"It's the summer of 2013 and 15-year-old Ivy Scattergood has traveled with her family to their vacation home in Maine. The Scattergoods are a blended, mixed-race family with old Philadelphia area Quaker roots. Ivy loves the Red Sox, one single music group at a time (this year it's Johnnyswim), helping make dinner every night, and this guy in Maine named Bailey Cooper. Ivy also has no interest in makeup, heels, dresses, and most of the basic assumptions people make about what it means to be a teenage girl - but don't call her a Tomboy, at least to her face. Then her cousin Robert from San Diego (also 15) comes to visit - as a beautiful, glamorous young woman who has re-named herself Rita Gomez. Thus begins a summer where Ivy's worldview will expand, where she will discover new layers to herself and those around her, and where stepping forward into the unknown will emerge as a bold adventure. Lyrically written and brimming with spirit, Old Music for New People is a luminous work of fiction"--

Ask an old-timer what life was like in rural upstate New York during the nineteenth and early twentieth centuries and you will hear about the dances and bees that brought villagers and farmers together. You will hear of favorite fiddlers who held center stage with dance tunes taken from early British and American sources. You will hear of old-time music and its significance to a people making the transition from a rural, agricultural life to an urban, industrial one. Old-Time Music Makers of New York State is the first book published on this rich legacy of traditional Anglo-American music and dance. It traces the development of old-time music beginning with its movement into New York State from New England in the early nineteenth century and to its combination with commercial country music in the twentieth century. Exploring the regional character of the music and its meaning co the people who enjoy it, Bronner introduces memorable figures from the major periods in the development of old-time music, and he places their stories, their lives, and their music in the context of the region's cultural and historical changes. This is much more than a regional study, however. Bronner brings to the fore issues of national scope and interest. He discusses the relationship of old-time music to the commercial country music with which it has been closely aligned, and he challenges the prevailing wisdom that the origins of country music are in the South. Musician, fan, folklorist, and historian alike will benefit from and enjoy this book. The many musical transcriptions, annotations, photographs, and appendixes provide a valuable reference to be used again and again.

The first volume of a collection of short stories by Sean Dietrich, a writer, humorist, and novelist, known for his commentary on life in the American South. His humor and short fiction appear in various publications throughout the Southeast.

A lively and lyrical picture book jaunt from actor and author John Lithgow! Oh, children! Remember! Whatever you may do, Never play music right next to the zoo. They’ll burst from their cages, each beast and each bird, Desperate to play all the music they’ve heard. A concert gets out of hand when the animals at the neighboring zoo storm the stage and play the instruments themselves in this hilarious picture book based on one of John Lithgow’s best-loved tunes.

Americana is a music that defies definition. It isn’t rock, although it does encompass rock. It isn’t folk, but folk is there. It isn’t Celtic, but it is woven with Celtic threads. It is a blend of forms, music that draws on a wide range of influences. Gathering these many genres together, Americana continually reinvents itself and actively tells the story of its origins and its future. The Americana Revolution: From Country and Blues Roots to the Avett Brothers, Mumford & Sons, and Beyond is an informal social history that describes Americana as both a musical genre and a movement, showing what it is, where it came from, and where it is going. Musician and historian Michael Scott Cain examines how the idea of genre, especially Americana, affects the creation and consumption of music. He tries to discern the formulas of this slippery genre and seeks out the places where artists have broken or bent those formulas in the name of creativity. Through anecdotes and interviews, Cain provides a firsthand view into the creation of Americana to clarify how the genre can be categorized and defined. Through the stories of its creators both long gone and new to the scene, Americana music comes alive as a diverse melting pot of creative genius. With this book, Cain grants music lovers from all backgrounds an unparalleled view into the future of a music that embraces new influences but never forgets its roots.

(Piano/Vocal/Guitar Artist Songbook). This songbook includes all 15 songs from the 2006 release, Jackson's first ever gospel album. Songs: Blessed Assurance * How Great Thou Art * I'll Fly Away * In the Garden * The Old Rugged Cross * Softly and Tenderly * What a Friend We Have in Jesus * and more.

How digital technology is upending the traditional creative industries—and why that’s a good thing The digital revolution poses a mortal threat to the major creative industries—music, publishing, television, and the movies. Cheap, easy self-producing is eroding the position of the gatekeepers and guardians of culture. Does this revolution herald the collapse of culture, as some commentators claim? Far from it. In Digital Renaissance, Joel Waldfogel argues that digital technology is enabling a new golden age of popular culture—a digital renaissance. Analyzing decades of production and sales data, as well as bestseller and best-of lists, Waldfogel finds that the new digital model is just as powerful at generating high-quality, successful work as the old industry model, and in many cases more so.