In God's Empire, Hilary M. Carey charts Britain's nineteenth-century transformation from Protestant nation to free Christian empire through the history of the colonial missionary movement. This wide-ranging reassessment of the religious character of the second British empire provides a clear account of the promotional strategies of the major churches and church parties which worked to plant settler Christianity in British domains. Based on extensive use of original archival and rare published sources, the author explores major debates such as the relationship between religion and colonization, church-state relations, Irish Catholics in the empire, the impact of the Scottish Disruption on colonial Presbyterianism, competition between Evangelicals and other Anglicans in the colonies, and between British and American strands of Methodism in British North America.

Canadian Women in Print, 1750—1918 is the first historical examination of women’s engagement with multiple aspects of print over some two hundred years, from the settlers who wrote diaries and letters to the New Women who argued for ballots and equal rights. Considering women’s published writing as an intervention in the public sphere of national and material print culture, this book uses approaches from book history to address the working and living conditions of women who wrote in many genres and for many reasons. This study situates English Canadian authors within an extensive framework that includes francophone writers as well as women’s work as compositors, bookbinders, and interveners in public access to print. Literary authorship is shown to be one point on a spectrum that ranges from missionary writing, temperance advocacy, and educational texts to journalism and travel accounts by New Woman adventurers. Familiar figures such as Susanna Moodie, L.M. Montgomery, Nellie McClung, Pauline Johnson, and Sara Jeannette Duncan are contextualized by writers whose names are less well known (such as Madge Macbeth and Agnes Laut) and by many others whose writings and biographies have vanished into the recesses of history. Readers will learn of the surprising range of writing and publishing performed by early Canadian women under various ideological, biographical, and cultural motivations and circumstances. Some expressed reluctance while others eagerly sought literary careers. Together they did much more to shape Canada’s cultural history than has heretofore been recognized.

The Lord's Dominion describes the development of mainstream Canadian Methodism, from its earliest days to its incorporation into the United Church of Canada in 1925. Neil Semple looks at the ways in which the church evolved to take its part in the crusade to Christianize the world and meet the complex needs of Canadian Protestants, especially in the face of the challenges of the twentieth century.

A treasure trove of incredible lives lived. — RICK MERCER, comedian and author Muir sets out to restore the faces of women who worked and struggled in nineteenth-century Toronto. A fascinating read. — WARREN CLEMENTS, author and publisher Emphasizes the enormously influential role women had in laying the groundwork for life in the city today. — DR. ROSE A. DYSON, author of Mind Abuse: Media Violence and Its Threat to Democracy Women in nineteenth-century Toronto were integral to the life of the growing city. They contributed to the city’s commerce and were owners of stores, factories, brickyards, market gardens, hotels, and taverns; as musicians, painters, and writers, they were a large part of the city’s cultural life; and as nurses, doctors, religious workers, and activists, they strengthened the city’s safety net for those who were most in need. Their stories are told in this wide-ranging collection of biographies, the result of Muir’s research on early street directories and city histories, personal diaries, and other historical works. Muir references over four hundred women, many of whom are discussed in detail, and describes the work they undertook during a period of great change for Toronto.