The first section, on the grammar, presents reading selections from Marie de France's lai "Fresne" and selections in two major literary dialects of Old French--Anglo-Norman and Picard. These are followed by chapters on Old French morphology and syntax; phonology sections are included at the end of each chapter. Contains a glossary, an index, and a select bibliography.

This 1920 collection includes five timeless French fairy tales written by Comtesse De Segur and illustrated by the 19 year old Virginia Sterrett.

A concise but unusually comprehensive handbook for the students of Old French. Based on Dr Einhorn's very successful introductory lecture course for undergraduates, this book describes the phonology, morphology and syntax of standard Old French, paying attention also to the main dialect forms. There are numerous examples in the text; the book also gives representative passages of some length, and a glossary. Students taking university courses and scholars teaching themselves should find in this book an ideal combination of features in a handy format.

This volume offers a broad and rich view of the tradition of Old French epic poetry, or chansons de geste, by providing an updated English translation of three central poems from the twelfth-century Guillaume d'Orange cycle.

The present volume presents scholarly study into Old French as it is practiced today, in all of its forms, within a variety of theoretical frameworks, from Optimality Theory to Minimalism to Discourse Analysis. Many of the chapters are corpus-based, reflecting a new trend in the field, as more electronic corpora become available. The chapters contribute to our understanding of both the synchronic state and diachronic evolution, not only of Old French, but of language in general. Its breadth is extensive in that contributors pursue research on a wide variety of topics in Old French focusing on the various subsystems of language. All examples are carefully glossed and the relevant characteristics of Old French are clearly explained, which makes it uniquely accessible to non-specialists and linguists at all levels of training. ​

The Prophet of Islam in Old French gives the first English translation of the only medieval French narratives that present comprehensive accounts of Muhammad's prophethood: Alexandre du Pont's Romance of Muhammad from 1258 and the 1264 translation of a Muslim apocalypse, The Book of Muhammad's Ladder. The introduction addresses the problems of the romance's divergence from conventional Christian representations of Muhammad's confirmation as prophet and the absence of Christian commentary in the apocalypse. It discusses the traditions regarding Muhammad's prophethood, the conventions of the apocalyptic genre, and the propagandistic aims of both narratives in relation to the crusades and missionary activity at that time. These works are of particular interest because they are the first to present to a French lay audience the topic of Muhammad's prophethood, and scholars have long debated whether the apocalypse influenced Dante's Divine Comedy.

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