, mysterious universe. “Part history, part science, all illuminating. If you want to understand the greatest ideas that shaped our current cosmic cartography, read this book.”—Adam G. Riess, Nobel Laureate in Physics, 2011 “A highly readable, insider’s view of recent discoveries in astronomy with unusual attention to the instruments used and the human drama of the scientists.”—Alan Lightman, author of The Accidental Universe and Einstein's Dream

On the Heavens (Greek: Περὶ οὐρανοῦ, Latin: De Caelo or De Caelo et Mundo) is Aristotle’s chief cosmological treatise: written in 350 BC it contains his astronomical theory and his ideas on the concrete workings of the terrestrial world. It should not be confused with the spurious work On the Universe (De mundo, also known as On the Cosmos).

In honor of the International Year of Astronomy and the 400th anniversary of Galileo Galilei's first astronomical observations, the Vatican and its century-old Observatory present "The Heavens Proclaim," an incredible demonstration of the beauty of the universe and the Catholic Church's role in its exploration.

In this fascinating work, Jean Dietz Moss shows how the scientific revolution begun by Copernicus brought about another revolution as well—one in which rhetoric, previously used simply to explain scientific thought, became a tool for persuading a skeptical public of the superiority of the Copernican system. Moss describes the nature of dialectical and rhetorical discourse in the period of the Copernican debate to shed new light on the argumentative strategies used by the participants. Against the background of Ptolemy's Almagest, she analyzes the gradual increase of rhetoric beginning with Copernicus's De Revolutionibus and Galileo's Siderius nuncius, through Galileo's debates with the Jesuits Scheiner and Grassi, to the most persuasive work of all, Galileo's Dialogue. The arguments of the Dominicans Bruno and Campanella, the testimony of Johannes Kepler, and the pleas of Scriptural exegetes and the speculations of John Wilkins furnish a counterpoint to the writings of Galileo, the centerpiece of this study. The author places the controversy within its historical frame, creating a coherent narrative movement. She illuminates the reactions of key ecclesiastical and academic figures figures and the general public to the issues. Blending history and rhetorical analysis, this first study to look at rhetoric as defined by sixteenth- and seventeenth-century participants is an original contribution to our understanding of the use of persuasion as an instrument of scientific debate.