In a thorough empirical investigation of journalistic practices in different news contexts, 'New Media, Old News' explores how technological, economic and social changes have reconfigured news journalism, and the consequences of these transformations for a vibrant democracy in our digital age.

For the last few years, Dregs Marrow's life has followed a pattern: get far, experience collapse, start over, fail again. Now, the twenty-six-year-old seeks to build a band from scratch and is looking for like minded people to join him in this venture in Portland, Oregon. After placing an ad online, Marrow meets with a variety of talents who espouse different philosophies about creativity and making music. Spanning a year in Marrow's life as a struggling musician, Old News focuses on musical aspirations, social paradigms, mental lapses and breakthroughs, current affairs, the dichotomy of personal motivations, and creative thinking. This novella provides insight into Marrow's most inner thoughts and emotions while providing a glimpse into the music world, how music is made, and the expression of art. Old News narrates a story of perceptions in the creation of music it is conceivable by hard work, an open mind, fearlessness of failure, and practice.

Reproduction of the original. The publishing house Megali specialises in reproducing historical works in large print to make reading easier for people with impaired vision.

Are you overwhelmed at the amount, contradictions, and craziness of all the information coming at you in this age of social media and twenty-four-hour news cycles? Fake News, Propaganda, and Plain Old Lies will show you how to identify deceptive information as well as how to seek out the most trustworthy information in order to inform decision making in your personal, academic, professional, and civic lives. • Learn how to identify the alarm bells that signal untrustworthy information. • Understand how to tell when statistics can be trusted and when they are being used to deceive. • Inoculate yourself against the logical fallacies that can mislead even the brightest among us. Donald A. Barclay, a career librarian who has spent decades teaching university students to become information literate scholars and citizens, takes an objective, non-partisan approach to the complex and nuanced topic of sorting deceptive information from trustworthy information.

Written in the aftermath of World War I, this essay by the Pulitzer Prize–winning journalist remains relevant in its denunciation of media bias, particularly in terms of wartime propaganda.

This book addresses east-west understandings of Arab women as portrayed through translated media. The vast majority of media studies on Arab women are western-based. They study the effect of western stereotypes in western media depictions of Arab women. There is a vast scholarly literature tracing western stereotypes of Arab women from medieval times to the present. From 1800, the dominant western stereotype of Arab women depicts them as passive and oppressed. Thirty years of social science media research in the west has shown that media images of Arab women reinforce this two hundred year old stereotype. Much of this research has studied silent "image bites" of Arab women, where women are pictured in veils and their own voices are replaced by western captions or voice-overs. This book sets out to answer this question. To answer it, we contracted with a global news translation service from the Middle East to collect and translate a sample of 22 months of new summaries from 103 Arab media sources belonging to 22 Arab countries. Filtering the summaries that contained one or more female keywords (e.g., woman, mother, aunt, sister, she) yielded 2, 061 summaries between September 2005 and June of 2007. Using the 2,061 summaries as input data, a coding scheme was developed for "active" and "passive" female behaviors based on verb-phrase analysis and conventions of English-language news-reporting.

The objective of the seven articles reprinted in New Views on Old News is to promote reconsideration of longstanding assumptions about a variety of significant creative works. The hope of author Merritt Abrash is that readers will find Thomas Mores Utopians, H.G.Wells time traveler, Karel Capeks robots, Alfred Hitchcocks birds, and the other subjects of the book, no longer appearing quite the same as widely understood. It is not a matter of previous interpretations being in any way wrong; rather, the general point of the articles is that in regard to the works they discuss, exactly the same evidence can, if viewed from different angles, lead to different conclusions claiming equal validity. The long short story, A Question of Code, which begins New Views on Old News, stands apart from the seven articles in that it presents a new view regarding which virtually no old news exists to be reconsidered. The only longstanding assumption about its subject matterretribution for the Holocaust--could be said to be that, in the first place, the latter defies any form of plausible creative handling at all. Instead of comparing the validity of different interpretations, each reader of this story must come to his or her own unaided conclusion about the merit of the Majors design very much as does the narrator in the story. Aside from any other virtues (or lack of same), New Views on Old News should open up for readers fresh avenues toward understandings, just as compiling its various parts did for the author.