A new translation of Fo's play which aims to be faithful to the clear-sighted insanity of the original. The author's other plays include "Mistero Buffo", "Trumpets and Raspberries" and "Archangels Don't Play Pinball".

Lucrezia Borgia is one of the most vilified women in modern history. The daughter of a notorious pope, she was twice betrothed before the age of eleven and thrice married—one husband was forced to declare himself impotent and thereby unfit and another was murdered by Lucrezia’s own brother, Cesar Borgia. She is cast in the role of murderess, temptress, incestuous lover, loose woman, femme fatale par excellence. But there are two sides to every story. Lucrezia Borgia is the only woman in history to have serve as the head of the Catholic Church. She successfully administered several of Renaissance Italy’s most thriving cities, founded one of the world’s first credit unions, and was a generous patron of the arts. She was mother to a prince and to a cardinal. She was a devoted wife to the Prince of Ferrara, and the lover of the poet Pietro Bembo. She was a child of the renaissance and, in many ways, the world’s first modern woman. In this richly imagined novel, Nobel laureate Dario Fo reveals Lucrezia’s humanity, her passion for life, her compassion for others, and her skill at navigating around her family’s evildoings. The Borgias are unrivalled for the range and magnitude of their political machinations and opportunism. Fo’s brilliance rests in his rendering their story as a shocking mirror image of the uses and abuses of power in our own time. Lucrezia herself becomes a model for how to survive and rise above those abuses. Part Wolf Hall, part House of Cards, The Pope's Daugther will appeal to readers of historical fiction and of contemporary fiction alike and will delight anyone fascinated by Renaissance Italy.

Narrated in the first person this is an account of the savage journey of a man who has not only been brushed by mortality but who is still in the process of trying to wrestle it to the ground.

An extraordinary coming-of-age memoir by the Nobel-Prize-winning playwright My First Seven Years is Dario Fo's fantastic, enchanting memoir of his youth spent in Northern Italy on the shores of Lago Maggiore. As a child, Fo grew up in a picturesque village teeming with glass-blowers, smugglers and storytellers. Of his teenage years, Fo recounts the struggles of the Fascists and Partisans, the years of World War II, and his own tragicomic experience trying to desert the Fascist army. In a series of colorful vignettes, Fo draws us into a remarkable early life filled with characters and anecdotes that would become the inspiration for his own creative genius.

Joseph Farrell and Antonio Scuderi present an international collection of essays reevaluating the multifaceted performance art of Nobel laureate Dario Fo. The contributors, all of whom either have previously published on Fo or have worked with him, are the major Dario Fo scholars of three continents. Going beyond the Marxist criticism of the 1970s and 1980s, the editors and contributors try to establish an appropriate language in which to debate Fo's theater. They seek to identify the core of Fo's work, the material that will be of lasting value. This involves locating Fo in history, examining the nature of his development through successive phases, incorporating his politics into a wider framework of radical dissent, and setting his theatrical achievements in a context and a tradition. The essays cover every aspect of Dario Fo: as actor, playwright, performer, and songwriter. They also provide the historical background of Fo's theater, as well as an in-depth analyses of specific works and the contribution of Franca Rame.

The K of D follows the story of Charlotte McGraw, a 12-year-old girl struggling to come to terms with the death of her twin brother. It also follows the growing "legend" of Charlotte McGraw, as narrated by a pack of teenagers who live near Charlotte on a man-made lake in southwest Ohio. The truth is that Charlotte's brother was hit by a car and died in her arms; moments before he died, he kissed her. The legend is that everything Charlotte kissed from that moment forward also died.

The first and only full-length critical study of Dario Fo, the 1997 Nobel Prize for Literature Winner This book, now extensively rewritten and updated, remains the only full-length critical study to cover various phases of Dario Fo's theatrical career. It looks at Fo's political influences and also the influence on his work of various theatrical motifs, including the great clown traditions which stretch back to the middle ages. The political work of Dario Fo and his wife/collaborator Franca Rame is charted from the 1960s up to the present to give the reader clear insight into this playwright/performer's unique literary and theatrical strengths. Each of Fo's plays and productions is discussed at length and the author has included an extensive and updated bibliography which includes full production details, quotes and writings about Fo. Always a popular performer in his native Italy, Fo has been one of the world's most performed dramatists. In the author's words: he is the "people's court jester".