"On the Back Road to Mandalay" is the story of twenty years of life and work in the mountains of western Burma. To advance the Christian faith, they had an adventurous life raising their children, running schools, training men and women for ministry, translating the Bible, building churches, producing Christian literature and Sunday school material, and promoting health and education.

The second part of the bestselling novelist's dramatic autobiography about his time in the Gurkhas during the second world war This is the second part of John Masters' autobiography: how he fought with his Gurkha regiment during World War II until his promotion to command one of the Chindit columns behind enemy lines in Burma. Written by a bestselling novelist at the height of his powers, it is an exceptionally moving story that culminates in him having to personally shoot a number of wounded British soldiers who cannot be evacuated before their position is overrun by the Japanese. It is an uncomfortable reminder that Churchill's obsession with 'special forces' squandered thousands of Allied lives in operations that owed more to public relations than strategic calculation. This military and moral odyssey is one of the greatest of World War II frontline memoirs.

Andrew Selth has been watching Myanmar for 50 years. During this time, he has published 10 books and more than 400 other works about the country. In 2020, he released a collection of almost 100 articles that had been posted on the Lowy Institute’s Interpreter website. This second anthology brings together another 72 articles, written for a range of outlets between 2007 and 2023. This period saw the installation of a “disciplined democracy” under Aung San Suu Kyi, the 2021 military coup, and the country’s descent into a bitter civil war. Many of the articles in the book deal with international relations and security issues, but there are also works on Myanmar’s history, politics and culture, as well as some personal reminiscences. Together, they make a unique contribution from an Old Myanmar Hand with wide ranging interests and insights.

Drawing upon the public theology of Gary M. Simpson and personal experiences, contributors provide theological perspectives on the ethics and opportunities of twenty-first century Christian mission and envision promising pathways for Christian congregations to faithfully bear social responsibility in contemporary worldwide contexts.

Updated by popular demand, this is the fourth edition of this important bibliography. It lists a wide selection of works on or about Myanmar published in English and in hard copy since the 1988 pro-democracy uprising, which marked the beginning of a new era in Myanmar’s modern history. There are now 2,727 titles listed. They have been written, edited, translated or compiled by over 2,000 people, from many different backgrounds. These works have been organized into thirty-five subject chapters containing ninety-five discrete sections. There are also four appendices, including a comprehensive reading guide for those unfamiliar with Myanmar or who may be seeking guidance on particular topics. This book is an invaluable aid to officials, scholars, journalists, armchair travellers and others with an interest in this fascinating but deeply troubled country.

A comprehensive study of one of the key conflicts of the Second World War.

For decades, scholars have been trying to answer the question: how was colonial Burma perceived in and by the Western world, and how did people in countries like the United Kingdom and United States form their views? This book explores how Western perceptions of Burma were influenced by the popular music of the day. From the First Anglo-Burmese War of 1824-6 until Burma regained its independence in 1948, more than 180 musical works with Burma-related themes were written in English-speaking countries, in addition to the many hymns composed in and about Burma by Christian missionaries. Servicemen posted to Burma added to the lexicon with marches and ditties, and after 1913 most movies about Burma had their own distinctive scores. Taking Rudyard Kipling’s 1890 ballad ‘Mandalay’ as a critical turning point, this book surveys all these works with emphasis on popular songs and show tunes, also looking at classical works, ballet scores, hymns, soldiers’ songs, sea shanties, and film soundtracks. It examines how they influenced Western perceptions of Burma, and in turn reflected those views back to Western audiences. The book sheds new light not only on the West’s historical relationship with Burma, and the colonial music scene, but also Burma’s place in the development of popular music and the rise of the global music industry. In doing so, it makes an original contribution to the fields of musicology and Asian Studies.